Verse (poetry) - Factbites

Verse (poetry) - Factbites
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Topic: Verse (poetry)

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	The Making of Poetry: Form and Free Verse
		The rhythms in free verse may not be regular, and rhymes may not be direct moon/June/spoon/loon equivalencies but repetitions of consonant and vowel sounds give free verse enough of a pattern to help transform daily language into poetry.
		Simple or complex, beautiful or deliberately ugly, intellectual or earthy, formally shaped or free verse, or combinations of all of these, poetry is language turned into passionate communication.
		Free verse is not something new--there were earlier verse forms in English literature where rhyme and rhythm were not constant.
	www.sff.net /people/neile/makingpoetry.htp (763 words)

	Some Observations on Shakespeare’s Dramatic Verse
		This is an important feature of much eighteenth-century verse (the heroic couplet style, very frequent in Alexander Pope's poetry), where dispensing with the excessively emotional power of poetry is an important artistic principle.
		In other words, the mere presence of blank verse does not convey artistic merit upon dramatic poetry; the form has to be used skillfully and flexibly, often in unexpected ways, so that the full poetic effects of patterned speech can be realized.
		Traditional dramatic poetry differs from dramatic prose mainly in the formal construction of the poetic utterance, which is organized on the basis of a repetitive rhythmic structure for each line.
	www.mala.bc.ca /~johnstoi/eng366/lectures/poetry.htm (7509 words)

	verse -- Encyclopædia Britannica
		Although verse is sometimes used as a synonym for poetry, it is usually understood to be metrical composition that ranks in artistic quality below the level of poetry.
		Free verse is a style of poetry based on the rhythms of speech and imagery rather than a set meter or rhyme scheme.
		The early 20th-century verse of Bernard Patrick O'Dowd marked a turning point in Australian poetry.
	www.britannica.com /eb/article-9075153?tocId=9075153 (7509 words)

	Bio-Buzz.com - Poet Glossary
		So named because it is the form in which epic poetry of heroic exploits is generally written, its rhyme scheme is abab, composed in ten-syllable iambic verse in English, hexameter in Greek and Latin, ottava rima in Italian.
		The free in free verse refers to the freedom from fixed patterns of meter and rhyme, but writers of free verse employ familiar poetic devices such as assonance, alliteration, imagery, caesura, figures of speech etc., and their rhythmic effects are dependent on the syllabic cadences emerging from the context.
		Two successive lines of rhymed poetry in iambic pentameter, so called for its use in the composition of epic poetry in the 17th and 18th centuries.
	www.bio-buzz.com /poet_glossary (7509 words)

	Amazon.co.uk: Books: The Oxford Book of English Verse
		As for verse from the Commonwealth (pre-independence)--"I judged reluctantly that pre-independence poetry had not achieved poetic independence (freedom from diluted fashion), had not given to the world such poetic accomplishments as would constitute a claim to the pages of an anthology of the best in English poetry." Discuss.
		Ricks states categorically that his "does not seek to be a book of Anglophone verse, of verse in the English language whatever its provenance." This leads to some anomalies.
		He takes American verse only to the 1770s, but is happy to include verse from the Republic of Ireland.
	www.amazon.co.uk /exec/obidos/ASIN/0192141821 (7509 words)

	accentual verse -- Encyclopædia Britannica
		Although verse is sometimes used as a synonym for poetry, it is usually understood to be metrical composition that ranks in artistic quality below the level of poetry.
		The term verse may refer to a single line of poetry, more than one line of poetry, or a stanza of poetry.
		In accentual verse the total number of syllables in a line can vary as long as there are the prescribed number of accents.
	www.britannica.com /eb/article?tocId=9125131&query=awry&ct= (798 words)

	Free verse line breaks - Eratosphere
		When I first started writing poetry as a teenager I wrote, as probably almost all teenagers do these days, in free verse, because I was under the impression that metrical poetry wasn't a valid form of expression anymore.
		I eventually learned better, and a few years ago decided that if I was going to learn to write poetry I should start with formal poetry, if for nothing else than to know what free verse was free from.
		If I recall correctly, Robert Pinsky also covers this for both metrical and free verse in his little book, The Sounds of Poetry.
	www.ablemuse.com /erato/ubbhtml/Forum9/HTML/000748.html (514 words)

