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| | The 21th Century Paradigm |
 | | Although different architectural and art theories (whether explicit or implicit) have not been yet erected in epistemological knowledge, this fact was, however, confirmed through many outward signs that were noticed by many theoreticians and philosophers. |
 | | These are some artistic concepts borrowed from science: the liberation and continuity of space, limitless forms in expansion, the dynamism of curvilinear forms (non-orthogonal), the demarcation of lines, the illusionism and the multitude of scenographic effects (optical illusions), etc. This led to plasticity, the symbiosis of traditional and contemporary forms in synthetic wholes. |
 | | This mechanical mind of systematization, centralization, extension and movement was applied in urbanism (convergence towards centers), in palatial architecture (infinite perspectives), in landscaping (capricious, spontaneous nature), creating a variety of places in order to satisfy human sensation. |
| www.ndu.edu.lb /academics/Palma/20010701/21.htm (2550 words) |
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