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| | The Round Table |
 | | These illustrious artists, with names such as Pedro Ríos, Jesús Díaz, Perfecto Álvarez, among others, had the custom of meeting around a round table (if one was available) and took turns improvising the poetic form or reciting décimas, usually with literary or historic themes. |
 | | Every week, each one of the trovadores selected a theme around which every other table member had to improvise around, always holding to the rigid and demanding structure of the décima, a form originally codified by the 17th century Spanish poet Vicente Espinel (a hence, the form was also known as the Espinela). |
 | | Usually accompanied by a guitar (there were not many available cuatristas in the region during that particular period in time) each one of the poets had to improvise or compose the décimas based on his knowledge of the selected theme, which was always a surprise. |
| www.cuatro-pr.org /Home/Eng/Instrmus/Genres/the_round_table.htm (418 words) |
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