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	Vicente Lusitano (Site not responding. Last check: 2007-11-06)
		Vicente Lusitano was a 16th century Portuguese music composer and theorist.
		He was born in Olivença, but little else is known of his life, including the dates of his birth and death.
		As a composer he wrote a number of choral works, including motets and a madrigal (music), but he is better known by far for his work as a theorist.
	publicliterature.org /en/wikipedia/v/vi/vicente_lusitano.html (140 words)

	Vicente Fox Mexico
		Vicente Fox Quesada (born July 2, 1942) is the current president of Mexico.
		Vicente Pío Marcelino Cirilo Aleixandre y Merlo (April 26, 1898 – December 14, 1984) Spanish poet, born in Sevilla.
		Vicente Ramón Guerrero Saldaña (10 August 1782 – 14 February 1831) was one of the leaders of Mexico's struggle for independence from Spain and an early President of Mexico.
	www.artistbooking.com /trips/215/vicente-fox-mexico.html (1353 words)

	Biography Of Vicente Fox (Site not responding. Last check: 2007-11-06)
		In grammar, a preposition is a word that establishes a relationship betweenan object (usually a noun phrase)and some other part of the sentence, oftenexpressing a location in place or time.
		It is separated with the '''São Vicente Channel''' in the northwest.
		Vicente Lusitano 1: '''Vicente Lusitano''' was a 16th century PortugalPor
	www.vermontreview.com /edge/45038-biography%20of%20vicente%20fox.html (676 words)

	Nicola Vicentino
		genus alone (as Lusitano claimed) or (as Vicentino claimed) was best described as a combination of the diatonic, chromatic, and enharmonic genera, the last of which contained a microtone.
		In this work he expanded and justified many of the ideas which he first brought up in his debate with Lusitano.
		Whether or not Lusitano ever attempted to refute Vicentino's expanded version is not known; however Vicentino's book was influential with the group of madrigalists working in Ferrara in the next two decades, including
	www.mp3.fm /Nicola_Vicentino.htm (639 words)

	Musicians - Vicente Lusitano
		In a 1551 debate in Rome, he espoused traditional views on the role of the three genera in music (diatonic, chromatic and enharmonic) over more radical ones put forward by Nicola Vicentino
		(Lusitano was deemed to have won the debate).
		You may redistribute it, verbatim or modified, providing that you comply with the terms of the GFDL.
	listing-index.ebay.com /musicians/Vicente_Lusitano.html (288 words)

	Point/counterpoint: Vicentino's musical rebuttal to Lusitano -- McKinney 33 (3): 393 -- Early Music
		The famous 1551 debate between Nicola Vicentino and Vicente
		Lusitano concerned whether contemporary music was written in
		Please note that abstracts for content published before 1996 were created through digital scanning and may therefore not exactly replicate the text of the original print issues.
	em.oxfordjournals.org /cgi/content/short/33/3/393 (344 words)

	MTO 12.3: Duffin, Just Intonation in Renaissance Theory and Practice
		There are thus three closely related microtonal intervals of about the same size--the syntonic comma and intervals one schisma on either side of it--and these sometimes all get loosely referred to as commas without further definition.
		Vicente Lusitano, for example, refers to the discrepancy between the major and minor semitone--the diesis--as a comma, suggesting that for practical purposes in Renaissance performance, they were probably indistinguishable.
		These three microtonal intervals are given in Table 3, with buttons for hearing their sound produced by electronic means.
	mto.societymusictheory.org /issues/mto.06.12.3/mto.06.12.3.duffin.html (9232 words)

	IngentaConnect Pointcounterpoint: Vicentino's musical rebuttal to Lusitano (Site not responding. Last check: 2007-11-06)
		The famous 1551 debate between Nicola Vicentino and Vicente Lusitano concerned whether contemporary music was written in the diatonic genus, as Lusitano asserted, or whether it represented a mixture of the genera, as Vicentino argued.
		The judges ruled against Vicentino, who in 1555 published in L'antica musica ridotta alla moderna prattica a full exposition of his views on the genera and a description of the debate and its aftermath.
		Comparative examination of two other examples of purely diatonic composition by Vicentino and Ghiselin Danckerts, one of the judges in the debate, provides further evidence of Vicentino's agenda.
	www.ingentaconnect.com /content/oup/earlyj/2005/00000033/00000003/art00393 (284 words)

