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 | | Both for Turnus' "point of view" in this scene, then, and for Vergil's own mode of beholding at crucial moments throughout his epic, the image of sickness as madness is, perhaps paradoxically, exact, and it shows "a clearness of the unclear" that is, to my mind, a prime characteristic of Vergil's art. |
 | | At this point we realize that Turnus, now so fully iden fied with his madness as to be indistinguishable from it, can neither speak to the issue with Latinus nor can Latinus speak to him; he is, in a very real sense, a phantom wandering through the broken images that constitute his delusions, his consciousness. |
 | | In the case of Turnus, the shifting of narrative focus, the fluctuation of rhetorical emphasis, the hyperbole that is indicative of distortions that cannot quite be corrected, result in a baffling, disquieting uncertainty about who Turnus is, what he is doing, what is destroying him. |
| web.ics.purdue.edu /~kdickson/johnson.html (2700 words) |
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