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	Portrait of the actor and director Veit Harlan by Thomas Staedeli
		Veit Harlan, who was a professed National Socialist since 1933, recommended himself to the propaganda ministry with his movie "Der Herrscher" (37).
		After the war Veit Harlan was exposed to a vehement critic because of his propaganda movies, a petition for denazification remained unfinished.
		Veit Harlan was married in second marriage with the actress Hilde Körber.
	www.cyranos.ch /smharl-e.htm (469 words)

	Veit Harlan Information
		Veit Harlan (September 22 1899, Berlin - April 13 1964, Capri, Italy) was a German film director and actor.
		In 1937 Joseph Goebbels appointed Harlan as one of his leading propaganda directors.
		At the end of the war Harlan was charged with participating in the anti-Semitic movement and aiding the Nazis.
	www.bookrags.com /wiki/Veit_Harlan (232 words)

	Qwika - Veit
		Veit impact, German sculptor and more schnitzer the late gothic
		Veit brook, Move forward of Johann Sebastian brook, immigrated from Hungary
		Veit Ruediger, Member of the German federal daily
	wikipedia.qwika.com /de2en/Veit (117 words)

	Veit Harlan - Resultados de la búsqueda - MSN Encarta
		Veit Harlan - Resultados de la búsqueda - MSN Encarta
		Veit Stoss (1447-1533), escultor gótico alemán nacido en Suabia y formado artísticamente en Nuremberg.
		Más resultados de MSN Search sobre "Veit Harlan"
	es.encarta.msn.com /Veit_Harlan.html (94 words)

	Veit Harlan - Wikipedia, the free encyclopedia
		Veit Harlan (September 22, 1899, Berlin - April 13, 1964, Capri, Italy) was a German film director and actor.
		In 1937 Joseph Goebbels appointed Harlan as one of his leading propaganda directors.
		At the end of the war Harlan was charged with participating in the anti-Semitic movement and aiding the Nazis.
	en.wikipedia.org /wiki/Veit_Harlan (256 words)

	Biographie: Veit Harlan, 1899-1964 (Site not responding. Last check: )
		Mit "Verwehte Spuren" stellt sich Harlan in den Dienst der Nationalsozialistischen Deutschen Arbeiterpartei (NSDAP).
		Nach Kriegsende wird Harlan mehrere Male verhaftet und vor Gericht gestellt, schließlich aber als "Entlasteter" eingestuft.
		Harlan wird schließlich in allen drei Prozessen freigesprochen.
	www.hdg.de /fileadmin/static/lemo/html/biografien/HarlanVeit/index.html (503 words)

	WKE Notes, New School 7/23/75
		Harlan of course became notorious for his Jew Suss, although it was the vicious performance of Werner Krauss that did most of the damage.
		Harlan himself was probably not anti-Semitic, but he was certainly an opportunist and prone to flow with the tide.
		Harlan may have allowed the line as a weak and almost hidden propagandist sop to the Nazis, as a way of preventing further and more obvious propagandist content from being insisted on by the Nazi supervisors of the industry).
	www.nyu.edu /projects/wke/notes/newschool/ns_881007.htm (1379 words)

	Film \| Kristina Söderbaum
		Harlan gave her the lead in the dark and moody Jugend (1937), a sentimental drama of doomed love, and made her his third wife.
		Harlan, with hideous deftness, neatly inverted the plot showing an 18th century court infiltrated and perverted by a villainous coterie of Jews who exhibit every vice and loathsome habit.
		Veit Harlan refused to hear of his wife abandoning the screen, but following his death in 1964 she began a second and modestly successful career as a photographer.
	film.guardian.co.uk /print/0,3858,4136475-3156,00.html (853 words)

	Veit Harlan - Regisseur des antisemitischen Propagandafilms "Jud Süß"
		Veit Harlan - Regisseur des antisemitischen Propagandafilms "Jud Süß;"
		Veit Harlan wurde am 22.9.1899 als Sohn eines Schriftstellers in Berlin geboren und erhielt eine Schauspielausbildung bei Max Reinhardt.
		Aufgrund dieses Films wurde gegen Harlan nach dem 2.Weltkrieg zweimal Anklage erhoben wegen Verbrechens gegen die Menschlichkeit (1949 und 1950).
	www.veit-harlan.de (189 words)

	IngentaConnect Die Filme von Veit Harlan vor und nach 1945. (Site not responding. Last check: )
		Veit Harlan is the director in German history whose works to this day provoke a polemic reaction.
		Harlan's popular films do not seem to be propagandistic works.
		The success of the Harlan-Films in Germany before and after 1945 can be seen as a sign for the longing of the German audience for narratives which describe the connection between one's own decisions and actions in the sociological and psychological circumstances of contemporary life, and the dark forces of fate.
	www.ingentaconnect.com /content/rodopi/abng/2001/00000050/00000001/art00024 (156 words)

