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Topic: Vincenzo Camuccini

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	VINCENZO CAMUCCINI - LoveToKnow Article on VINCENZO CAMUCCINI
		He was educated by his brother Pietro, a picture-restorer, and Borubelli, an engraver, and, up to ~he age of thirty, attempted nothing higher than copies of the ~reat masters, his especial study being Raphael.
		As an original ainter, Camuccini belongs to the school of the French artist David.
		He became a rich man, and made a fine collection of pictures which in 1856 were sold, a number of them (including Raphaels Madonna with the Pink) being bought by the duke of Northumberland.
	www.1911encyclopedia.org /C/CA/CAMUCCINI_VINCENZO.htm (256 words)

	Columbia Spectator - (Site not responding. Last check: 2007-09-12)
		Beck has said that he thinks the painting was produced by one Vincenzo Camuccini in 1827, not by Raphael in 1506, as the Gallery claims.
		The Gallery's defense claims that it was purchased in 1810 by Vincenzo Camuccini, a skilled copyist and art dealer.
		Further, she said, Camuccini is known to have forged other documents--something not mentioned on the Gallery's Web site.
	www.columbiaspectator.com /vnews/display.v?TARGET=printable&article_id=40484457d7c45 (789 words)

	Vincenzo Di Paola at search-place.co.uk (Site not responding. Last check: 2007-09-12)
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		Read about vincenzo di paola in the free online encyclopedia and dictionary.
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	www.search-place.co.uk /Vincenzo-Di-Paola.html (523 words)

	artnet.com: Resource Library: Diotti, Giuseppe
		Despite initial support from the financier Gian Vincenzo Ponzoni, by the late 1790s he was having to earn money through small decorating jobs and sign-painting.
		However, Diotti had learnt from the luminosity and sense of colour of Emilian fresco painting as practised by Andrea Appiani, who became his friend and supporter after 1800 when Diotti arrived in Milan.
		Here he studied under Vincenzo Camuccini, who had recently completed his Poussinesque frescoes at the Villa Borghese.
	www.artnet.com /library/02/0228/T022856.asp (189 words)

	Cesena Municipal Art Gallery (Site not responding. Last check: 2007-09-12)
		Because of his premature death, little is known of Vincenzo Baldacci.
		Considering his inclinations for painting and an appreciable technical ability, the Cesena Municipal Authority sponsored a stay in Rome in order to allow him to study at the Accademia di San Luca.
		It is in that ambience that he came into contact with the neo-classic style of Vincenzo Camuccini and Felice Giani, as can be seen by the works on show in the Art Gallery:
	www.comune.cesena.fc.it /pinacoteca/autori_ing/baldacci.htm (76 words)

	artnet.com Magazine News - England in the Pink (Site not responding. Last check: 2007-09-12)
		Before its purchase in Paris around 1810 by painter, copyist and dealer Vincenzo Camuccini, we have few details about the Madonna of the Pinks whereabouts.
		The inventory list of the Camuccini collection from the early 1850s states that the painting was made for "Maddalena degli Oddi, a nun from Perugia, from whose heirs a Frenchman acquired it in 1636, taking it to France."
		His research led him to believe the painting was actually made in 1827 by none other than Vincenzo Camuccini himself.
	hawkins.artnet.com /Magazine/news/laplaca/laplaca3-18-04.asp (805 words)

	St. Peter's - Altar of St Thomas
		Over the altar on the right is the "Incredulity of St. Thomas" by V. Camuccini, which replaces an earlier work on the same subject by Passignano.
		The altar of St. Thomas was among the first altars in St. Peter's to be provided with an altarpiece during the pontificate of Urban VIII.
		His altarpiece remained in place until around 1822, when it was replaced by a mosaic of the same subject, based on a design by Vincenzo Camuccini (1771-1844)
	www.stpetersbasilica.org /Altars/StThomas/StThomas.htm (321 words)

	NG London/News &Features: The Raphael Saved: About the attribution
		Little is known about this picture's whereabouts before its purchase in Paris in around 1810, by the painter, copyist and dealer Vincenzo Camuccini.
		An inventory of the Camuccini collection, datable to the early 1850s, states that the painting was made for 'Maddalena degli Oddi, a nun in Perugia, from whose heirs a Frenchman acquired it in 1636, taking it to France'.
		The precise date given for the picture's move to France is confirmed by several French engravings made after it in the second half of the 17th century.
	www.nationalgallery.org.uk /collection/news/acquisitions/raph_attr1.htm (229 words)

	artnet.de: Resource Library: Bonolis, Giuseppe
		At an early age he enrolled in the Scuola di Disegno set up by the comune of Teramo and run by Muzio Muzii, a pupil of Vincenzo Camuccini.
		Bonolis taught calligraphy for a brief time at the Real Collegio in Teramo and in 1822 moved to Naples, where he was a pupil of Costanzo Angelini and Joseph-Boniface Franque at the Accademia di Belle Arti.
		Around 1830 he moved briefly to Rome in order to study the work of Raphael, Domenichino, Agostino Carracci and Annibale Carracci and to attend the classes of Camuccini, who had recently become director of the Roman branch of the Accademia in Naples.
	www.artnet.de /library/00/0099/T009929.asp (189 words)

	The Cardinals of the Holy Roman Church - Biographical Dictionary - Consistory of March 8, 1816
		His portrait by Vincenzo Camuccini, Galleria Spada, Rome.
		Created cardinal and reserved in pectore in the consistory of March 8, 1816; published in the consistory of July 22, 1816; received the red hat, July 25, 1816; and the title of S. Maria in Via, September 23, 1816.
		Vincenzo ed Anastasia ad aquas Salvias, or Tre Fontane, 1816.
	www.fiu.edu /~mirandas/bios1816.htm (7003 words)

