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	Sir Anthony Van Dyck - LoveToKnow 1911
		Van Dyck was, however, thus persuaded, for on 28th November Sir Toby Mathew mentions the artist's departure to Sir Dudley Carleton, adding that he is in receipt of an annual pension of zoo from the king.
		Van Dyck remained their guest for several months, and their portraits, now in the Pinacoteca Capitolina at Rome (engraved by W. Hollar from the monochrome at Cassel), may be supposed to have been one of his first Genoese productions.
		Van Dyck was himself an incomparable etcher, and with the needle arrived at a degree of excellence scarcely inferior to that exhibited in his paintings.
	www.1911encyclopedia.org /Sir_Anthony_Van_Dyck (0 words)

	Biography
		Sir Anthony van Dyck was a Flemish painter who was one of the most important and prolific portraitists of the 17th century.
		Van Dyck was born on March 22, 1599, in Antwerp, son of a rich silk merchant, and his precocious artistic talent was already obvious at age 11, when he was apprenticed to the Flemish historical painter Hendrik van Balen.
		Van Dyck's work during this period is in the lush, exuberant style of Rubens, and several paintings attributed to Rubens have since been ascribed to van Dyck.
	www.wga.hu /bio/d/dyck_van/biograph.html (0 words)

	Van Dyck - MSN Encarta
		Anthony van Dyck (1599-1641), Flemish painter, who was one of the most important and prolific portraitists of the 17th century and one of the most brilliant colorists in the history of art.
		Van Dyck was born on March 22, 1599, in Antwerp, son of a rich silk merchant, and his precocious artistic talent was already obvious at age 11, when he was apprenticed to the Flemish historical painter Hendrik van Balen.
		Van Dyck's work during this period is in the lush, exuberant style of Rubens, and several paintings attributed to Rubens have since been ascribed to van Dyck.
	encarta.msn.com /encnet/refpages/refarticle.aspx?refid=761552038 (513 words)

	Van Dyck Rediscovered - The World and I Magazine
		Van Dyck had the ability to paint most convincingly in the manner of Rubens, and there is no doubt the older artist greatly influenced the younger; yet the ambitious teenager strove to find his own style that would set him apart.
		Van Dyck has not simply presented the acceptable outer visages of a married couple but has put his hand on the very pulse of their relationship and revealed what he perceived with candor as well as compassion.
		Van Dyck did numerous portraits of the king, his Catholic Queen Henrietta Maria, and their children; a few of these are in the exhibition.
	www.worldandi.com /public/1999/October/VANDYCK2.cfm (4474 words)

	Antoon (Anthonis) Van Dyck
		This great painter was the seventh child of a family of twelve, being the son of Frans Van Dyck, merchant in silk, linen, and kindred materials, and of Maria, daughter of Dirk Cuypers and Catherina Conincx.
		In 1620, at the request of the Countess of Arundel, Van Dyck appears to have come to England and to have received commissions from James I for which he was paid in February, 1621.
		In 1632 Van Dyck went again to England and was graciously received by Charles I. He appears to have passed into the king's service immediately, as a warrant was issued on 21 May, 1632, for the payment of an allowance to him, and a residence given him in Blackfriars.
	www.catholicity.com /encyclopedia/d/dyck,antoon_van.html (1045 words)

	AllRefer.com - Sir Anthony Van Dyck (European Art, 1600 To The Present, Biography) - Encyclopedia
		Van Dyck conferred upon his sitters elegance, dignity, and refinement, qualities pleasing to royalty and aristocracy.
		In 1632, Van Dyck was invited to England by Charles I. His most successful portraits of the monarch are in the Louvre and in Buckingham Palace.
		The work of Van Dyck differs radically from that of his great master, Rubens, although it is similar in technique.
	reference.allrefer.com /encyclopedia/V/VanDyckA.html (606 words)

