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	[No title]
		Triumph of the Will is a Nazi propaganda film that seeks at and succeeds at portraying Hitler’s Germany in a positive light, while America and the Holocaust provides a more truthful perspective, and together, the films show how the Holocaust was possible.
		The film shows that the U.S. Department of State actively opposed helping Jews, xenophobia and discrimination were popular in America, there was not a public outcry against Hitler, and finally America was persuaded to help the victims of the Holocaust.
		As the film’s title suggests, America was somewhat indifferent to the plight of the Jews not only because of their preconceived biases but also because of deceit by the government.
	people.smu.edu /theerwag/homework/4/CF3317/holocaustfilms.doc (1218 words)

	New Page 13
		Triumph of the Will is one of Leni Riefenstahl's masterpieces and together with another of her great work, Olympiade (Olympia, 1938), are perhaps two of the best known documentaries ever made.
		In the film, this community of faith was degraded to the position of cadre that was pure and simple, which was able to move along under the artistic direction of the director.
		Throughout the film, the flag was used to communicate all the themes and ideals of Nazi ideology such as the Führer, the national community (volksgemeinschaft), the fatherland; obedience, race, faith and hope.
	members.fortunecity.com /deowullf/film_triumph.htm (829 words)

	Mother Figure in Film
		In the three films “Triumph of the Will”, “La Marseillaise”, and “Lifeboat” the traditional role of “mother” is assigned to female characters and used as a tool in order to unify the population of each country (Germany, France, and the United States respectively), during times of social and political upheaval, with renewed nationalistic sentiments.
		From the first film, “Triumph of the Will”, the scene that presents the German mother bringing flowers to Hitler, then in “La Marseillaise” there is the scene with the young mother walking by the resting soldiers, and finally, in “Lifeboat” the scene where Mrs.
		The mother in this film should be sitting in front a nice warm fire with her child at home, not trudging through the night dragging the child behind her and it is a major failure on the part of French men that she is not able to do so.
	www.mtholyoke.edu /courses/rschwart/clio/student-papers/gautier2001.htm (3355 words)

	Revised Draft
		She was the first film maker to perfect these intricate lighting techniques that are still used today.(11) The innovations that Riefenstahl brought to the profession of film making are one of the things that made her a truly amazing artist.
		Well, if there was no controversy over whether her films should be shown, they may have never have gained the recognition that they deserved as propagandist films that have the ability to create intense emotion in the viewer.
		The aesthetics of her films are revered as groundbreaking and her skills as a propagandist are known as none less than amazing.
	www.gwu.edu /~english/wd/Neckyfarow/RiefenstahlFinalDraft_pg.htm (3450 words)

	Triumph Marketing LLC
		Triumph Marketing, LLC specializes in providing sales and marketing strategies to studios and independent production companies for the release of their films to the home video market on DVD, VHS and to syndicated television outlets.
		Triumph was also responsible for the home video launch of the sequel, Left Behind II-Tribulation Force which was released on October 29, 2002 and has amassed over $30 million in DVD and VHS sales.
		Triumph Marketing, LLC remains commited to providing outstanding sales, marketing and ancillary services on behalf of our clients and to be recognized as the premier distributor, for independent producers and studios.
	www.triumphmarketingllc.com /aboutus.html (430 words)

	Fact vs. Fiction: 'Triumph of the Will' vs. 'October' (Site not responding. Last check: 2007-10-21)
		The film is dedicated to the tenth anniversary of the revolution, thereby limiting itself in the main to a mere spectacle of celebration.
		Triumph of the Will is not a "recreation" of historical events, but rather a documentary (albeit a rather propagandistic one) of the events themselves.
		The reason that Riefenstahl was not “forced” to fictionalize her account of National Socialist glory was the fact that she was in the middle of it and not trying to "recreate" it (as was Eisenstein when he portrayed Communist glory).
	www.nationalvanguard.org /printer.php?id=626 (962 words)

	The DVD Journal: Triumph of the Will: Special Edition
		Even before you get to its political aspects, the film shows its age because it fails to overcome its primitive technique and melodramatic narrative structure, rendering it a document of solely historical and sociopolitical interest, a movie not at all tolerable in even the conventional sense.
		After viewing Triumph of the Will the viewer is most likely to realize that, for a propaganda film, there are hardly any ideas in it, mainly just emotional references to an undivided Germany, to the past, and to blood.
		Working with what she had, and with a mountain of footage to draw upon, Riefenstahl was able to film the convention as a documentary and then recreate it on film as an emotional event.
	www.dvdjournal.com /reviews/t/triumphofthewill.shtml (1283 words)