	Raphael painting 'isn't a forgery' - This Is The North East archive (Site not responding. Last check: 2007-09-12)
		Prof Beck says the gallery failed to do comparative studies of the various versions of the painting and had not done infra-red reflectography or x-rays of the others.
		He claims his research has led him to the 19th Century workshop of Vincenzo Camuccini - a copyist of Raphael.
		The National Gallery says it accepts the painting's finish and colouring look different from other Raphaels, but adds that up to 25 experts had confirmed its authenticity.
	archive.thisisthenortheast.co.uk /2004/02/21/60902.html (283 words)

	ARSMEDIA - Museums
		For the conceptual art there are works of Vincenzo Agnetti and Giulio Paolini.
		In the gallery, the Neo-classicismis are represented by Pietro Benvenuti (The oath of the Sassoni), Canova and Vincenzo Camuccini.
		of the "paesisti" Fontanesi and Delleani, of Pellizza da Volpedo, Mancini, Fattori and of the sculptors Medardo Rosso and Vincenzo Gemito.
	www.arsmedia.net /museums (7245 words)

	NG London/News &Features: The Raphael Saved: About the attribution
		Also, no copyist before the 20th-century (this painting is recorded well before) could have guessed that the underdrawing would one day be seen and used as a vital clue in identifying authenticity by comparison with other works by the artist.
		No copyist, not even the gifted 19th-century copyist Vincenzo Camuccini who owned the picture, would have dreamed of including variations to the composition of a published image, already well known through prints, especially if they wished to pass it off as the lost original.
		Since there are also such strong stylistic connections with other Raphael works, the drawing can only be by him.
	www.nationalgallery.org.uk /collection/news/acquisitions/raph_attr3.htm (225 words)

	Art auction results by Vincenzo Camuccini 1771 - 1844
		Art auction results by Vincenzo Camuccini 1771 - 1844
		Auction information for the chosen item by Vincenzo Camuccini
		Size (H x W x D) 20.7 x 29.3 in / 52.7 x 74.5 cm
	www.findartinfo.com /search/showitem.asp?id=21017 (33 words)

	Art Fund: Artist Details
		It dates from the period when Raphael went to Florence to study the great masters of his day.
		Provenance: Private collection, France by 1817; Vincenzo Camuccini, Paris, circa 1828; Camuccini collection, Rome; Algernon, 4th Duke of Northumberland, 1853; by descent; on loan to the National Gallery since 1992.
		This work was acquired with Art Fund help in 2004.
	www.artfund.org /acq/artworkDetail4_5.asp?appref=2003015 (136 words)

	Encyclopedia Index
		He was also inspired by Thoreau, whose words were used in Song Books (1970), Empty words (1974) and Lecture on Weather (1976), the last of these using a nature film by Luis Frangella and taped weather sounds.
		Son of the famous Roman Neoclassical painter Vincenzo Camuccini.
		Bolognese painter, whose work has been seen as a bridge between Mannerism and Baroque.
	www.geocities.com /virtualandy/endex.htm (12251 words)

	Giovanni Battista, Baron Vincenzo Camuccini - Former Owner (Site not responding. Last check: 2007-09-12)
		Giovanni Battista, Baron Vincenzo Camuccini - Former Owner
		Former owner of, or associated with, the following:
		Copyright ©2005 National Gallery of Art, Washington, DC
	www.bonus.com /contour/national_gallery/http@@/www.nga.gov/cgi-bin/powner?Person=571651 (34 words)

	Ross Brittain Report (Site not responding. Last check: 2007-09-12)
		A US art expert yesterday says the British National Gallery, which shelled out over 41 million bucks for RAPHAEL's painting, "Madonna of the Pinks," actually bought a fake.
		Columbia University's JAMES BECK told the NY Times the tiny artwork — which is just 11.4 by nine inches — was actually done in 1827 by VINCENZO CAMUCCINI, a frequent copyist of Raphael and a recognized faker.
		And although the National Gallery says there are 40 other versions of the painting that can be found around the world, Beck says there's "at least" five more — and none of them are by Raphael.
	www.danoday.com /prep/brittain81.html (4784 words)

	The Humpday Times - Issue beta20: Now in Black and White! (26.02.04)
		Just days after the National Gallery paid the Duke of Northumberland £35m for Raphael's 'Madonna of the Pinks', a leading scholar claimed the painting is a 19th-century forgery.
		James Beck, Professor of Art History at Columbia University, said he has discovered a larger version of the painting in a private European collection, and by studying the underdrawing in the National Gallery's picture he said he can even identify the forger as Vincenzo Camuccini.
		But the gallery noted that the painting has been authenticated as Raphael's by 25 other experts.
	www.humpdaytimes.co.uk /HTbeta20.html (5391 words)

	[No title] (Site not responding. Last check: 2007-09-12)
		Noteworthy achievements by Bernardino Nocchi, Michele Ridolfi, Francesco Cecchi, Pietro Nocchi, Stefano Tofanelli, Vincenzo Camuccini, Giuseppe Collignon.
		Later the theater had been purchased and restored by the former Ente Autonomo Regionale, the present Fondazione Teatro Massimo Vincenzo Bellini in Catania which has now financed restoration works.
		The new structure has been planned by the architects Manlio Amato and Vincenzo Criscione: two talented designers who managed to harmonize old and high tech elements.
	www.mclink.it /com/itnet/misc/italy_e.htm (20007 words)

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