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Topic: Ugo Da Carpi

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	GIROLAMO DA CARPI - LoveToKnow Article on GIROLAMO DA CARPI
		CARPI, GIROLAMO DA (I5orI55~), Italian historical and portrait painter, born at Ferrara, was or~e of Benvenuto Garofalo,~~best pupils.
		Becoming infatuated, with the work of Correggio, he quitted Ferrara, and spent several years in copying that masters paintings at Parnia, Modena and elsewhere, succeeding in aping his mannerisms so well as to be able,to dispose of his own works as originals l~y Correggio.
		Da Carpis best paintings are a Descent of the Holy Spirit, in.
	www.1911encyclopedia.org /C/CA/CARPI_GIROLAMO_DA.htm (152 words)

	Voce di Carpi - In edicola
		Carpi - Dopo Piacenza, Parma e Reggio Emilia, la mostra itinerante "P'Arte d'Europa" si prepara a fare tappa a Carpi, dove sosterà dall'11 al 22 dicembre presso l'Istituto tecnico commerciale Meucci.
		Carpi - In un'atmosfera allegra e cordiale si è svolta sabato scorso, presso il circolo Arci di Migliarina, una serata di beneficenza in favore dell'Amo.
		Carpi - Avevamo lasciato nell'aprile scorso il "nostro" (nel senso di carpigiano, seppure di adozione) Stefano Minarelli, storico non accademico di cose locali, alle prese con l'interpretazione del ri...
	www.voce.it /edicola/index.html?id=67 (1383 words)

	AsKI-Kulturberichte 1/01: Chiaroscuro. Italienische Farbholzschnitte der Renaissance und des Barock
		Ugo da Carpi, als Holzschneider in Venedig tätig, hatte 1516 den Senat der Republik um ein Privileg für seine Technik des Farbholzschnittes gebeten mit der Begründung, er selbst habe diese bisher unbekannte Drucktechnik erfunden.
		Ugo da Carpi kombinierte bei seinen Farbholzschnitten die Strichplatte mit bis zu drei Tonplatten und entwickelte damit bisher unbekannte Möglichkeiten des Farbdrucks, bei dem er weniger die graphische Struktur einer Bildkomposition als vielmehr ihre malerischen Werte betonte.
		Das Medium des Farbholzschnittes gewann dadurch neue künstlerische Möglichkeiten und damit auch das verstärkte Interesse der Sammler, die versuchten, unterschiedliche Farbvarianten der gleichen Darstellung für ihre Kollektionen zu erlangen.
	www.aski.org /kb1_01/kb101casa.htm (865 words)

	Chiaroscuro - Wikipedia, the free encyclopedia
		But true chiaroscuro is developed during the 16th century, in Mannerism and in Baroque art.
		Dark subjects dramatically lighted by a shaft of light from a single constricted and often unseen source was a compositional device developed by Ugo da Carpi (c.
		The term chiaroscuro has been applied since the later 18th century to a printmaking technique which finds its best expressions in aquatint and in xylography, and in china (ink) drawing.
	en.wikipedia.org /wiki/Chiaroscuro (228 words)

	Carpi, Ugo da -- Encyclopædia Britannica
		Carpi is distinguished by its great piazza, the largest in the region.
		Notable landmarks include the Renaissance town hall, formerly the castle of the Pio family, lords of Carpi from 1319 to 1525; the cathedral (begun 1514), with a Baroque facade (1667); the Romanesque church of Sta.
		The Brazilian author Euclides da Cunha is famous for his classic historical narrative Os Sertões (Rebellion in the Backlands), the first written protest on behalf of the forgotten inhabitants of Brazil's frontier.
	www.britannica.com /eb/article?tocId=9020471 (679 words)

	Untitled (Site not responding. Last check: 2007-11-04)
		It is a chiaroscuro woodcut—a process involving the use of a line block to print the outlines, and one or more tonal blocks to create areas of color.
		Ugo da Carpi claimed to have invented the form.
		But Ugo did achieve something new: he emphasized the tonal blocks so that his work looks more like a drawing in ink and wash than a print.
	www.artsmia.org /prints_processes/relief/r_ugo.html (150 words)

	mappa Carpi (Site not responding. Last check: 2007-11-04)
		Meteo Previsioni, autostrada carpi rimini situazione : mappe stradale della campania : carta geografica francia...
		stradali, autostrada carpi rimini situazione, djerba and mappa, mappe tridimensionali, verona...
		autotrasporti, carpi, modena, trasporti nazionali, abbigliamento, maglieria, centergross, lacchiarella, cernusco, prato, osmannoro, sesto fiorentino, napoli, roma, milano, palermo, firenze, cis nola, misterbianco, piemonte, lombardia, veneto,...
	www.splitta.it /turismo/mappe/mappa_600/px_mappa+Carpi.asp (528 words)