	BrushStrokes - Media, Information, and Technoculture » Blog Archive » Invisible Influence: Ideology in ...
		All film is imbued with some form of ideology—as long as a film has evoked a person’s emotions, then it has propagated a certain point of view on that person (“Propaganda”).
		Triumph director Leni Riefenstahl and Stargate director Roland Emmerich are able to communicate this form of ideological expression through their knowledge of cinematography and editing techniques, and propagate nationalism implicitly.
		Films which are imbued with ideas reflective of the dominant ideology in its “chaste” form give no indication that the filmmakers themselves were aware of that ideology’s presence.
	blog.daninko.ca /?p=7 (1995 words)

	S Y N T H E S I S - Triumph of the Will vs. October
		On the contrary, the film is a mere representation of the fact.
		TRIUMPH OF THE WILL is not a recreation of actual events, but rather a documentary (albeit a rather propagandistic one) of the events themselves.
		The reason that Riefenstahl was not "forced" to fictionalize her account of National Socialist glory was the fact that she was in the middle of it and not in a recreation (like Eisenstein when he propagated Communist glory).
	www.rosenoire.org /essays/triumph-october.php (994 words)

	AIRSHIP > Feature Films
		The film was a great success, and was directed by Walter Booth, produced by Charles Urban.
		This film is the source of the crash scenes in the 1946 history of the rigids.
		The film used the airship extensivly --- in the hanger, on the ground, and in the air with vistas mainly of the Ruhr.
	spot.colorado.edu /~dziadeck/airship/films.htm (1347 words)

	Leni Riefenstahl
		She was casted in three of Fanck's films, in which her beautiful looks were set for her disappointment secondary to the beauty and purity of the mountains.
		The great opposites of the film are Hitler, who is shown only a few times, and the great African-American athlete Jesse Owens, the true hero of the first part, who triumphed over Aryan race theories.
		The British Film Institute had withdrawn its invitation in 1960 for Riefenstahl to give a talk about her filmmaking, but in 1974 she was honored at the Telluride Film Festival in Colorado, and in 1976 in Montreal Summer Olympics Riefenstahl was invited as a guest of honor.
	www.kirjasto.sci.fi /riefens.htm (2062 words)

	Synapse-Films.com
		Leni Riefenstahl’s classic piece of historical filmmaking, filmed during the 1934 Nazi Party Rally in Nuremberg, Germany, is considered by many to be one of the most important and controversial films ever made.
		The film, realized by Paul Joseph Goebbels, Hitler’s Reich Minister for Public Enlightenment and Propaganda, was created to influence all of Germany to support the “power” of the Nazi Party.
		Sets were especially built to accommodate cameras and Hitler was filmed separately from the crowds so Riefenstahl could edit together a film that would manipulate imagery and seduce the mind.
	www.synapse-films.com /shopping_cart/triumph.htm (332 words)

	First Draft
		Although Riefenstahl’s films are controversial in nature due to their backing by the Nazi Party, I argue that the present use of her films as reminders to the horror of the Nazi party are a positive aspect to her work although this was not their original intent.
		Hitler wished her to produce his films because he was attracted to her and he "requested" that "I want you to make pictures just for me, just about me and the Movement" which she did from 1933 onward.
		Riefenstahl says "Hitler did not play such an important role in my life, I made one film for him, which had three parts, and out of that the press wove a legend." (12) So thus, the controversy around Riefenstahl and her films was born, but it didn’t end.
	www.gwu.edu /~english/wd/Neckyfarow/RiefenstahlDraft1.htm (2604 words)

	Triumph Films - Wikipedia, the free encyclopedia
		Triumph Films (aka: Triumph Releasing Corporation) is a division of Sony Pictures Entertainment geared towards theatre and direct-to-video film production and distribution.
		It was originally founded in 1982 as a joint venture between Columbia Pictures and the French company Gaumont to distribute foreign films in the US.
		Notable films include: To Gillian on Her 37th Birthday, The Ambulance, Brainscan, The Golden Laws, Steamboy and SuperBabies: Baby Geniuses 2.
	en.wikipedia.org /wiki/Triumph_Films (132 words)