	Thelema Lodge Calendar for March 1994 e.v.
		Join Frater P.I. in the library at Thelema Lodge on Saturday evening 26 March at 7:30 for an open evening of poetry reading, with all welcome to bring their own work, or any other verse they would enjoy reading together.
		It is to honor him and to entertain ourselves that we meet every month at the lodge as the Grady L. McMurtry Poetry Society.
		Our late beloved King, Grady L. McMurtry, was a life long lover of verse.
	www.billheidrick.com /tlc1994/tlc0394.htm (514 words)

	Behind
		So accentual verse went under, but not out; and apart from a period between Chaucer and Tudor poetry, it desponded, perhaps through the unthinking confidence of accentual-syllabic verse.
		I was beguiled by the title: The Life of Metrical and Free Verse in Twentieth-Century Poetry [Macmillan Press, Ltd. and St. Martin's Press, 1997.
		The objection is not to Pope but to the insistence of such canonical devices so applied that--don't we agree--this is the only way to write poetry.
	www.uncg.edu /%7Ehtkirbys/Behind.htm (514 words)

	Some Observations on Shakespeare’s Dramatic Verse
		In other words, the mere presence of blank verse does not convey artistic merit upon dramatic poetry; the form has to be used skillfully and flexibly, often in unexpected ways, so that the full poetic effects of patterned speech can be realized.
		This is an important feature of much eighteenth-century verse (the heroic couplet style, very frequent in Alexander Pope's poetry), where dispensing with the excessively emotional power of poetry is an important artistic principle.
		Traditional dramatic poetry differs from dramatic prose mainly in the formal construction of the poetic utterance, which is organized on the basis of a repetitive rhythmic structure for each line.
	www.mala.bc.ca /~johnstoi/eng366/lectures/poetry.htm (514 words)

	Poets Against War
		George Amabile’s work has appeared in The Penguin Book of Canadian Verse, Saturday Night, The New Yorker, Harper's, Poetry (Chicago), American Poetry Review, Poetry Australia, Sur (Buenos Aires), Poetry Canada Review, and Canadian Literature.
		Poets Against War continues the tradition of socially engaged poetry by creating venues for poetry as a voice against war, tyranny and oppression.
		He has published eight books, edited two magazines and won two national prizes.
	www.poetsagainstthewar.org /displaypoem.asp?AuthorID=2415 (514 words)

	Nonsense
		Nonsense verse may take any form and use any style, but it is most often characterized by a flowing meter and obivious, sometimes ludicrous, rhyme.
		Amphigory is a staple element in nonsense verse.
		Well done, it is a skillful blending of meaningful and meaningless words, often resembling Lewis Carroll's nonsense poetry.
	thewordshop.tripod.com /nonsense.html (514 words)

	Q&L/Musings Guest Essay
		As a result, writers of free verse from Pound to the present have argued that for poetry to be organic, it must be unbound by the mechanical regularity of meter and the formal rules and strictures of traditional poetry.
		Written at a time when free verse was a relatively new and exciting development in English language poetry, Pound's metaphor was a brilliant piece of polemic.
		The difference between me and a free verse poet is simply that I commit myself to the metrical precedents which my first lines set.
	home.earthlink.net /~arthur505/lake1.html (3406 words)

	Jacket 23 - Marjorie Perloff - The Oulipo Factor
		The common wisdom goes something like this: (1) Verse is not necessarily poetry, (2) conversely, then, poetry is not equivalent to verse, and hence (3) verse is of no importance (VA 10). Contemporary poetry criticism, Roubaud further suggests, has followed suit.
		Free verse, Roubaud notes, easily adapts linguistic units to linear ones and is characterized by its formal indifference (VA 204). Its absence of rules makes it suitable for a global age for free verse passes readily from language to language and is potentially translatable.
		Even when it is concerned with poems written in fixed verse forms, it pays no attention to prosody, discussing the texts in question as if they were, in fact, written in prose.
	jacketmagazine.com /23/perlof-oulip.html (6522 words)

	dramatic poetry
		Later playwrights also preferred verse because this lifted so readily into a poetry by which the deeper realities of human nature could be explored.
		Much of dramatic poetry belongs to the literary canon.
		Important influences on the contemporary stage are Samuel Becket and Bertold Brecht, and both employed music, songs and a pared-down prose that approaches free verse.
	www.poetry-portal.com /styles11.html (376 words)