	Open Directory - Arts:Music:Composition:Composers:L
		English composer and musician Thomas Lupo the Elder (?1571-1627/8) paralleled the career of another of the same name.
		Please submit sites dealing with the life or music of Vicente Lusitano, including biographies, discographies, analyses of compositions, or bibliographies.
		Portuguese composer Vicente Lusitano (ND; composed during 1550-60) was a member of the Papal Choir and noted theorist.
	dmoz.org /Arts/Music/Composition/Composers/L/desc.html (8879 words)

	Internet :: Arts :: Music :: Composition :: Composers :: L :: Lusitano, Vicente - Tu Tiempo .net (Site not responding. Last check: 2007-11-06)
		Top: Arts: Music: Composition: Composers: L: Lusitano, Vicente:
		Lusitano, Vicente - Brief biography noting especially his contributions to music theory from the Grove Concise Dictionary of Music entry at WQXR radio.
		Vicente Lusitano - Biography noting influence as theorist and debate with Vicentino with internal links from the Here of a Sunday Morning radio program.
	www.tutiempo.net /Internet/Directorio/Arts/Music/Composition/Composers/L/Lusitano,_Vicente (127 words)

	Web Directory » Web Directory » Arts » Music » Composition » Composers » L » ... (Site not responding. Last check: 2007-11-06)
		Web Directory » Arts » Music »; Composition » Composers » L » Lusitano, Vicente
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		The content on this page is based on the Open Directory Project and has been modified by this website.
	www.dcpages.com /DC_ODP/?c=Arts/Music/Composition/Composers/L/Lusitano,_Vicente (170 words)

	ILIAS CHRISSOCHOIDIS, 'The 'Artusi-Monteverdi' Controversy: Background, Content, and Modern Interpretations'
		These, in turn, were rooted in the profound influence of Platonism in Italian culture.
		Most consequential of all were the debates between Nicola Vicentino and Vicente Lusitano in the 1550s, and Gioseffo Zarlino and Galileo Galilei in the 1580s.
		By the time Artusi took aim at Monteverdi, in 1600, he had himself become a veteran polemicist.
	www.bpmonline.org.uk /bpm6-artusi.htm (4394 words)

	Summi et Aeterni ORDER
		Palestrina's music continues to be performed and recorded, and to provide models for the study of counterpoint.
		The Burgundian School of composers, led by Guillaume Dufay, demostrated charactersistics of both the late Medieval era and the early Renaissance (see Medieval music).
		c1550-1600) * Gioseffo Zarlino (1517-1590) * John Black (c1520-1587) * Vincenzo Galilei (c1520-1591) * Didier Lupi Second (c.1520-after 1559) [edit] Late Renaissance composers (1550-1600) * Vicente Lusitano (fl.
	jeff.ostrowski.cc /productions/summi/order.htm (14963 words)

	South-Central Renaissance Conference - 2004 Abstracts (Site not responding. Last check: 2007-11-06)
		McKinney, Timothy R. (Baylor University), Exempli Gratia: The Musical Debate between Nicola Vicentino and Ghiselin Danckerts
		The famous 1551 debate between Nicola Vicentino and Vicente Lusitano concerned whether contemporary music was written in the diatonic genus, as Lusitano claimed, or whether it represented a mixture of the genera, as Vicentino maintained.
		The judges ruled against Vicentino, who in 1555 published a full exposition of his views on the genera and a description of the debate and its aftermath, prompting an unpublished response from Ghiselin Danckerts, one of the judges.
	www.cwrl.utexas.edu /~nydam/scrc/conferences/2004abstracts.shtml (10074 words)

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