	Saint Joseph’s University
		Prepare two copies of a position paper, discussing how film may be used to inflame or dampen such attitudes, one of which will be submitted at the first class while the other is retained.
		Films to be shown: “The Tin Drum”, “Nazi Concentration Camps”.
		Films to be shown; “The Garden of the Finzi-Continis” and “Life is Beautiful”.
	www.sju.edu /uc/pages/EDU1515_0600.htm (310 words)

	Triumph of the Will (Site not responding. Last check: 2007-10-21)
		Success as a dancer gave way to film acting when she attracted the attention of film director Arnold Fanck subsequently starring in some of Fanck's "mountaineering" pictures.
		It was her work on "Triumph of the Will", a documentary about Adolf Hitler, that would come back to haunt her after the atrocities of WWII.
		Film clip 1 from Das Volk - Translation: "In you is also that which we...
	history.sandiego.edu /gen/filmnotes/triumph.html (252 words)

	True Film: Triumph of the Will
		This two-hour documentary was created as a propaganda film for the Nazis, to introduce Germany and the world to Adolf Hitler and his deputies Heinrich Himmler, Joseph Goebbels and other now infamous men.
		It was filmed during the Nuremberg Rally in 1934 and features amazingly vivid scenes: stadiums of hypnotized youth, infinite marching columns of fl-booted soldiers, and the awesome spectacle of precision mass rallies.
		For a full understanding of how this film captured (and disseminated) the Nazi ideology, listen to the historian's commentary track, in addition to the English subtitles.
	www.kk.org /truefilms/archives/2003/01/triumph_of_the_1.php (165 words)

	BBC NEWS \| Entertainment \| Film \| UK films triumph in festive chart
		Three of the top four most watched films on the five main TV channels over Christmas were recent British films, according to the UK Film Council.
		The UK Film Council said the figures backed-up a poll undertaken last year, which suggested widespread public agreement for supporting new British films on TV.
		UK Film Council chief executive John Woodward, said: "As well as being a major ratings success for the BBC, the 2004/5 festive film figures back up opinion poll figures showing that viewers want to see more recent British films on television.
	news.bbc.co.uk /1/hi/entertainment/film/4241679.stm (341 words)

	German Directors - Leni Riefenstahl
		Riefenstahl's first film as director was shot on location and emphasizes the romantic mysticism of the mountains and the transmuting power of nature.
		Although it features many of the same themes as his mountain films of the 1920's, this epic Arnold Fanck adventure is set at sea-level off the coast of Greenland, where a band of explorers and scientists (played by Gustav Diessl, Rod La Rocque, and others) cling to life on an eroding iceberg.
		Made at the end of the silent era, this unique film by G.W. Pabst and Arnold Fanck is a classic example of the German mountain film: first-rate hybrids of documentary and melodrama that also feature embryonic propaganda content.
	multilingualbooks.com /foreignvids-germ-riefenstahl.html (1378 words)

	Triumph Of The Will: Special Edition DVD Review
		The film was directed by Leni Riefenstahl who was handpicked by Hitler to make the film, which is carefully staged complete with an opening overture and some striking visual compositions and framing that have been duplicated by filmmakers for fiction films as well as politicians and even top ten music video artists.
		In fact the film is shown in film schools in the United States for its filmmaking techniques, which have in no small way had a profound effect on many famous filmmakers.
		A percentage of the sales of the DVD release of "Triumph Of The Will" are being donated to the United States Holocaust Memorial Museum in Washington D.C. "Triumph Of The Will: Special Edition" is available on DVD now from Synapse Films.
	members.aol.com /WriterR5/Will_DVD.html (485 words)

	German movie depictions of boys clothing: NAZI era
		Individuals in NAZI films are creatures of the state, not God; all totalitarian regimes want to destroy the old world (represented by Heini's alcoholic, abusive father, who is also a Communist) and his mother, who is a decent and good woman, but ineffectual.
		One segment of the film shows an HJ member having supper with a host family at one stop along the way; the family members ask questions which allow the young man to tell the audience about the HJ and the march.
		Behind the now chilling pageantry of this film and the all to notable discipline of its participants is shown the cleverness of NAZI leaders in preparing German youth, both physically and psychologically, for war.
	histclo.com /the/movie/cou/mcou-gerng.html (2412 words)

