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| | Composing & Recording With Vanessa-Mae |
 | | "Later, when Vanessa came to rehearse these two compositions, we had three days to spare in Paris, and we came up with the idea of doing a kind of Santana track, with lots of percussion, some minimalist orchestration, and the violin on top. |
 | | I did an orchestral demo, with lead violin, and Vanessa loved it. |
 | | It was a strange concept, and I did a minute-long demo for it with some percussion loops and orchestral sounds played on my keyboards. |
| www.soundonsound.com /sos/feb05/articles/waltertaied.htm (3116 words) |
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