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| | Theater | Play on |
 | | This Twelfth Night — which Arciniegas has staged, on Susan Zeeman Rogers’s ingenious set (a movable collage of Persian rugs), with a superb eye for composition — doesn’t shy from exposing the characters’ follies, including those of Sebastian’s rescuer, the sea captain Antonio (Eric Hamel), who suffers from an excess of bravado. |
 | | Meanwhile, the two performers who maintain the balance between comedy and melancholy — crucial to any Twelfth Night — are Gardiner, as a roly-poly Feste whose tenderest ironies come out in his songs (wonderfully scored here by Haddon Kime), and Fischer as the countess, whose air of privilege deflates when she tumbles for Cesario. |
 | | Fischer’s performance is a model of craftsmanship (precision and clarity): she uses a combination of the given circumstances and the language to shift emotional directions continually, sometimes in mid line. |
| www.bostonphoenix.com /boston/arts/theater/documents/03038030.asp (740 words) |
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