	Veit Harlan
		Harlan besucht nach dem Ersten Weltkrieg das Reinhardt-Seminar in Berlin, wo ihm empfohlen wird, zunächst Schauspieler zu werden.
		Nachdem Harlan sich in schon in Bühneninszenierungen von Ludwig Berger profilieren konnte, spielt er 1926/27 in dessen aufwenigen aber wenig erfolgreichen Stummfilm DER MEISTER VON NÜRNBERG mit und gibt damit sein Debüt als Filmschauspieler.
		Kristina Söderbaum kann unter Harlans Regie erstmals in einer tragenden Hauptrolle überzeugen.
	www.deutscher-tonfilm.de /vharlan1.html (2072 words)

	Veit Harlan zur Person (Site not responding. Last check: )
		Mitte der dreißiger Jahre drehte Harlan mehrere nationalsozialistische resp.
		Nach Kriegsende wurde Harlan mehrere Male verhaftet und vor Gericht gestellt, schließlich aber als "Entlasteter" eingestuft.
		Harlan wurde schließlich in allen drei Prozessen freigesprochen.
	www.dvd-aktion.de /person/Veit_Harlan.html (576 words)

	Commentary Magazine - German Students Seek "Peace with the Jews" (Site not responding. Last check: )
		A SECOND flare-up of what has become known as the "Harlan Case" occurred in Germany this past January, when Veit Harlan's second postwar film, Hanna Ammon, had its first showings.
		...when any public figure such as Veit Harlan is attacked for his past, many others begin to fear that the whole question of Nazi affiliations might be reopened for everyone, and in defending Harlan they defend themselves...
		...Yet Harlan declared to the students of Erlangen that his enemies did not bother him so much as some of his self-proclaimed friends who were anti-Semites and thought they had found a fellow believer in him: "I repudiate them and declare that I find them repulsive, uncultured, and stupid...
	www.commentarymagazine.com /Summaries/V14I2P32-1.htm (4141 words)

	Commentary Magazine - Letters (Site not responding. Last check: )
		...To be sure, it is said that Veit Harlan tried to modify the grosser manifestations of anti-Semitis in Jud Siiss: but this perhaps was a question of taste, not one of conviction...
		...The case of Veit Harlan is merely one manifestation of a development that cannot be properly judged unless one understands its deeper causes...
		...In any case, Veit Harlan was of far greater consequence than Werner Krauss in bringing to completion a piece of propaganda that served as psychological preparation for the murder of millions of human beings...
	www.commentarymagazine.com /Summaries/V11I5P95-1.htm (5212 words)

	«Jud Süss»-Prozess als Doku-Drama: Axel Milberg spielt Veit Harlan
		Harlan verteidigt sich vor Gericht damit, dass er das von Goebbels verordnete Propagandawerk mit künstlerischen Mitteln habe unterlaufen wollen.
		Es sei letztlich nicht nachzuweisen, ob der Streifen Harlans, der sich als einziger Künstler aus der NS-Zeit juristisch verantworten musste, den Antisemitismus in Deutschland noch verschlimmert habe.
		Hauptdarsteller Milberg, der Harlan trotz dessen Verbohrtheit eher feinsinnige Züge verleiht, sieht die Rolle des Nazi-Regisseurs auch sehr kritisch: Mit «Jud Süss» habe Harlan damals gerade den «leiseren Antisemitismus» in den sensibleren und intellektuelleren Kreisen Nazi-Deutschlands geweckt.
	www.juden.de /newsarchiv/september_2001/18_09_01_04.shtml (654 words)

	Veit Harlan
		Harlan ist der Sohn eines Schriftstellers, insofern war ihm so etwas wie künstlerisches Interesse in die Wiege gelegt.
		Doch mit seiner Bereitschaft, sich bedingungslos in den Dienst der nationalsozialistischen Machthaber zu stellen, stieg er schnell zu Goebbels eifrigstem Propagandafilmer auf.
		So konnte Veit Harlan in der Adenauer-Ära noch zahlreiche Filme realisieren, unter anderem "Unsterbliche Geliebte" (1950), "Die blaue Stunde" (1953), "Sterne über Colombo" (1953), "Die Gefangene des Maharadscha" (1953), der politisch sehr dubiose "Verrat an Deutschland" (auch bekannt als "Der Fall Dr. Sorge", 1954) und "Die blonde Frau des Maharadscha" (1962).
	www.prisma-online.de /express/person.html?pid=veit_harlan (390 words)

