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Topic: Vilmos Zsigmond


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In the News (Mon 14 Dec 09)

  
  Vilmos Zsigmond - Wikipedia, the free encyclopedia
Vilmos Zsigmond (born on June 16, 1930, in Szeged, Hungary) is a cinematographer.
He was born in Hungary and studied cinema at the State Academy of Theatre and Film Art in Budapest.
Zsigmond has worked with Brian De Palma on Obsession, Blow Out, The Bonfire of the Vanities, and The Black Dahlia, and with Michael Cimino on The Deer Hunter and Heaven's Gate.
en.wikipedia.org /wiki/Vilmos_Zsigmond   (231 words)

  
 A Tribute to Vilmos Zsigmond: A Master of Light   (Site not responding. Last check: 2007-10-08)
Zsigmond unquestionably can be classified as one of the finest and most efficacious cinematographers working in today's cinema.
Because he approaches his art with a perfect balance of authority, excellence and a strong sense of integrity, Vilmos Zsigmond's images are some of the most indelible.
Zsigmond will be appearing for this very special night with a rarely seen big screen presentation of Deliverance.
www.cinequest.org /99/guide/vilmos.html   (442 words)

  
 Vilmos Zsigmond chosen to receive the ASC Lifetime Achievement Award
Vilmos Zsigmond, ASC received the Lifetime Achievement Award from the American Society of Cinematographers (ASC) at the 13th Annual ASC Outstanding Achievement Award ceremonies on February 21, 1999, at the Century Plaza Hotel.
Zsigmond completed his formal education in 1955, and was working as an apprentice at the state film studio in October 1956, when a popular uprising spilled into the streets of Budapest.
Zsigmond opened The River, directed by Mark Rydell, with a four-minute sequence that reveals the main characters and storyline before a word of dialogue is spoken.
www.theasc.com /awards/history/pr/13_vilmos_zsigmond.htm   (1175 words)

  
 Vilmos Zsigmond, ASC
Vilmos Zsigmond, ASC was born and raised in Szeged, Hungary.
Zsigmond was denied an opportunity to enroll in a state university to pursue a career in engineering because his parents were bourgeois.
Zsigmond and Laszlo Kovacs, ASC — who was a student at the film school — documented the revolt on 35 mm film.
www.cameraguild.com /interviews/chat_zsigmond/vilmos_conversation.htm   (9763 words)

  
 VILMOS ZSIGMOND MAKES A MCDONALD'S COMMERCIAL, by James Hughes
Vilmos Zsigmond, the internationally acclaimed, Hungarian-born cinematographer, stood alone next to his Panavision camera long after the rest of the crew had cleared the set.
Zsigmond, then a student at the Academy of Film and Theater Arts in Budapest, had filmed a politically-charged documentary about the Hungarian revolution and thus became a target of the encroaching Soviets.
Zsigmond just stood there, compulsively tucking and untucking his shirt, fighting his knee-jerk reaction to wipe down the lens with his cotton shirttails.
www.the2ndhand.com /archive/zsigmond.html   (1084 words)

  
 KODAK: Eastman Images November 1999
Vilmos Zsigmond, ASC, discusses possible ways to shoot an exercise with particpants of the Fifth International Masterclass for Directors of Photography held at the Academy of Drama and Film in Budapest, Hungary.
Zsigmond and Laszlo Kovacs, ASC, who was still a student, documented the struggle on film with a camera they borrowed from the school.
Zsigmond and Kovacs migrated to the United States as political refugees and began a long and arduous process of establishing themselves as two of the most influential filmmakers in contemporary times.
www.kodak.com /country/US/en/motion/newsletters/images/november99/masterclass.shtml   (1236 words)

  
 Miramax Films: Jersey Girl - Interviews from the Set   (Site not responding. Last check: 2007-10-08)
Vilmos Zsigmond's voice grinds out in a rusty Hungarian brogue which indicates that though he's been an American nearly three decades, English is and always will be a distant second language.
Zsigmond's masterful eye for detail and precise lighting slow the pace of shooting considerably, which is a challenge for Smith, who is used to shooting at a fairly breakneck pace.
Vilmos Zsigmond: I think we have a very good relationship, based on the fact that Kevin, in the past, hasn't been too interested in the visual aspect of filmmaking.
www.jerseygirl-movie.com /interviews/12.html   (1575 words)

