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| | Where Gods and Mortals Meet: continuity and renewal in Urhobo art African Arts - Find Articles (Site not responding. Last check: ) |
 | | Here, statues, staffs, and masks are not made to be pleasing to mortals; they are, rather, intended to attract, honor, and entertain the edjo, those powerful spirits of forest and stream who lie in the realm of erivwi, the world of the dead. |
 | | According to Urhobo artistic convention, the gesture of an open mouth revealing rows of aggressive teeth is associated with a skull, especially the skull of a fish whose skin and flesh have been boiled off. |
 | | This commonly heard statement, when pursued by more detailed inquiry, usually reveals that although the Urhobo claim political allegiance to Benin, their origins are much more complex, and those of many village groups point not so much to the north as to the east and to the south--to the Igbo and to the Ijo. |
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