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Topic: Viola da gamba


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  viola da gamba: definition, usage and pronunciation - YourDictionary.com
viola da gamba: definition, usage and pronunciation - YourDictionary.com
A stringed instrument, the bass of the viol family, with approximately the range of the cello.
An organ stop of eight-foot pitch yielding tones similar to those of the viola da gamba.
www.yourdictionary.com /ahd/v/v0109600.html   (41 words)

  
  Viol - Wikipedia, the free encyclopedia
Unlike members of the violin family, which are tuned in fifths, the gamba is tuned in fourths and one third in the middle, mirroring the tuning employed on the lute during the sixteenth century and similar to that of the modern guitar.
The gamba (as the name is often abbreviated for convenience) comes in 6 sizes: "pardessus de viole" (which is relatively rare), treble, alto, tenor, bass, and double bass (also known as a violone).
The bass viola da gamba continued to be used (as a solo instrument and also to accompany the harpsichord in basso continuo) into the 18th century, by which time it had acquired associations of courtliness and antiquity; composers such as Marin Marais, Johann Sebastian Bach and Karl Friedrich Abel wrote music for it.
en.wikipedia.org /wiki/Viola_da_gamba   (1008 words)

  
 VIOLA DA GAMBA   (Site not responding. Last check: 2007-10-26)
Das überstehende Griffbrett wurde meist mit Ebenholz furniert oder bestand aus Ahorn.
Die Viola da Gamba war in Renaissance und Barock in aktivem Gebrauch und wurde in allen Größen gebaut.
Johann Sebastian Bach verwendete sie in seinen Brandenburgischen Konzerten, was von Musikwissenschaftlern als Ende der Ära der Viola da Gamba verstanden wird.
www.toonorama.com /encyclopedia/V/Viola_da_Gamba   (526 words)

  
 The Cipher for Viola da Gamba (and 6 course Lute) @TheCipher.com
Viola da gamba were fretted, bowed, 4, 5, 6, or 7 string instruments tuned in Perfect 4ths with a Major 3rd interval at or near the middle of the tuning pattern.
Viols (short for viola da gamba) were popular in Europe, the dominant form of bowed string instrument, for approximately 250 years, roughly 1480 to 1780 in total (so shave 25 years off both ends to represent a fast ascend at the beginning and a fast decline at the end).
The origin of the viola da gamba is to be found in the culturally heterogeneous Spain of the end of the 15th Century, more precisely, in the Kingdom of Aragon.
www.thecipher.com /viola_da_gamba_cipher.html   (6606 words)

  
 VdGSA: About the Viol
Similar to the cello, the viol, or viola da gamba, is played between the legs (hence the name 'viola da gamba', literally 'leg-viol').
Viola bastarda: An Italian 16th and 17th century term for a small bass viol, the continental equivalent of the English Division Viol.
It is the size of a viola but with many of a viol's characteristics, includin a flat back, sloping shoulders and a carved head.
vdgsa.org /pgs/stuff.html   (1103 words)

  
 Viola da Gamba   (Site not responding. Last check: 2007-10-26)
The viola da gamba, or viol, is a bowed string instrument with frets.
Like the guitar, gambas have flat backs, are very lightly constructed and the tuning sequence is typically in intervals of a 4th, 4th, major 3rd, 4th, 4th.
His daughter, Natalie, founded the Viola da Gamba Society (England, 1948.) In 1963, the Viola da Gamba Society of America was founded.
www.gamba.org /vdg.htm   (864 words)

  
 Viola da Gamba - musicolog.com
The viola da gamba, or viol, is a bowed string instrument with frets.
Like the guitar, gambas have flat backs, are very lightly constructed and the tuning sequence is typically in intervals of a 4th, 4th, major 3rd, 4th, 4th.
At the end of the 19th century, the viola da gamba reappeared.
www.musicolog.com /violadagamba.asp   (843 words)

  
 Joseph Fiala (1748-1816) viola da gamba music   (Site not responding. Last check: 2007-10-26)
Fiala composed two trios for viola da gamba, violin and cello, presumably with harpsichord continuo, although this instrument is not mentioned in either surviving manuscript as such.
The writing for the gamba, although hardly of a virtuosic nature, is yet far from conservative and involves much double stopped melodic writing in addition to scalic and arpeggic passage work so typical of the Classical era, the latter frequently in duet with the violin.
The subsequent Allegro culminates in a virtuosic dizzy ascent for the gamba through three full octaves (a mixture of scale and arpeggio) over the space of just two bars immediately followed by a four and a half octave descending leap to a low A' that is beyond the range of the standard instrument.
www.amarilli.co.uk /ascedns/fialainf.asp   (725 words)

  
 VIOLA DA GAMBA E VIOLONCELLO in
Già intorno al 1660 la viola da gamba era quasi scomparsa dalla scena mentre continuò ad essere preferita fino a qualche decennio del 700 in Francia e Germania, paesi nei quali il cello era considerato strumento pesante dal suono ruvido.
Il violoncello offriva indubbiamente molti più vantaggi rispetto alla viola da gamba: era più facile da suonare, aveva un maggior volume di suono e poteva sostituire abbastanza allegramente la viola da gamba in molti repertori.
Anche oggi, se vogliamo, la viola da gamba è ancora cinta da una certa aura di nobiltà e di raffinata delicatezza e non troviamo molta gente disposta facilmente a mutuare l'uno con l'altro strumento.
www.centroindue.it /message_8545.asp   (466 words)