  
 The Sadist DVD   (Site not responding. Last check: 2007-10-08)
Despite what the title may imply, the film is not a horror film, but a suspenseful tale of a rebellious white trash killer and his uncaring moll and an the unlucky trio who happen to cross paths with the cold blooded killers.
Zsigmond is a master of using light, flness, and shadows to achieve the desired effect, and in the case of THE SADIST, he uses these light/dark texture mixing to reflect Tibbs changes in temper and attitude.
Film historian and author Stuart Galbraith interviews Vilmos Zsigmond, (who has a thick accent and is a little difficult to understand) but the commentary should be interesting for fans of the film.
www.dvdcult.com /rev_Sadist.htm   (1477 words)

  
 Operating Cameraman Online: Interview with Vilmos Zsigmond
The ambiance was warm as Zsigmond took the podium at the Sportsman's Lodge in Studio City.
Vilmos: Most of the 65mm movies (which become 70mm prints) are shown in the theaters basically with a 2:1 ratio.
Vilmos: I always felt that in the United States, the cinematographers are not always considered as artists.
www.soc.org /opcam/06_sp95/mg06_vilmos.html   (2686 words)

  
 USATODAY.com   (Site not responding. Last check: 2007-10-08)
Vilmos Zsigmond: I wasn't involved in the restoration.
Vilmos Zsigmond: When you have 8 cameras, you aren't restricted by any angles at all.
Vilmos Zsigmond: Yes, but I can't remember now.
cgi1.usatoday.com /mchat/20020506004/tscript.htm   (879 words)

  
 Metroactive Movies | Cinematographer Vilmos Zsigmond
You can look up their individual bios, but the name of Vilmos Zsigmond, at the end of most cinema encylopedias, is one of the greatest.
It's shock is due to Boorman's imagination and Ned Beatty's emoting of terrible humiliation--but it's especially due to the haunted verdancy of the land Zsigmond photographs, as beautiful as it is dangerous.
Zsigmond: No. My first 10 years in America were difficult, but when I was hired on by Altman for McCabe and Mrs.
www.metroactive.com /papers/metro/02.25.99/cinequest-zsigmond-9908.html   (990 words)

  
 Embassy of Hungary, Washington, D.C.   (Site not responding. Last check: 2007-10-08)
Academy-Award-winning cinematographer Vilmos Zsigmond and first-time director Csaba Káel attended a private screening of the 19th-century Hungarian playwright József Katona's Bánk Bán at the AFI National Theatre today organized under the patronage of Ambassador András Simonyi by the Women's Committee of the Washington Opera.
Bánk Bán was Zsigmond's first feature film filmed in his homeland since he left there during the 1956 revolution.
The screening was followed by a reception at the Embassy of Hungary where Csaba Káel and Vilmos Zsigmond answered questions from the audience.
www.hungaryemb.org /Culture/BankBan.htm   (242 words)

  
 Back Stage: Vilmos Zsigmond: a poetic realist. (cinematographer)@ HighBeam Research   (Site not responding. Last check: 2007-10-08)
Hungarian cinematographer Vilmos Zsigmond considers himself a poetic realist--and he's right.
Looking at Zsigmond's work is like having a visual encounter of the third kind.
Zsigmond mixes poetry and realism off as well as on the screen.
www.highbeam.com /library/doc0.asp?DOCID=1G1:4685083&refid=holomed_1   (196 words)

  
 cinematographer Vilmos Zsigmond
Then, of course, there is Zsigmond's ASC Award, the Emmy Award, the Cable ACE Award, the British Academy Award, and eight Academy nominations.
But despite a reputation for high-profile, big-budget work, Zsigmond is most excited by his latest project, Dancing About Architecture, a multi-layered relationship picture by young writer and director Willard Carroll.
Zsigmond dispels the myth that a lower budget means cutting corners.
millimeter.com /mag/video_cinematographer_vilmos_zsigmond/index.html   (655 words)

