| | Man in a Suitcase: Tulse Luper at Compton Verney by Bridget Elliott and Anthony Purdy |
 | | This point is underscored by the narrator as we near the end of the journey: “A map that tried to pin down a sheep trail was just credible. |
| | In this sense, we might think of the narrator-protagonist's journey as taking place in the non-space (and the non-time) of the language of cinema: the narrator arrives at his destination, which is also his point of departure, at the same time as he leaves; a distance is apparently traversed but no time elapses. |
| | The piece consists of a suitcase containing miniature reproductions of the artist's work in multiple formats ranging from three-dimensional models and works in celluloid to collotype prints, commercial reproductions, and photographs that were either fl and white or laboriously coloured using the pochoir technique. |
| www.imageandnarrative.be /tulseluper/elliot_purdy.htm (5067 words) |
