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| | Geoffrey Chew, Music Department, Royal Holloway, University of London (Site not responding. Last check: 2007-11-03) |
 | | In the latter opera, based on Gabriela Preissov·'s drama JejÌ pastorkyna, Jan·chek had set the prose of the play directly rather than using a traditional versified libretto, with the vocal lines often modelled directly on speech, in order to achieve an immediacy of "realistic" effect. |
 | | There was no literary model, and so he arranged for a librettist, Fedora Bartoshov·, to prepare a versified libretto on the basis of a prose scenario which he had written himself, evidently encouraging her to make use of "poetic" language. |
 | | He then set this verse libretto to music--but adapting and "exploding" it, making of it highly stylized prose that slides into and out of metrical verse, and heightening its allusive, dreamlike qualities by disrupting its rational logic and rearranging and subverting the images. |
| aatseel.org /program/aatseel/2001/abstracts/Chew.html (389 words) |
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