  
 KODAK: A Special Screening: Bank Ban, A 'Work of Art' by Vilmos Zsigmond, ASC
HOLLYWOOD, January 20-The International Cinematographers Guild is sponsoring a screening of Bank Ban, a dramatic depiction of an opera that captures the essence of a historic quest for freedom in Hungary.
The film is the first project that Vilmos Zsigmond, ASC has photographed in his native land since he left Hungary as a political refugee in 1956.
Zsigmond will talk with the audience and answer questions after the screening.
www.kodak.com /US/en/motion/news/bankBan.shtml   (188 words)

  
 The Sadist
The real strenght of The Sadist is in the cinematography by future oscar-winner Vilmos Zsigmond, working on his first Hollywood feature.
Of most importance is an audio commentary from director of photography Vilmos Zsigmond.
Zsigmond spends maybe half of the track discussing The Sadist itself and the rest talking about his career.
www.dvdmg.com /sadist.shtml   (1685 words)

  
 Rotten Tomatoes Forums - Kevin Smith nabs Vilmos Zsigmond for Jersey Girl   (Site not responding. Last check: 2007-10-08)
Just thought you guys might be interested...but Kevin Smith has been assigned (yes, assigned) Vilmos Zsigmond for Cinematographer of his new movie Jersey Girl.
Vilmos Zsigmond has done such movies as The Deer Hunter and Close Encounters of the Third Kind.
Smith said the studio is forcing him to use Zsigmond to try and achieve a better visual style for his movies.
www.rottentomatoes.com /vine/showthread.php?t=158641   (286 words)

  
 ICG Chat -- Vilmos Zsigmond Index   (Site not responding. Last check: 2007-10-08)
Six audio clips feature Zsigmond discussing his films, regaining his identity and escaping his native land to pursue Hollywood dreams.
In this ICG Magazine piece, Zsigmond talks about returning to Hungary to shoot the film adaptation of the country's classic operatic fable.
The American Cinematographer caught up with the cinematographer and retraced his career on the eve of one of his greatest honors.
www.cameraguild.com /interviews/chat_zsigmond   (128 words)

  
 MovieMaker Magazine | Issue #58 | Snapshot of a Trend   (Site not responding. Last check: 2007-10-08)
Zsigmond has compiled some 70 narrative credits during his storied career, including Close Encounters of the Third Kind, The Deer Hunter and Deliverance.
The shorter lens was usually used to cover master shots while the longer one was focused on close-ups that director Charles McDougall used for cutaways.
Zsigmond set the mood with soft light motivated by open doors, windows, lamps and other visible sources that ring true with the audience.
www.moviemaker.com /issues/58/super16.html   (1241 words)

  
 Deliverance: Vilmos Zsigmond Tribute   (Site not responding. Last check: 2007-10-08)
Zsigmond, whose career spans four decades, lives up to the demands of James Dickey's novel and screenplay.
Dickey delves into the hearts of men to expose the ugly savagery that lurks just beneath the surface of modern urbanites.
Academy Award winner Zsigmond, whose striking visual sense is seen in such films as The Deer Hunter, Close Encounters of the Third Kind, Blow Out, The Two Jakes, and Bonfire of the Vanities, doesn't fail to deliver in Deliverance.
www.cinequest.org /99/guide/deliverance.html   (186 words)

  
 Jersey Production
But Vilmos had a variety of coverage of those scenes with two or three cameras, so in the next pass, we pulled back and opened up the scope of the movie a lot more.
In particular, Smith says the project benefited from “lots of crane work that allowed us to move the camera in ways I haven't really done before.” He adds that, at first, he wasn't sure how this would be possible since much of the film's key interior scenes were shot inside small rooms.
But Zsigmond's longtime key grip, Dicky Deats, offered up his invention, the Little Big Crane, which enabled the fluid camera movement in tight quarters (and which won Deats a Technical Achievement Academy Award in 1983).
millimeter.com /mag/video_jersey_production   (320 words)