	The Making of Poetry: Form and Free Verse
		Simple or complex, beautiful or deliberately ugly, intellectual or earthy, formally shaped or free verse, or combinations of all of these, poetry is language turned into passionate communication.
		The rhythms in free verse may not be regular, and rhymes may not be direct moon/June/spoon/loon equivalencies but repetitions of consonant and vowel sounds give free verse enough of a pattern to help transform daily language into poetry.
		And I read the early 20th-century poets who were to first to write what they called "free verse," breaking from the formulaic rigidity that 19th-century poetry seemed to have fallen into.
	www.sff.net /people/neile/makingpoetry.htp (376 words)

	Free Verse
		Its popularity stems from the belief that free verse is poetry without rules; after all, it doesn't rhyme, and it doesn't have a meter.
		Many people consider free verse to be a modern form of poetry.
		However, what separates poetry from prose is the arrangement of carefully chosen words into verses.
	www.edhelper.com /ReadingComprehension_31_14.html (376 words)

	Paper 14
		General collections of religious poetry include the Penguin Book of English Christian Verse (ed Peter Levi, 1984), the Faber Book of Religious Verse, (ed H Gardner, 1972), the Oxford Book of Christian Verse (ed Lord David Cecil, 1940), and the New Oxford Book of Christian Verse (ed Donald Davie, 1981).
		The standard edition is by L C Martin (Oxford, 1957), and the poetry and selected prose are available in OSA, 1963.
		Also interesting is the Oxford Book of English Mystical Verse (ed D H S Nicholson and A H E Lee, 1924).
	www.arts.gla.ac.uk /SESLL/EngLit/ugrad/hons/materials/relyric2.htm (376 words)

	Amazon.ca: Books: The New Oxford Book of Children's Verse
		This is a book bursting with vitality and variety: over 350 poems by more than 200 poets, in which narrative poems, concrete verse and performance poetry with poems of the classroom and...
		Neil Philip may be right that The New Oxford Book of Children's Verse is the anthology for today's children, if today's children are those who find poetry a dead or deadening thing.
		It is, in fact, an anti-children's poem, one that exploits the form of children's verse to make, with brutal irony, a point about how a child's innocence can be poisoned by an encounter with racial hatred.
	www.amazon.ca /exec/obidos/ASIN/0192881078 (376 words)

	Amazon.com: Books: The New Oxford Book of Irish Verse (Oxford Books of Verse)
		Book II, ranging from the fifteenth to eighteenth centuries, presents the age of bardic poetry and the great poetry of its decline, the "new" poetry in Irish that followed it, and the era of Swift and Goldsmith.
		Amazon.com: Books: The New Oxford Book of Irish Verse (Oxford Books of Verse)
		Divided into three "Books," Book I opens with the earliest, pre-Christian poetry in Old Irish and ends in the fourteenth century with the first Irish poetry in the English language.
	www.amazon.com /exec/obidos/tg/detail/-/0192801929?v=glance (376 words)

	The New Oxford Book of Irish Verse (Oxford Books of Verse) - GoldBamboo Store
		Book II, ranging from the fifteenth to eighteenth centuries, presents the age of bardic poetry and the great poetry of its decline, the "new" poetry in Irish that followed it, and the era of Swift and Goldsmith.
		The New Oxford Book of Irish Verse (Oxford Books of Verse)
		In this delightful anthology, Thomas Kinsella, a renowned poet and translator, offers new translations of a significant selection of poems from the early centuries to the present day, thus revealing some of the greatest riches of Irish verse.
	goldbamboo.com /store-1detail-20192801929.html (376 words)

	OUP: New Oxford Book of English Verse, 1250-1950: Gardner
		The New Oxford Book of English Verse is now firmly established as a classic anthology of English poetry.
		Dame Helen Gardner reflected the critical consensus of the day in broadening her choices beyond those of Quiller-Couch's lyrical tastes, and the anthology balances poems that deal with public events and historic occasions with poems of private life, and religious, moral or political verse with satire and light verse.
		The New Oxford Book of English Verse, 1250-1950
	www.oup.co.uk /isbn/0-19-812136-9 (376 words)

