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Topic: Umberto Boccioni

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	Umberto Boccioni Online
		Umberto Boccioni at the Metropolitan Museum of Art, New York City
		Umberto Boccioni in the Los Angeles County Museum of Art Database
		All images and text on this Umberto Boccioni page are copyright 2007 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/boccioni_umberto.html (359 words)

	Estorick Collection of Modern Italian Art
		Boccioni was born in Calabria, in the south of Italy.
		Boccioni continued to be influenced by both Divisionism and Symbolism, travelling to Paris – where he briefly met Modigliani – and through western Russia in 1906.
		The following year Boccioni became fascinated with sculpture after seeing the works of Medardo Rosso in Paris and he began to experiment with this medium, attempting to unite his subjects with the space and objects surrounding them and advocating the use of a variety of materials in the creation of the work.
	www.estorickcollection.com /artist/umberto_boccioni.aspx (227 words)

	Umberto Boccioni
		Umberto Boccioni was an Italian painter and sculptor and a member of the futurist movement.
		Umberto Boccioni turned to sculpture in 1912 after publishing his manifesto on the subject on April 11 of that year.
		In 1913 and 1914 Boccioni made many drawings and watercolors related to the present work that explore the relationship between a galloping horse and a group of houses in close proximity.
	renownedart.com /Boccioni (382 words)

	Guggenheim Museum - Exhibitions - Boccioni
		In 1912, Umberto Boccioni created his pivotal masterpiece Materia in Milan, a city that was quickly modernizing and that represented the ideal vision of the new metropolis of the Futurists.
		Boccioni's Materia: A Futurist Masterpiece and the Avant-garde in Milan and Paris takes this seminal painting as its centerpiece and investigates a series of core themes such as Boccioni's evolution from Divisionism to Futurism, the exchanges between Futurism and Cubism, and the relationship between Boccioni's painting and sculpture.
		However, by 1910, Boccioni had developed a specifically Futurist mode of painting, as he pronounced in "Futurist Painting: Technical Manifesto" of that year, which was followed by his "Technical Manifesto of Futurist Sculpture" in 1912.
	www.guggenheim.org /exhibitions/boccioni/overview.html (536 words)

	Guggenheim Collection - Artist - Boccioni - Biography
		Umberto Boccioni was born on October 19, 1882, in Reggio Calabria, Italy.
		Boccioni’s paintings were shown with those of Carrà, Russolo, and Severini in the first Futurist show in Paris, at the Galerie Bernheim-Jeune in 1912.
		In July of 1915 Boccioni enlisted in the army with Marinetti, Russolo, and Antonio Sant’Elia.
	www.guggenheimcollection.org /site/artist_bio_18.html (388 words)

	Umberto Boccioni
		The City Rises by Umberto Boccioni is a case in point.
		Basically, Boccioni still works here within a modified Impressionist technique whose atomizing effect on mass permits the forceful, churning symbols of horse and manpower to slip out of their skins in an Impressionist blur of moving light.
		The impact of Cubism on the Futurists was immediate, as may be suggested by Boccioni's scene of railroad-station farewells, the first in his 1911 series, States of Mind.
	artchive.com /artchive/B/boccioni.html (603 words)

	Umberto Boccioni biography, painting, prints and posters
		In 1901, Boccioni and his friend Gino Severini studied Divisionism with Balla, but Boccioni did not begin to apply its principles until about 1908, when he moved to Milan and met F. Martinetti, the leader of the literary Futurist movement.
		Futurism breaks down form by eliminating horizontals and verticals for which it substitutes whirling lines, forcing a reaction of forms, movement, and color to light and shade.
		Although at first quite figurative, Boccioni's painting moved closer and closer to abstraction, combining lines and planes to suggest both the recognizable object and its movement through space.
	www.italiamia.com /art_boccioni.html (381 words)

	Umberto Boccioni
		The City Rises by Umberto Boccioni is a case in point.
		Basically, Boccioni still works here within a modified Impressionist technique whose atomizing effect on mass permits the forceful, churning symbols of horse and manpower to slip out of their skins in an Impressionist blur of moving light.
		The impact of Cubism on the Futurists was immediate, as may be suggested by Boccioni's scene of railroad-station farewells, the first in his 1911 series, States of Mind.
	www.artchive.com /artchive/B/boccioni.html (603 words)

	Umberto Boccioni - Biocrawler (Site not responding. Last check: )
		Umberto Boccioni (October 19, 1882 - August 16, 1916) was an Italian painter and sculptor and a member of the futurist movement.
		One of Umberto Boccioni's most famous paintings is The noise of the street enters the house in the Sprengel Museum in Hanover, Germany which featured an exhibition on futurism in 2001.
		Boccioni died after falling off a horse during a training exercise for World War I.
	www.biocrawler.com /encyclopedia/Umberto_Boccioni (128 words)