  
 2005 Philadelphia Film Festival   (Site not responding. Last check: 2007-10-08)
This legendary Hungarian opera is brought to the screen with dynamic vocal performances and gorgeous cinematography from the renowned Vilmos Zsigmond.
But no matter: the voices are great, the sets are magnificent and the cinematography by the famed Vilmos Zsigmond (Close Encounters of the 3rd Kind, The Deer Hunter, McCabe and Mrs.
This gloriously performed opera is a ravishing evocation of a little known epoch in Hungarian history — when the Meranians ruled the Magyars in the 13th century.
www.phillyfests.com /pff/templates/film_details.cfm?id=1779   (285 words)

  
 DVD Review - The Sadist: Collector's Edition
We've seen it before and we've seen it done by better actors, but this film is worth a watch based solely on the way it looks.
DP Vilmos Zsigmond pulled a great magic trick with this one.
There are production and restoration notes, and most intriguing, an audio commentary track by Vilmos Zsigmond.
www.thedigitalbits.com /reviews/sadist.html   (810 words)

  
 M2 Presswire: Vilmos Zsigmond, ASC to participate in live ICG chat at ShowBiz Expo.@ HighBeam Research   (Site not responding. Last check: 2007-10-08)
M2 Presswire: Vilmos Zsigmond, ASC to participate in live ICG chat at ShowBiz Expo.@ HighBeam Research
Vilmos Zsigmond, ASC to participate in live ICG chat at ShowBiz Expo.
LOS ANGELES -- Vilmos Zsigmond, ASC will engage in an online Internet chat on the International Cinematographers Guild's (ICG) website at www.cameraguild.com live from the floor of ShowBiz Expo on June 1 from 10 am (PST) to noon at the Los Angeles Convention Center.
www.highbeam.com /library/doc0.asp?DOCID=1G1:85892214&refid=holomed_1   (223 words)

  
 Vilmos Zsigmond
Throughout the next few years, he worked in low-budget movies, including The Time Travelers (1966) and The Monitors (1969), before moving up to serious major pictures in 1971 with James Goldstone's Red Sky at Morning, produced by Hal Wallis at Universal.
Miller, a high-profile failure that was widely reviewed and taken very seriously by critics despite its lack of box-office success, and Peter Fonda's The Hired Hand.
And in 1977, Zsigmond served as photographer of Close Encounters of the Third Kind, Spielberg's enormous science fiction hit, for which Zsigmond earned an Oscar.
www.djangomusic.com /actor_bio.asp?pid=P118036   (248 words)

  
 CSULB Widescreen Film Festival   (Site not responding. Last check: 2007-10-08)
Join us in viewing 10 classic films in 5 days, all hand picked by our acclaimed artist in residence, cinematographer Vilmos Zsigmond.
Zsigmond is responsible shooting such films as Close Encounters of the Third Kind, Deliverance, The Deer Hunter, and McCabe and Mrs.
Zsigmond on our opening night, Wednesday September 21.
www.widescreenfilmfestival.org   (131 words)

  
 HOME
Vilmos Zsigmond's camera work beautifully captures the dreamlike atmosphere, *(along with the editor Frank Mazzola) utilizing scene-on-scene double imagery.
Fonda and Oates set out for California, but Fonda decides to return to his wife (Bloom) and daughter.
Oscar winning cinematographer Vilmos Zsigmond (Deliverance, McCabe And Mrs.
www.mazzolafilmco.com   (553 words)

  
 Fathom :: The Source for Online Learning
Vilmos Zsigmond started his career filming the Hungarian Revolution in 1956.
Soon after, Zsigmond left Hungary and began working in the US.
After honing his craft on small films in the 1960s, Zsigmond rose to prominence as a cinematographer in the 1970s, working on such films as The Hired Hand, McCabe & Mrs.
www.fathom.com /contributors/4578.html   (143 words)

  
 Vilmos Zsigmond   (Site not responding. Last check: 2007-10-08)
Along with Laszlo Kovacs, a fellow student who fled Hungary in 1956, Zsigmond...
Tales of a Salesman (1965) (as William Zsigmond)
Vilmos Zsigmond Flashes 'The Long Goodbye' (2002) (V)....
us.imdb.com /Name?Zsigmond,+Vilmos   (372 words)

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