	Ugo Da Carpi Online
		Ugo Da Carpi at the Metropolitan Museum of Art, New York City
		Ugo Da Carpi at the British Museum, London
		Ugo Da Carpi in the Los Angeles County Museum of Art Database
	www.artcyclopedia.com /artists/ugo_da_carpi.html (203 words)

	Bloomsbury.com - Research centre
		Ugo, da Carpi (-1532) Italian painter and wood engraver.
		He invented a new technique by which a woodcut could be made to appear as if it were painted.
		This 'chiaroscuro woodcut' was already known in Germany, but he obtained the patent for it in Venice in 1516.
	www.bloomsburymagazine.com /ARC/detail.asp?entryid=101280&bid=1 (47 words)

	Carpi 1701 Battle - (Site not responding. Last check: 2007-11-04)
		He suffered a reverse at Carpi (1701) and was soon afterwards superseded by Villeroy, to whom he...
		He suffered a reverse at Carpi (1701) and was soon afterwards superseded...
		Carpi) seems to be connected to the place where they lived, meaning "rock" or "mountain" (cf.
	battle.fdsv.com /index.php?k=carpi-1701-battle (634 words)

	UGO DA CARPI - LoveToKnow Article on UGO DA CARPI (Site not responding. Last check: 2007-11-04)
		CARPI, UGO DA, Italian 15th-century painter, was jong held the inventor of the art of printing in chiaroscuro, afterwards brought to such perfection.
		Printing in chiaroscuro is performed by using several blocks.
		Da Carpi usually employed three--one for the outline and darker shadows, another for the lighter shadows, and a third for the half-tint.
	www.1911encyclopedia.org /C/CA/CARPI_UGO_DA.htm (120 words)

	New Page 1
		Ugo da Carpi (c.14791532, Italian), after Raphael: Death of Ananias.
		Italian-type chiaroscuro woodcut (relief method) reproducing a wash drawing, printed in 4 blocks of subdued color: yellow-green, dark and light blue-green and dark gray.
		Note the typical uneven, almost crude quality of the lines, the printed border, and the ink squash in the dark gray areas.
	www.artfacts.org /artinfo/presentations/500_Years_of_Art/year5A03.html (77 words)

	Ugo Da Carpi ( - ) Artwork Images, Exhibitions, Reviews
		Ugo Da Carpi, A Sibyl With a Child Holding a Torch, after a chiaroscuro woodcut by Ugo da Carpi after Raphael, 16th century
		Ugo Da Carpi, Christ at the House of Simon the Pharisee, after Raphael, 16th century
		Ugo Da Carpi, The Death of Ananias, after a drawing by Raphael for the tapestry for the Sistine Chapel, Vatican City, 1518
	www.wwar.com /masters/c/carpi-ugo_da.html (404 words)

	Florence - Uffizi Gallery - Engravings
		Andreani was both a painter and engraver, but he is best known for his skill in woodcutting, which he had learnt from Ugo da Carpi, a Roman, born about 1486, who introduced the art into Italy.
		On the wall opposite the staircase, in frame No. 24, is a woodcut by Ugo da Carpi, after Raffaelle, of.Aeneas carrying his father Anchises and the Palladium, followed by his son.
		In frame No. 44 are impressions from a niello, by Peregrino da Cesio, or Cesena, a goldsmith and engraver, who lived towards the latter part of the fifteenth, and commencement of the sixteenth century.
	www.oldandsold.com /articles26/florence-30.shtml (3333 words)

	Airesis : Ars Regia - De Pascalis - Il Parmigianino e l'Alchimia
		L’interesse del Parmigianino per l’alchimia è collocato da Vasari in un’epoca ben precisa della vita del pittore, quella più estrema: “Poi si tolse a fare alla Madonna della Steccata una opera grandissima a fresco...In questo tempo si diede all’alchimia, et pensando in breve arricchirne, tentava di congelare il Mercurio...”.
		M. Fagiolo Dell’Arco e altri autori prima di lui (1) rifiutano la versione del Dolce ritenendo che essa nascesse da un atteggiamento moralistico: a loro avviso, L. Dolce condivideva l’opinione di quanti nel suo tempo consideravano l’alchimia un’arte eticamente riprovevole, e smentiva di proposito la fama alchimistica del Parmigianino per non screditare la figura dell’artista.
		Se da un lato l’alchimia fa studiata o praticata anche da principi e re, dall’altro essa non riuscì a entrare nelle università, dove pure era accolta e insegnata l’astrologia.
	www.airesis.net /ArsRegia/ars%20regia%201/De%20Pascalis%202.htm (4262 words)