	ASIFA-Hollywood: The International Animated Film Society
		The latest film from the director of AKIRA is one part masterful traditional animation, two parts state of the art anime, a dose of steam-punk -- and 100% pure Otomo.
		A retro science-fiction epic set in Victorian England, Steamboy features the invention of a new form of energy, capable of powering an entire nation.
		This is a public bulletin board for the Directors and volunteers of The International Animated Film Society: ASIFA-Hollywood to communicate with the membership and the general public.
	www.asifa-hollywood.org /2005/02/asifa-hollywood-and-triumph-films.html (148 words)

	AWN Headline News (Site not responding. Last check: 2007-10-21)
		Triumph Films has entered STEAMBOY and Pentamedia and the Weinstein Co. will release GULLIVER’S TRAVELS and HOODWINKED!, respectively, before the year is out.
		Under the rules for this category, a maximum of three films can be nominated in a year in which the field of eligible entries numbers at least eight but fewer than 16.
		Films submitted in the Best Animated Feature category also may qualify for Academy Awards in other areas, including Best Picture, provided they meet the rules criteria governing those categories.
	news.awn.com /?&newsitem_no=15441 (600 words)

	Leni Riefenstahl's - Triumph of the Will - DVD Triumph des Willens Adolf Hitler Leni Riefenstahl's - Triumph of the ...
		Watching Triumph without the commentary can be difficult even for the best historians, the names to the faces have faded over the years so Dr. Santoro's even tempered tone helps fill in any gaps a viewer many have.
		His film would retell and reenact the historical events from 1923 until the rally that lead to the rise of the Nazi party.
		The events in her film are not the true historical order of events during the party rally (see table below) also her limited selection from the hours of speeches dramatically influences the impression a viewer has.
	www.dvdbeaver.com /film/DVDCompare4/triumphofthewill.htm (2346 words)

	Insight Out Theatre Collective :: Press Room (Site not responding. Last check: 2007-10-21)
		As the older Riefenstahl, Johnson is sometimes the imperiously commanding film director, and, at other times, a likable eccentric abounding in worldly charm.
		While the films' degraded quality and the ominously expressionist play of shadows Glenn Fujimura's lights make on the back screen at other points in the production work to counterbalance the sweeping imagery of these clips, we don't ever lose sight of the grandiosity of Riefenstahl's dreams.
		In the end, we may be repulsed by the substance of her vision, but we must still acknowledge the potential we have for being similarly intoxicated by exaggerated dreams.
	www.iotcpdx.com /about/news.htm (425 words)

	The Manila Times Internet Edition \| LIFE & TIMES > Two Pinoy films triumph at international film fests (Site not responding. Last check: 2007-10-21)
		Written by Cris Vertido, the film tells a love-triangle story set in Bohol during WWII, though the main themes are nationalism and colonial mentality.
		The film first opened in Manila last Christmas as one of the entries of the 2004 Metro Manila Film Festival.
		His other films include Ang Dugo ng Birhen (1999), which was produced by movie matriarch Lily Monteverde, and Babaing Putik (2001).
	www.manilatimes.net /national/2005/nov/11/yehey/life/20051111lif1.html (278 words)

	Kevin Kelly -- True Films (Site not responding. Last check: 2007-10-21)
		One of the most controversial films in cinematic history, as well as one of the most frightening and beautifully made.
		But a DVD version attempts to put the Triumph of the Will in its proper historical context by providing a substantial amount of material concerning the making of the film, including later interviews with Riefenstahl.
		The result is a critical look at a documentary that manages to capture a horrifying era through an extraordinary blend of inspired art, direction and cinematography.
	www.kk.org /truefilms/archives/2003/01/triumph_of_the.php (151 words)

	Aryan Unity - Triumph of the Will vs. October
		Both films succeed in trying to manipulate the audience’s political ‘Weltanschauung’ by employing various innovative cinematic techniques, such as bold editing and mesmerizing images that linger seemingly forever on the screen (e.g., the endless National Socialist parades in TRIUMPH OF THE
		On the contrary, the film is a mere representation of
		the film since, in all of reality, the peasantry was the last group to gain anything sufficient from the Revolution.
	www.aryanunity.com /triumph.html (980 words)

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