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| | Uprising of 34a |
 | | For example, in certain circumstances a film might have a concrete effect on social behavior—if not audiences’ rising up at the end of a screening and taking to the streets, then perhaps community activists’ using screenings as a tool in local communities, or elites’ introducing legislation to address an issue that a film had raised. |
 | | The Uprising of ’34 originated from a request made to Stoney from the “Consortium on the General Textile Strike of 1934,” a loose association of scholars, organizers, and union activists who were interested in labor history and who wanted a film produced on the 1934 textile strike. |
 | | Funding for the film came from a large number of organizations, including the MacArthur Foundation, the Southern Humanities Media Fund, several state humanities councils, a variety of unions, the Mary Reynolds Babcock Foundation, and the Z. Smith Reynolds Foundation, and it was ultimately presented on TV through the Independent Television Service (ITVS). |
| ejumpcut.org /archive/jc45.2002/whiteman (2683 words) |
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