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| | Wassily Kandinsky |
 | | One can also presume that Kandinsky, philosophically a child of the German Romantic tradition, was strongly attracted to Wagner's use of medieval Germanic myths and legends, including those of the world's creation and destruction, as symbols that allowed for the translation of his philosophical attitudes toward the world view, religion, and love. |
 | | "Kandinsky's conviction that music is a superior art to painting due to its inherent abstract language came out forcefully in the artist's admiration for the music of the Viennese composer Arnold SchÖnberg, with whom he initiated a longstanding friendship and correspondence and whose Theory of Harmony (1911) coincided with Kandinsky's On the Spiritual in Art. |
 | | Kandinsky's complex relationship to SchÖnberg's music is central to his concept of Composition, since SchÖnberg's most important contribution to the development of music, after all, occurred in the area of composition. |
| www.artchive.com /artchive/K/kandinsky.html (1742 words) |
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