	Umberto Boccioni - Wikipedia, the free encyclopedia
		Umberto Boccioni (October 19, 1882, Reggio Calabria - August 16, 1916, Verona) was an Italian painter and sculptor and a member of the Futurist movement.
		Boccioni was both a Futurist painter and sculptor.
		One of Umberto Boccioni's best known paintings is The street enters the house (La Strada Entra Nella Casa) in the Sprengel Museum in Hanover, Germany which featured an exhibition on futurism in 2001.
	en.wikipedia.org /wiki/Umberto_Boccioni (379 words)

	UMBERTO BOCCIONI : Encyclopedia Entry
		Umberto Boccioni (October 19, 1882, Reggio Calabria - August 16, 1916, Verona) was an Italian painter and sculptor and a member of the Futurist movement.
		Umberto Boccioni studied art through the Scuola Libera del Nudo at the Accademia di Belle Arti in Rome, beginning in 1901.
		One of Umberto Boccioni's best known paintings is The street enters the house (La Strada Entra Nella Casa) in the Sprengel Museum in Hanover, Germany which featured an exhibition on futurism in 2001.
	www.bibleocean.com /OmniDefinition/Umberto_Boccioni (347 words)

	ARCHITETTURA FUTURISTA Personaggi: Umberto Boccioni
		Boccioni was one of the most lucid theorists of Futurist aesthetics, identifying in the Theory of Plastic Dynamism one of the movement's benchmarks.
		In fact his conception of painting as sculpture, in which the spectator is placed at the centre of the painting in a continuous physical relationship with it, as an enveloping environment, tends to include architectural space (and the city as the place of modernity) as one of the prime elements of representation.
		This is a transposition of Boccioni's constant interest in the relation between the physical environment and an object placed in the foreground, in dynamic interpenetration between the two, a technique which shows analogies with the later Monument to the Third International, by Tatlin...
	www.rebel.net /~futurist/boccioni.htm (422 words)

	News \| TimesDaily.com \| TimesDaily \| Florence, Alabama (AL) (Site not responding. Last check: )
		Umberto Boccioni (October 19, 1882â“August 16, 1916) was an Italian painter and sculptor and a member of the Futurist movement.
		Umberto Boccioni studied art through the Scuola Libera del Nudo at the Accademia di Belle Arti in Rome, beginning in 1901.
		Boccioni was both a Futurist painter and sculptor.
	www.timesdaily.com /apps/pbcs.dll/section?category=NEWS&template=wiki&text=Umberto_Boccioni (594 words)

	FUTURISM AND THE FUTURISTS - Umberto Boccioni (Site not responding. Last check: )
		Umberto Boccioni was born on 19 October 1882 in Reggio Calabria to parents from Romagna.
		Boccioni has been called the arbiter elegantarium of the group and, as the most articulate of the group, was the official declaimer (with Marinetti) of their manifestos at the various Futurist evenings.
		Boccioni, however, found this approach too schematic, preferring an interpretation of dynamism as synthetic and based on Bergson's vitalistic principle of "duration" in which time is is evaluated globally rather than reduced to a series of frozen moments.
	www.futurism.org.uk /boccioni/boccioni.htm (2088 words)

	Umberto Boccioni - Wikipédia
		Umberto Boccioni (19 octobre 1882 - 16 août 1916, mort à 34 ans) est un artiste-peintre et sculpteur futuriste italien, né à Reggio de Calabre.
		Boccioni did not become a sculptor until after he visited the studio of Raymond Ducamp-Villon in 1913.
		Mobilized in the declaration of war, Boccioni dies in 1916 of the continuations of a fall of horse.
	fr.wikipedia.org /wiki/Umberto_Boccioni (475 words)

	Umberto Boccioni 1882-1916 Italian Futurist Modern Art Abstract Machine Age Modern Art by Taylor Anne Smith Artist ...
		Boccioni was born on Oct. 19, 1882, in Reggio di Calabria, Italy.
		Boccioni advocated the use in sculpture of nontraditional materials such as glass, wood, cement, cloth, and electric lights, and he called for the combination of a variety of materials in one piece of sculpture.
		Boccioni enlisted in the army during World War I and was killed by a fall from a horse on Aug. 16, 1916, in Verona, Italy.
	www.abstractmodern.com /Boccioni.htm (412 words)

	Umberto Boccioni Biography \| Encyclopedia of World Biography
		The Italian artist Umberto Boccioni (1882-1916) was the leading theoretician of futurism, the most talented of its painters, and the creator of its first sculptures.
		Umberto Boccioni was born on Oct. 19, 1882, in Reggio Calabria.
		Boccioni took part in all the important futurist exhibitions in Europe and America, beginning with the Paris exhibition of 1912.
	www.bookrags.com /biography/umberto-boccioni (551 words)