	TRIBENET \| La Tribù italiana dell'Arte. ANTOON VAN DYCH
		Van Dyck si reca a Londra all'inizio del 1621, ottiene una rendita dal re e parte per l'Italia dove deve accompagnare la contessa di Arundel.
		Van Dyck ha scoperto a Genova i ritratti dipinti quindici anni prima da Rubens, ne ha tratto profitto, aggiungendo più dolcezza e varietà, accentuando l'eleganza delle mani, ingrandendo i suoi modelli, ma utilizzando le stesse masse di colore, dove, spesso, i neri e i rossi dominanti si contrappongono.
		Van Dyck sembra aver trovato il suo ambiente eletto in questa corte libera, disinvolta, scattante, sportiva.
	www.tribenet.it /TribeBiografie/van_dych_antoon.htm (0 words)

	Anthony Van Dyck Biography \| Encyclopedia of World Biography (Site not responding. Last check: )
		Van Dyck has too often been dismissed either as a facile imitator of his predecessor or as a slick and shallow painter of the aristocracy, his only real gift being an ability to flatter his patrons.
		Antoon van Dyck (later Anglicized as Anthony Van Dyck) was born in Antwerp in 1599, the seventh child of a prosperous merchant.
		Van Dyck was astonishingly precocious: the appealing self-portrait in Vienna was made when he was 14 or 15.
	www.bookrags.com /biography/anthony-van-dyck (915 words)

	Famous Belgians - Sir Anton van Dyck (Site not responding. Last check: )
		Van Dyck's name is inextricably associated with the history of English painting; he made his first trip to London in 1620, where he was granted a court pension.
		Although much of van Dyck's work for the King had something of the flavour of image-building and propaganda about it, he was also capable of keen penetration and expression of character.
		Prior to van Dyck's arrival in England, English portraiture had tended to be formal and almost primitive in style, but he brought to it the full power of a completely articulated baroque style, and his influence extended through the 18th century.
	www.famousbelgians.net /vandyck.htm (396 words)

	CATHOLIC ENCYCLOPEDIA: Antoon (Anthonis) van Dyck
		This great painter was the seventh child of a family of twelve, being the son of Frans Van Dyck, merchant in silk, linen, and kindred materials, and of Maria, daughter of Dirk Cuypers and Catherina Conincx.
		Arundel, Van Dyck appears to have come to England and to have received commissions from James I for which he was paid in February, 1621.
		In 1632 Van Dyck went again to England and was graciously received by Charles I. He appears to have passed into the king's service immediately, as a warrant was issued on 21 May, 1632, for the payment of an allowance to him, and a residence given him in Blackfriars.
	www.newadvent.org /cathen/05220b.htm (0 words)

	Sir Anthony van Dyck - Artist Biography
		Anthony van Dyck, portraitist, was born in Antwerp.
		Van Dyck could soon imitate the master's style so well that it was impossible to distinguish the work of one from that of the other.
		In 1620, Van Dyck was invited to England for a short period to paint court portraits.
	www.vangoghgallery.com /artistbios/Sir_Anthony_van_Dyck.html (0 words)

	Anthony van Dyck Summary (Site not responding. Last check: )
		Van Dyck was born in Antwerp and became an independent painter in 1615.
		Anthony van Dyck died in 1641 in London, and was buried in St.
		Van Dyck was also known for painting portraits of people having short, pointed beards, and that's why this particular kind of beard was named after him a vandyke.
	www.bookrags.com /Anthony_van_Dyck (1302 words)

	Anthony van Dyck
		Anthony van Dyck's painting is about a mythological sorceress who fell in love with a Christian soldier she was originally intending to kill.
		Van Dyck saw similarities in Tasso's poem that reflected the conception of the English monarchy.
		Anthony van Dyck's famous paintings, aristocratic poses influenced English portraiture painting through the late 1700's and his ability to bring out the Sitter's character brought him many commissions throughout the rest of his art career.
	www.arthistory-famousartists-paintings.com /AnthonyvanDyck.html (418 words)

