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| | Questions of logic: writing, dialectics and musical strategies (François NICOLAS) |
 | | Musical thought cannot, in this situation, avoid reflecting on the relations between reason and calculation, reflecting, that is, on logic, for logic that is necessarily involved in such an examination. |
 | | Musical listening, which entails a thought linking the sensitive aspect to the intelligible, is effected when sensitivity splits off from sheer perception and gives way to a new principle of intelligibility which no longer depends on showing, but embraces a musical rationality of infinities for which no representation is possible. |
 | | The idea is to delineate a musical dialectic which, contrary to the classical dialectic, goes from the others to the same, in a kind of conquest of the generic, of anybody, of the anonymous. |
| www.entretemps.asso.fr /Nicolas/TextesNic/QuestionsOfLogic.html (7973 words) |
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