	The Metropolitan Museum of Art - Works of Art: Modern Art
		One of Umberto Boccioni's favored subjects was his mother, Cecilia Forlani Boccioni.
		From photographs and from Boccioni's own renderings of 1906 to 1915, she appears to have been a large matronly woman with a broad round face, thick knobby fingers, and elegantly upswept gray hair.
		Boccioni featured her in at least forty-five paintings, drawings, etchings, and sculptures, often producing a series of studies based on a single pose.
	www.metmuseum.org /collections/view1.asp?dep=21&full=0&item=1990.38.1 (304 words)

	Umberto Boccioni
		Boccioni lebte seit 1898 in Rom, wo er zunächst bei einem Plakatmaler arbeitete und eine Aktklasse der Akademie besuchte.
		Boccioni beteiligte sich nicht nur an den Aktivitäten der Futuristen, sondern war als die grösste Begabung des Kreises eine der treibenden Kräfte.
		Boccioni: «Altri inediti e apparati critici, a cura di Zeno Birolli», Mailand, Feltrinelli, 1972.
	www.g26.ch /art_boccioni.html (371 words)

	ART / 4 / 2DAY (Site not responding. Last check: )
		Boccioni was an Italian futurist painter and sculptor born on 19 October 1882.
		— Umberto Boccioni was born in Reggio Calabria.
		Boccioni traveled for a couple of years, finally settling in Milan in 1908, which, at the time, was the cultural hotspot of Italy.
	www.jcanu.hpg.ig.com.br /art/art4aug/art0816.html (3980 words)

	Peggy Guggenheim Collection - Artists - Umberto Boccioni (1882-1916) (Site not responding. Last check: )
		Boccioni traveled in 1902 to Paris, where he studied Impressionist and Post Impressionist painting.
		In 1909-10 Boccioni began to frequent the Famiglia Artistica, a Milanese artists' society that sponsored annual exhibitions.
		Boccioni's paintings were shown with those of Carrà, Russolo, and Severini in the first Futurist show in Paris, at the Galerie Bernheim-Jeune in 1912.
	www.guggenheim-venice.it /english/06_artists/boccioni.htm (426 words)

	Umberto Boccioni
		umberto boccioni werd geboren te Reggio di Calabria in 1882.
		In 1902 reisde boccioni naar Parijs waar bij onder de indruk kwam van seurat en de impressionisten.
		KLIK HIER om voor Umberto Boccioni verder te zoeken in de producten, de kunst- en cultuur agenda, de cultuurgids, de citaten, de encyclopedie of het kunstnieuws.
	www.kunstbus.nl /verklaringen/umberto+boccioni.html (281 words)

	ARTINVEST2000®BOCCIONI UMBERTO
		Stanco dell'atmosfera provinciale italiana, nella primavera del 1906 Boccioni andò a Parigi, dove rimase affascinato dalla modernità della metropoli.
		Gli esperimenti stilistici, i dubbi personali e le ambizioni trovano eco in un dettagliato diario che Boccioni tenne dal gennaio 1907 all'agosto 1908, che costituisce una forte importante per la conoscenza dell'artista.
		Nell'autunno 1914 Boccioni partecipò alle manifestazioni interventiste a favore dell'entrata in guerra dell'Italia.
	www.artinvest2000.com /boccioni_umberto.htm (616 words)

	Palazzo Reale Milano Umberto Boccioni - Pressrelease
		All'inizio Boccioni esegue ritratti della madre a mezzo busto, dove la fusione tra la figura e l'ambiente circostante e' perseguita con materiali diversi, come una balaustra in ferro, una finestra in legno e vetro, una crocchia di capelli veri o di filo di ferro.
		E' un modo di lavorare che Boccioni adotta anche in pittura, aggiungendo al quadro pezzi di tela in corso d'opera.
		Boccioni gli contrappone nel 1913 il suo capolavoro Forme uniche nella continuita' dello spazio, dove il corpo umano e' torso e avviluppato in una spirale di movimento, con volumi aguzzi e sporgenti che ne fanno un'opera modernissima e il simbolo del futurismo italiano.
	www.undo.net /cgi-bin/undo/pressrelease/pressrelease.pl?id=1159977579 (755 words)

	1914-18 war - Art of the First World War - 15 - Umberto Boccioni
		Umberto Boccioni, Charge of the Lancers, 1915, tempera and collage on paper, 32 x 50 cm, coll.
		Nevertheless Boccioni (1882-1916) depicts this one, which is allegorical rather than real.
		A collage refers to the French advance in Alsace in the summer of 1914, which was quickly halted, and offers a clue to the militant francophilia of the Futurists among whom Boccioni had been one of the leading figures since 1911 and probably the most inventive artist.
	www.art-ww1.com /gb/texte/015text.html (232 words)

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