| |
| | Romanticism On the Net 16 (November 1999) (Site not responding. Last check: 2007-10-08) |
 | | The temporary prominence of ventriloquism in this period was in part due to the ambiguity of its character, an ambiguity not unrelated to Coleridge's ambivalence. |
 | | In Europe, ventriloquism, as it came to be recognized and then examined, proved to have a long if very obscure tradition: the further back it was pursued, the older it seemed to be. |
 | | For ventriloquism, such development finally appears in the 1830's and 1840's, when the ventriloquist's doll becomes, not a respectful child, but a mouthy street kid: suddenly, audiences remember the doll as well as the ventriloquist; suddenly, ventriloquism becomes truly dramatic. |
| users.ox.ac.uk /~scat0385/hodgson.html (5117 words) |
|