	KQEK.com - DVD Review: Kolberg (1945)
		Directed and co-written by the Reich's top director, Veit Harlan, the screenplay was subsequently reworked and tweaked by peers, including amateur screenwriter Goebbels.
		The film was subsequenlt recut in light of Harlan's decisions to film and interpolate scenes of suffering when Goebbels wanted the battle for freedom to be virtuous, and mythic.
		Harlan and longtime cinematographer Bruno Mondi labor on shots with beautifully coordinated smoldering fl clouds that waft upwards and enhance, if not reveal, further destruction from French artillery bombardment.
	www.kqek.com /dvd_reviews/j2l/3130_Kolberg.htm (1494 words)

	Biographie: Veit Harlan, 1899-1964
		Harlans Film "Jugend" ist das Deutschlanddebüt für die schwedische Schauspielerin Kristina Söderbaum, die seine Geliebte wird und künftig in fast allen seinen Filmen auftritt.
		Mit "Verwehte Spuren" stellt sich Harlan in den Dienst der Nationalsozialistischen Deutschen Arbeiterpartei (NSDAP).
		Harlan wird schließlich in allen drei Prozessen freigesprochen.
	www.dhm.de /lemo/html/biografien/HarlanVeit (503 words)

	RP Online
		Harlan ist der Sohn eines Schriftstellers, insofern war ihm so etwas wie künstlerisches Interesse in die Wiege gelegt.
		Doch mit seiner Bereitschaft, sich bedingungslos in den Dienst der nationalsozialistischen Machthaber zu stellen, stieg er schnell zu Goebbels eifrigstem Propagandafilmer auf.
		So konnte Veit Harlan in der Adenauer-Ära noch zahlreiche Filme realisieren, unter anderem "Unsterbliche Geliebte" (1950), "Die blaue Stunde" (1953), "Sterne über Colombo" (1953), "Die Gefangene des Maharadscha" (1953), der politisch sehr dubiose "Verrat an Deutschland" (auch bekannt als "Der Fall Dr. Sorge", 1954) und "Die blonde Frau des Maharadscha" (1962).
	www.rp-online.de /app/tv/prisma/index.php/person.html?pid=veit_harlan (414 words)

	metamovie.de - The Third Sex / Anders als du und ich (Site not responding. Last check: )
		Based on some films directed by him and a documentary, I venture to say that, despite his bad reputation, Harlan, a master craftsman, didn't care at all about Jews or gays and just took every chance to film juicy scenes, no matter what their ideological content might have been.
		He may be accused only of ruthlessness: nothing about Die goldene Stadt, a 1942 Nazi melodrama, is quite as disturbing as Harlan's efforts to pass his wife Kristina Soederbaum, a voluptious blonde then in her mid-thirties and wearing very red lipstick, as a virginal peasant girl.
		To Harlan's credit, he does manage to bring these disparate elements together, and the set pieces - which must have been quite daring in their time (including a short glimpse of the heroine's tit, missing in the U.S. cut) - work well, until the film falls apart in its second half, courtesy of re-structuring efforts.
	www.metamovie.de /film/anders.html (776 words)

	German Law Cases
		The court did not gainsay the fact that for much of the Hitler régime Veit Harlan was the Nazi film-director no. 1’ or that his film ‘Jud Süss’ showed him to be a committed exponent of the Nazis’; murderous purge of the Jews.
		Some businessmen here and abroad may not be opposed to Veit Harlan’s re-emergence, but the moral integrity of Germany must not be destroyed by hard-faced money-makers.
		Harlan’s return can only reopen wounds barely healed, and resuscitate diminishing distrust fatal to German reconstruction.
	www.utexas.edu /law/academics/centers/transnational/work/german-cases/cases_bverg.shtml?15jan1958 (2426 words)

	DreamWorks SKG Fansite-A.I. - Artificial Intelligence
		Harlan: He was very disappointed but this thing did not interfere in their friendship.
		Harlan: He was so much in awe with the screenplay based on a story by Brian Adliss ?Super Toys Last All Summer Long?.
		Harlan: I think it?s going out at the end of this year and will be released on Tv, DVD and on Video by Warner Bros. I don?t know if will be screened on some festival.
	dreamworksfansite.com /ai/May24-June29-2000.php (1546 words)

	1940: Estréia do filme "O Judeu Süss" \| Calendário Histórico \| Deutsche Welle (Site not responding. Last check: )
		O papel feminino de destaque foi assumido por Kristina Söderbaum, a esposa de Harlan, que incorporava como nenhuma outra as supostas características da mulher ariana: loura, olhos azuis e raça nórdica.
		Harlan parece jamais ter entendido que, com isso, ele se envolvia nos crimes nazistas.
		Veit Harlan teve de responsabilizar-se por crime contra a humanidade.
	www.alemania-online.com /dw/article/0,2144,320114,00.html (790 words)