	Fulvio, Andrea J., Illustrium imagines. (Site not responding. Last check: 2007-11-04)
		The delicated wooden portraits and the charming frames are attributed to the Venetian artist Ugo da Carpi (ca.
		These portraits, showing famous man und women, mostly emporers and their wives, of the Roman, Byzantine and German mediaval history, served the sixtheens century as a basic book for the study of Greek and Roman iconography.
		Fulvio's book became the prototype of some other 16th century publications of that kind (Servolini,Ugo da Carpi, illustrator del libro in Gutenberg Jahrbuch, Main 1950, p.
	www.polybiblio.com /steinbach/70.html (267 words)

	MSN Encarta - Search Results - carpus
		The human hand has 27 bones: the 8 bones of the carpus, or wrist, arranged in two rows of four; the 5 bones of the metacarpus, or palm, one to each...
		Carpi, Ugo da (1455?-1523?), Italian wood engraver, named for the town near Modena where he was born.
		Exclusively for MSN Encarta Premium Subscribers--quickly search thousands of articles from magazines such as Time, Newsweek, The Atlantic Monthly, and Smithsonian.
	encarta.msn.com /carpus.html (116 words)

	the city of carpi
		The name Carpi probably derives from the horn-beam (carpino), a long-trunked tree that heavily featured in the Po landscape during the Middle Ages.
		As early as the X century, the area was called a "castle" and was ruled by several families, when Manfred Pius emerged and was given the reign of Carpi by Emperor John of Luxembourg, in 1331.
		Later on, Carpi was ruled by the Este family, by the French, by the Austrian and the Este together, up to the coming of the Risorgimento (in which a martyr, Ciro Menotti, from Carpi took part) and the Reign of Italy.
	www.italianmarathon.it /carpi_en.asp (357 words)

	Martayan Lan Rare Books
		Osley somewhat perversely complains that there is relatively little original in the work--the author admits this freely--and notes that the level of craft is lower than that found in the edition of Arrighi’s La Operina which Ugo published at Rome in 1525, but he nonetheless admits that the work was tremendously successful.
		Possibly because Ugo extracted the most useful models of a variety of authors whose complete works would have been both more expensive and ‘padded’ with unwanted material (multiple models of the same script).
		Editions are recorded for 1525, 1532, 1535, 1539, 1545, 1547, 1550.) What is more, there appear to be issues within individual editions, though as David Becker has put it somewhat skeptically, “there seem to be as many variants as there are copies”.
	martayanlan.com /cgi-bin/display.cgi/Books/all/30/10/532?start=5 (466 words)

	ETH Zürich - Midday Art on Monday (Site not responding. Last check: 2007-11-04)
		This Monday’s event will be devoted to wood engraver Ugo da Carpi.
		During the Renaissance, Venice was an important centre for printmaking and a hub that generated much of the driving force that was to prove critical to the development of wood engraving.
		Ugo da Carpi, a painter and wood engraver who migrated to the city of lagoons, was the first to introduce the technique of coloured wood engraving to Italy and became the most well-known representative of this genre.
	www.ethz.ch /news/ethupdate/2004/040123_1/index_EN (154 words)

	Renaissance Connection
		Ugo da Carpi made this woodcut depicting the Greek philosopher Diogenes as a muscular, heroic figure.
		Ugo was a master woodblock artist of the Renaissance, but he never became a household name like Michelangelo or Leonardo.
		One legend tells of the young Leonardo da Vinci painting an angel so perfectly that his master Verrocchio broke his brushes in two and gave up painting forever in recognition of his pupil's superior abilities.
	www.renaissanceconnection.org /artistslife.html (1019 words)

	MSN Encarta - Search Results - Carpi Girolamo da
		MSN Encarta - Search Results - Carpi Girolamo da
		Carpi, Girolamo da (1501-1556), Italian painter, originally known as Girolamo de' Sellari.
		Da Carpi was born in Ferrara and studied under Benvenuto...
	uk.encarta.msn.com /Carpi_Girolamo_da.html (87 words)

	Hero and Sibyl by UGO DA CARPI
		Detail is reduced to a minimum and stress is placed on bold composition, large contours, and flat, subtly coloured areas.
		Ugo da Carpi is a somewhat controversial figure.
		These sold so well that they were counterfeited by some Venetian artisans, and Ugo returned to Venice to present a petition to the Senate for a special license to protect him against this piracy.
	www.wga.hu /html/u/ugo/hero_sib.html (309 words)