	Van Dyck Paintings Reproduction and Biography
		Van Dyck was the seventh of 12 children of Frans van Dyck, a well-to-do silk merchant.
		Van Dyck's first goal was Genoa, where he was immediately patronized by the same group of aristocratic families for whom Rubens had been active 14 years earlier.
		Van Dyck was a handsome man, but his features lacked strength, and he was rather short.
	www.allartclassic.com /author_biography.php?p_number=40 (324 words)

	Anthony Van Dyck
		Van Dyck was introduced to both etching and engraving by Rubens, who used printmaking extensively and trained engravers for his own use.
		However, with images such as Jacobus De Breuck, Van Dyck was part of a growing trend in the 16th and 17th centuries to elevate and promote the artist as a erudite, humanist intellectual, and formal portraiture was an effective vehicle for propagating this cultural ideal.
		Van Dyck actually based the compositions for these portraits on already executed paintings, the majority of which were done by himself, but a few were done by others.
	www.knox.edu /x1141.xml (0 words)

	Van Dyck
		Van Dyck's exquisite brushwork and characterisation was, however unmatched and earned him an invitation to travel to England (1621) from Charles I. He soon became court artist and apart from short trips to the continent, remained in England for the rest of his life.
		Van Dyck's Charles I, King of England, Hunting gives us an extremely informal view of the King at a pause in the chase reflecting the ease of the relationship between the artist and His Majesty.
		Though van Dyck also painted religious scenes and landscapes and began a series of etchings of famous contemporaries, it is for his portrait painting that his immortality has been assured.
	www.theartgallery.com.au /ArtEducation/greatartists/VanDyck/about (0 words)

	NGA - Sir Anthony Van Dyck
		Anthony van Dyck, a true genius at portraiture, revealed the aspirations of his sitters.
		With elaborate settings, symbolic accessories, and suggestions of movement, Van Dyck made his sitters seem at once grand and alive, inaugurating a style of formal portraiture that is still emulated today.
		Van Dyck's elegant likenesses were sought eagerly in the Low Countries as well as in Italy and England, where he was knighted.
	www.nga.gov /collection/gallery/gg4243/gg4243-main1.html (0 words)

	Anthony Van Dyck
		He soon acquired all the virtuosity of Rubens in rendering the texture and surface of things, whether it were silk or human flesh, but he differed widely from his master in temperament and mood.
		It seems that Van Dyck was not a healthy man, and in his paintings a languid and slightly melancholic mood often prevails.
		In fact, Van Dyck was so overburdened with commissions for portraits that he, like his master Rubens, was unable to cope with them all himself.
	www.artchive.com /artchive/V/van_dyck.html (340 words)

	Fine Art Books - Sir Anthony Van Dyck Books, Videos & DVD's; Sponsored by A Stroke of Genius Portrait Gallery
		Anthony Van Dyck (1599-1641) introduced a new type of costume in his portraits during his second English period (1632-1641), one that blurred the margins of fact and fancy.
		Van Dyck established new conventions for the representation of dress in portraits that held sway until the end of the seventeenth century.
		Van Dyck is perhaps best known for his religious paintings, which are outstanding examples of the Baroque style, and he is also considered one of the greatest portrait painters in an age of exceptional portraitists.
	www.portraitartist.com /bookstore/vandyck.htm (2639 words)

	Sir Anthony van Dyck
		Anthony van Dyck's paintings include spiritual painting such as 'St.Peter', 'The Descent of the Holy Spirit', 'The Assumption of the Virgin' and 'Apostle Simon'.
		In his younger years, Anthony van Dyck was the main assistent of Peter Paul Rubens.
		In July 1632, Anthony van Dyck received the title of Sir from the king and was appointed as the royal painter.
	www.artinthepicture.com /artists/Anthony_van_Dyck (145 words)