	Dorenavant Tout Sera Comme d'Habitude \| Plot \| MTV Movies (Site not responding. Last check: )
		In one of the more bizarre documentaries to come out of French cinema, this is a record of a confrontation between ex-Nazi SS officer Alfred Filbert, several Orthodox Jews, and the director of this documentary Thomas Harlan (son of Veit Harlan who made films for the Third Reich).
		When the aged Filbert is in the studio, a group of Orthodox Jews, some Holocaust survivors, are brought in to confront the man. Filbert was convicted in a 1959 war crimes trial, and served his sentence until 1976 when he was released due to "failing eyesight" (not in evidence here).
		As Filbert accuses director Harlan of underhanded deception and tries to leave, his way out is blocked by technicians while Harlan shouts out the 1959 criminal charges against him -- an unusual, inexplicable documentary indeed.
	www.mtv.com /movies/movie/180605/plot.jhtml (164 words)

	filmportal.de
		Mit "Maria, die Magd" (1936), auf einer Erzählung seines Vaters basierend, wechselt Harlan das Genre und verlegt sich nunmehr auf die Produktion von Melodramen, in denen er fortan Kristina Söderbaum als Hauptdarstellerin lanciert ("Jugend", nach Max Halbe, 1937/38; "Verwehte Spuren", nach Hans Rothe, 1938; "Die Reise nach Tilsit", nach Hermann Sudermann, 1939).
		Der Aufstieg zu einem der im Propagandaministerium bevorzugten Regisseure gelingt Harlan mit der sehr freien Verfilmung des Dramas "Vor Sonnenuntergang" von Gerhart Hauptmann, das er – unter der Künstlerischen Oberleitung des Hauptdarstellers Emil Jannings – in "Der Herrscher" (1936/37) zu einer Hommage an das Führerprinzip umzustilisieren weiß: "Modern und nationalsozialistisch.
		Hier wie auch bei einigen anderen Filmen muß Harlan sich nachträgliche Eingriffe seines Auftraggebers gefallen lassen.
	www.filmportal.de /df/d8/Uebersicht,,,,,,,,4EDCD242D53847418E30C774C9978A08,,,,,,,,,,,,,,,,,,,,,,,,,,,.html (1000 words)

	Amazon.com: "Veit Harlan": Key Phrase page
		Even Nazi film directors Wolfgang Liebeneiner and Veit Harlan openly acknowledged that their films consist "to a great extent of omission," which, however, "should nevertheless remind us of the...
		The most notable film in this latter category was Der Herrscher, directed by Veit Harlan" and starring Emil Jannings as Matthias Clausen, leader of an industrial dynasty clearly modelled on the Krupps dynasty.
		William Small Jud Süß between Art and Politics: Veit Harlan and Lion Feuchtwanger In his 1983 play Jud Süß,' Dieter Munck brings Veit Harlan and Josef Süß Oppenheimer face to...
	amazon.com /phrase/Veit-Harlan (476 words)

	Viet Harlan : Nazi Germany
		Veit Harlan, the son of a novelist, was born in Berlin, on 22nd September, 1899.
		Harlan's support for the Nazi Party was illustrated in his films,
		After the Second World War Harlan was arrested and imprisoned by the Allies.
	www.spartacus.schoolnet.co.uk /GERharlan.htm (250 words)

	DreamWorks SKG Fansite-A.I. - Artificial Intelligence
		Harlan: He was very disappointed but this thing did not interfere in their friendship.
		Harlan: He was so much in awe with the screenplay based on a story by Brian Adliss ?Super Toys Last All Summer Long?.
		Harlan: I think it?s going out at the end of this year and will be released on Tv, DVD and on Video by Warner Bros. I don?t know if will be screened on some festival.
	www.dreamworksfansite.com /ai/May24-June29-2000.php (1546 words)

	Jud Süss
		Thus the director Veit Harlan's first wife was Jewish, he himself had been an admirer of Max Reinhardt and Stanislavski, and, earlier in life, flirted with socialism.
		Harlan, who obviously did not mind making films with heavy infusions of Nazi ideology (Der Herrscher, 1937, and many films made after Jud Süss), tried very hard to avoid this particular assignment.
		Moreover, Harlan was permitted to stop all work in the studio whenever the baby became hungry.
	www.filmreference.com /Films-Jo-Ko/Jud-S-ss.html (1055 words)

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