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 | | Urizen does attempt to establish such a narrative describing his fightings and conflicts dire (4: 27; E72) but he is continually interrupted by inarticulate audio and visual images, which reduce his story to fragments of dialogue within a larger narrative, itself constituted by a series of interruptions. |
 | | Although the religious repercussions of Urizens failure to provide a stable ontological ground for himself and his children may seem far removed from cognitive science, it is in their depictions of this trauma that Blakes texts intersect with research into implicit memory and dissociation. |
 | | In Urizen, on the other hand, exposition is constantly on the verge of being overwhelmed by description, by a profusion of adjectives, adverbs, and gerunds, which depict hurtling bones (8: 2; E74), fibres of blood milk and tears (18:4; E78), and throbbings and shootings and grindings (25: 27; E82). |
| www.clas.ufl.edu /ipsa/journal/articles/art_green01.shtml (5741 words) |
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