	Bonnefanten museum Maastricht (Site not responding. Last check: 2007-11-04)
		Ugo da Carpi naar Titiaan, St. Hieronymus Berlin, Kupferstichkabinett, 230-192
		The age of Titian presents a rich, animated picture of the graphic arts in Venice, one of the foremost centres for the production of prints in Europe in the period 1470 - 1580.
		A special feature of the exhibition is the juxtaposition of works made using a variety of techniques, for instance engravings, etchings, (clair-obscur) woodcuts, pen drawings, drawings in red chalk and a few pen and ink drawings.
	www.bonnefanten.nl /engels/tentoonstellingen/archief/renaissance.htm (98 words)

	UGO
		Si tratta quindi di una forma abbreviata, affermatasi però con valenza di nome proprio, di antichi nomi composti con il primo termine germanico hugu,, pensiero', come Ugobaldo e Ugoberto.
		Nome del pittore e incisore del XV secolo Ugo da Carpi, inventore della tecnica della stampa a chiaroscuro.
		Ugo il Grande, abate benedettino, autore della riforma cluniacense contro la rilassatezza e l'indisciplina degli ambienti ecclesiastici del tempo e contro la simonia.
	www.akiraweb.it /significati/u/ugo.htm (178 words)

	Renaissance Connection
		Note how the artist Ugo da Capri has carefully arranged several books in the foreground of the woodcut Diogenes.
		Although images of the Bible appeared in art works prior to the Renaissance, it was only after the invention of the moveable type printing press by Gutenberg (1455) that artists began to acknowledge the influence ancient writings and ideas were having on the world in which they we now living.
		Here da Capri includes several books to remind the viewer of the importance ancient Greek stories and Diogenes, the central figure, was a Greek thinker (412 - 323 B.C.).
	www.renaissanceconnection.org /innovations_science.html (393 words)

	chiaroscuro -- Britannica Concise Encyclopedia - Your gateway to all Britannica has to offer! (Site not responding. Last check: 2007-11-04)
		Thereafter, chiaroscuro became a primary technique for many painters, and by the late 17th century the term was routinely used to describe any painting, drawing, or print that depends for its effect on an extensive gradation of light and darkness.
		The technique was first used in woodcuts in Italy in the 16th century, probably by the printmaker Ugo da Carpi.
		It is used most often in connection with the work of Leonardo da Vinci and his followers, who made subtle gradations, without lines or borders, from light to dark areas; the...
	concise.britannica.com /ebc/article-9023967 (770 words)

	Articolo (Site not responding. Last check: 2007-11-04)
		Il suggerimento arriva in questi giorni dalla Fondazione Ugo da Como di Lonato, che ha aggiunto al consueto percorso all’interno della Casa del Podestà una piccola mostra nella sala bresciana della biblioteca: una selezione di volumi usciti dalla stamperia della famiglia Manuzio.
		In vetrina c’è la testimonianza della passione del senatore Da Como per le edizioni rare e antiche, perchè Aldo Manuzio è ritenuto il maggior tipografo del XV secolo, e il primo editore in senso moderno, dato che aveva introdotto tecniche tipografiche ancora in uso.
		La collezione aldina presente oggi nella biblioteca della Fondazione Ugo da Como di Lonato è costituita da 95 esemplari, dei quali due sono incunaboli stampati tra il 1497 e il 1594.
	www.gardanotizie.it /articolo.asp?contatore=61708&tipo=al_no (460 words)

	CarpiDiem: Rubrica Comune di Carpi
		da lunedì a venerdì ore 9.30/12.30 e 16.30/20.30.
		Orario di apertura della Segreteria: da lunedì a sabato 9.00/12.00 - da lunedì a giovedì 15.00/17.00.
		Biglietteria: durante la Stagione Teatrale da martedì a sabato 15.30/19.30, giovedì e sabato anche 10.00/13.00; nei giorni di spettacolo l'orario si protrae fino ad inizio spettacolo.
	www.carpidiem.it /html/default/Servizi_online/Rubrica_Comune_di_Carpi/index.html (912 words)

	CultureItaly.com (Site not responding. Last check: 2007-11-04)
		Ugo da Carpi (1480 — 1530) è il primo in Italia a utilizzare questa tecnica e nel 1516 ottiene dal Senato della Repubblica di Venezia un privilegio, cioè il brevetto che due anni dopo fu concesso anche da papa Leone X. I capolavori di Ugo da Carpi costituiscono il cuore della mostra.
		Ugo da Carpi lavorò con i principali pittori italiani del suo tempo: a Venezia con Tiziano, dopo il trasferimento a Roma nel 1518 con Raffaello e Parmigianino.
		La tecnica della xilografia portata da lui a una prima fioritura fu utilizzata da Antonio da Trento e Niccolò Vicentino.
	www.cultureitaly.com /index.asp?target=prodotto&language=IT&id=942&id1=&id2=16&id3=117&id4=&limit= (318 words)

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