	HEADWORX Publishers
		His poetry has been widely anthologized in The Penguin Book of Contemporary New Zealand Poetry, The Penguin Book of New Zealand Verse, The Oxford Book of Contemporary New Zealand Poetry, and more recently in Oxford's An Anthology of New Zealand Poetry in English.
		He has published six previous collections of poetry, among which The Singing Ground and Dancing Bear were significant turning points.
		Four of his poems were published online in issue 11 of Southern Ocean Review.
	www.headworx.eyesis.co.nz /author/beyert.php (376 words)

	modernist literature
		There are many anthologies: these are well known: The Faber Book of Twentieth-Century Verse (1975), New Poets of England and America (1957) and The Harvill Book of Twentieth-Century Poetry in English (1999).
		Good introductions are: A History of Modern Poetry (1987) by David Perkins, Modernism by Malcolm Bradbury and James McFarlane (1976/1991), A Map of Modern English Verse (1969) by John Press, Modern Poetry and the Tradition by Cleanthe Brooks (1930) and The Pound Era by Hugh Kenner (1971).
		Useful bibliographies follow the American Poetry and Free Verse entries in The New Princeton Encyclopedia of Poetry and Poetics (1993).
	www.poetry-portal.com /styles3.html (376 words)

	Veery Books
		Books for Libraries Press Freeport, N.Y. Reprint of the 1902 ed.; Literary values.--Analogy, true and false.--Style and the man.--Criticism and the man.--Recent phases of literary criticism.--"Thou shalt not preach."--Democracy and literature.--Poetry and eloquence.--Gilbert White again.--Lucid literature.--"Mere literature."--Another word on Emerson.--Thoreau's wildness.--Nature in literature.--Suggestiveness.--On the re-reading of books.--The spell of the past.--The secret of happiness.
		To criticize the critic.--From Poe to Valéry.--American literature and the American language.--The aims of education.--What Dante means to me.--The literature of politics.--The classics and the man of letters--Ezra Pound: his metric and poetry.--Reflections on Vers libre.
		Markham, Edwin The book of modern English poetry, 1830-1934 W.
	www.veerybooks.com /?catPoetry (376 words)

	The Many Births of Free Verse
		This was the major form of free verse right up to probably World War One and continues to heavily influence a lot of later poetry, especially African-American poetry.
		It's notable that vers libre poetry was not as wild and free as the poetry it inspired in the Eliot and the Imagists.
		Just as the free verse poet can hide her lack of skill in the absence of formal structure, so can the metrical poet hide his behind the presence of such structure.
	uweb.superlink.net /neptune/FreeVers.html (2789 words)

	Styles Of Poetry With Explaination: GymArt.com
		Foot - A unit of rhythm or meter, the division in verse of a group of syllables, one of which is long or accented.
		In classical poetry, a strophe is the first division in the triadic structure of Pindaric verse, corresponding metrically to the antistrophe which follows it; also, the stanza preceding or alternating with the antistrophe in ancient lyric poetry.
		Also, a piece of poetry or a particular form of poetry such as free verse, blank verse, etc., or the art or work of a poet.
	www.gymart.com /poemaadetailedexplainationofstyles.html (2789 words)

	Free Verse...Free Form
		Free Verse: A Journal of Contemporary Poetry and Poetics - A journal that offers examples and a submission section.
		Modern American Poetry- A critique of major American writers...Williams, Stevens, and Eliot...free verse and their approach.
		A Lesson for Free Verse - Lesson 24 from other lessons in a poetry unit.
	www.kn.sbc.com /wired/fil/pages/listfreeverst.html (296 words)

	free verse -- Encyclopædia Britannica
		Free verse is a style of poetry based on the rhythms of speech and imagery rather than a set meter or rhyme scheme.
		A literary style in French poetry called vers libre, or free verse, began in the 1880s.
		(1869–1950), U.S. author, born in Garnett, Kan.; achieved wide fame with ‘Spoon River Anthology' (1915), a collection of poems in free verse; practiced law in Chicago after 1891 (‘Domesday Book'; ‘The Fate of the Jury', poetry; ‘Children of the Market Place', novel; ‘Lincoln, the Man' and ‘Vachel Lindsay, a Poet in America', biography).
	www.britannica.com /eb/article-9035291 (935 words)

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Topic: Verse (poetry)

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