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| | Erasure OPS |
 | | Clarke begins to offer an acute assessment of events leading up to the project’s three-way expansion – “I think Gareth and Andy were having trouble; not with the programming…” – before Jones interjects: “Well, we knew from the start we needed musical input,” he admits, “because keyboards are not Andy’s strength. |
 | | This naturally necessitates another approach, as Clarke explains: “What we are tending to do is take the arrangement as it was on the original record and then start messing around with the sounds. |
 | | In Clarke’s case, the circular walls of 37B speak volumes: floor to ceiling, vintage analogue synthesizers are neatly arranged around Clarke’s central working position – from modular systems, like Roland’s System 100M and their even more monstrous System 700, to obscure monosynths, such as the Dutch Synton Syrinx; you name it, Clarke’s probably got one. |
| www.garethjones.com /interviews/erasureOPS.htm (3181 words) |
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