	Bookfinder.US: Van Dyck Anthony
		This painstakingly thorough examination of van Dyck's extensive use of prints--including etchings, engravings, and aquatints--is the companion catalog to an exhibition in Antwerp celebrating the artist's birth 400 years ago, in 1699.
		Anthony Van Dyck (1599-1641) introduced a new type of costume in his portraits during his second English period (1632-1641), one that blurred the margins of fact and fancy.
		Van Dyck established new conventions for the representation of dress in portraits that held sway until the end of the seventeenth century.
	www.bookfinder.us /Art/Artists___Musicians___A-Z/Van_Dyck__Anthony.html (954 words)

	Van Dyck Beyond The Looking Glass - Anthony van Dyck Contemporary Review - Find Articles
		Among the grand compositions van Dyck undertook in Genoa is a felicitously composed portrait, now in the London National Gallery, of three boys connected with the patrician Balbi family.
		The picture is adapted from a portrait by Daniel Mytens, which van Dyck glamourised by softening both outline and colour and by an overall dimming of light.
		In spite of van Dyck's success in enhancing the appearance of Charles I, his image of the monarch looks as if it was the model for Thackeray's drawings of Valoroso XXIV in The Rose and the Ring.
	findarticles.com /p/articles/mi_m2242/is_1607_275/ai_59136344 (810 words)

	WebMuseum: Dyck, Sir Anthony van
		It is customary to accuse van Dyck of invariably flattering his sitters, but not all his patrons would have agreed.
		Van Dyck's influence on English portraiture has been profound and lasting: Gainsborough, in particular, revered him, but he was an inspiration to many others until the early 20th century, when society portraiture ceased to be a major form of artistic expression.
		Van Dyck etched some of the plates himself, and many more were engraved after his drawings and oil sketches.
	www.ibiblio.org /wm/paint/auth/dyck (0 words)

	WebMuseum: Dyck, Sir Anthony van (Site not responding. Last check: )
		It is customary to accuse van Dyck of invariably flattering his sitters, but not all his patrons would have agreed.
		Van Dyck's influence on English portraiture has been profound and lasting: Gainsborough, in particular, revered him, but he was an inspiration to many others until the early 20th century, when society portraiture ceased to be a major form of artistic expression.
		Van Dyck etched some of the plates himself, and many more were engraved after his drawings and oil sketches.
	mexplaza.udg.mx /wm/paint/auth/dyck (413 words)

	ARTINVEST2000® VAN DICK ANTHONY
		Van Dyck also painted mythological and religious scenes and was a fine engraver and etcher.
		Van Dyck ser new standards for English portrait painting through the dignity, elegance, and grace of his interpretations, and his ability to paint clothing and accessiores in vivid detail.
		Van Dyck created a series of engravings and etchings portraying artists and writers of his day.
	www.artinvest2000.com /vandyck_english.htm (636 words)

	HRSA Biography: Peter C. van Dyck, M.D., M.P.H. (Site not responding. Last check: )
		van Dyck served as acting associate MCH administrator between August 3, 1998, and his current appointment in 1999, and was the first permanent director of MCHB's Office of State and Community Health, created in 1995 to be more responsive to state issues related to the MCHB block grant.
		van Dyck has consulted nationally and internationally, was president of the Association of Maternal and Child Health Directors from 1978 - 1980 and chair of the Maternal and Child Health Section of the American Public Health Association from 1989 - 1990.
		Van Dyck is currently the executive secretary of the Secretary's Committee on Infant Mortality.
	newsroom.hrsa.gov /biography/vanDyck.htm (496 words)

	Van Dyck Beyond The Looking Glass - Anthony van Dyck Contemporary Review - Find Articles
		Among the grand compositions van Dyck undertook in Genoa is a felicitously composed portrait, now in the London National Gallery, of three boys connected with the patrician Balbi family.
		The picture is adapted from a portrait by Daniel Mytens, which van Dyck glamourised by softening both outline and colour and by an overall dimming of light.
		In spite of van Dyck's success in enhancing the appearance of Charles I, his image of the monarch looks as if it was the model for Thackeray's drawings of Valoroso XXIV in The Rose and the Ring.
	www.findarticles.com /p/articles/mi_m2242/is_1607_275/ai_59136344 (810 words)

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