  
 Violas da Gamba
There is no other place to find, in stock and available immediately, so many sizes and styles of viola da gamba and baroque violin family instruments.
Viola da gamba Society of Greater New York (a VdGSA Chapter)
Viola da Gamba Society of Southern Arizona (a VdGSA Chapter)
www.violadagamba.com   (270 words)

  
 Directory - Arts: Music: Instruments: Stringed: Bowed Strings: Viola da Gamba   (Site not responding. Last check: 2007-10-26)
The Viola de Gamba is a cello-sized "viol." Viols were bowed, fretted, stringed instruments, derived from guitars, and predecessors of the modern bowed strings: violin, viola, cello, and double bass.
The viola de gamba's rich sound kept it in use after the modern violin and viola had supplanted the smaller viols; but by 1750 the more powerful cello was replacing it too.
Viola da Gamba Society  · cached · Information on the society, membership, publications, and performers.
www.incywincy.com /default?p=103699   (250 words)

  
 viola da gamba - Hutchinson encyclopedia article about viola da gamba
The smaller instruments of the family gradually went out of use in the course of the 17th century, but the bass was retained as a solo instrument and for continuo playing.
Hence in the 18th century viola da gamba normally means the bass viol.
This information should not be considered complete, up to date, and is not intended to be used in place of a visit, consultation, or advice of a legal, medical, or any other professional.
encyclopedia.farlex.com /viola+da+gamba   (176 words)

  
 [No title]
History of the violoncello, the viol da gamba, their precursors and collateral instruments with biographies of all the most eminent players of every country.
The viola da gamba: an introduction to the nature of the viol consort and to the playing methods of the Old Masters of the gamba.
Grmmer, Viola da Gamba-Schule fr Violoncellisten und Freunde der Viola da Gamba/Viola da Gamba, a school for Violoncellists and Lovers of the Viola da Gamba.
www.unc.edu /~jbr/MEGAVIOL.DOS   (15440 words)

  
 Encyclopedia of Organ Stops   (Site not responding. Last check: 2007-10-26)
Osiris contains 140 examples of Viole de Gambe, 100 examples of Viola da Gamba, 70 examples of Viola di Gamba, 18 examples of Viol di Gamba, and one example of String Gamba.
Viola da Gamba 8', Hauptwerk; Neue-kirche “St. Bonifatius”, Arnstadt, Germany; Wender 1703.
Viola di Gamba 8', Oberwerk; St. Blasius, Muhlhausen Germany; Wender 1709.
www.organstops.org /v/ViolaDaGamba.html   (237 words)

  
 Basic open position chords for Viola da Gamba and Lute
Viola da gambas do (sometimes) have quieter and softer voices then violins and cellos, particularly with the gut strings they were originally designed for, and in the more intimate chamber-music settings and forms they were typically used in.
On six string gamba the 3rd is dead center in the tuning pattern, meaning moved over one string towards the bass side.
On the other hand, for a six string guitarist to move to a seven string gamba will be less of a leap (conceptually and muscle memory wise) because at least the 6 lowest pitched strings of the new instrument will be exactly like his or her old familiar guitar patterns.
www.thecipher.com /viol_lute_gamba_chords.html   (2959 words)

  
 Encyclopedia of Organ Stops   (Site not responding. Last check: 2007-10-26)
Schulze's pedal violone and great contra viola da gamba at St. Peter's, Hindley, are very famous examples of wood string voicing, and speak on low wind pressures.
The Hindley contra viola (on the great) is a rectangular pipe, measuring at the 16ft.
Presumably, the “contra viola da gamba” and “contra viola” he refers to are the same stop.
www.organstops.org /c/ContraViolaDaGamba.html   (189 words)

  
 :: Music on Tnt :: La Viola da gamba
Lo strumento si diffonderà in tutta Europa con il nome di viola, con un numero di corde stabilitosi a sei, e la specifica da gamba verrà più tardi grazie agli esecutori italiani che prendendo spunto dal basso adotteranno una posizione più comoda, con lo strumento in piedi tra le ginocchia dell’esecutore.
All’inizio del diciottesimo secolo però, anche a causa dell’enorme influenza della cultura musicale italiana sulle produzioni europee, il violino tenore e la viola da gamba uscirono di scena per far posto alla famiglia dei violini, dal suono più forte e brillante, che costituirono la moderna orchestra d’archi a quattro parti.
La viola resistette invece come strumento solista, e nel corso del diciottesimo secolo fecero breve comparsa altri ibridi di viola e violino come il quinton, il baryton e l’arpeggione, e la già citata viola d’amore, anche se nessuno di questi sopravvisse a lungo e sviluppò un proprio repertorio.
www.music-on-tnt.com /storia/gamviola.htm   (867 words)

  
 Viola da gamba Unterricht
Die Viola da gamba, landläufig auch Gambe genannt, ist ein Streichinstrument, verwandt einerseits mit der Violinfamilie und mit der Lautenfamilie andererseits.
Das Instrument wird zwischen die Beine gestellt (da gamba) und mit einem Bogen ähnlich wie beim Cello gestrichen.
Die Viola da Gamba ist viel leichter zu erlernen als z.B. Violine oder Violoncello und nach etwa einem Jahr kann man bereits Kammermusik im Gambenconsort spielen.
www.viola-da-gamba.com /id47.htm   (235 words)

  
 Viola da Gamba Society of America
The Viola da Gamba Society of America is a not-for-profit organization dedicated to the support of activities relating to the viola da gamba in the United States and abroad.
The Viola da Gamba Society of America announces the 2009 Leo M. Traynor Composition Contest.
The Traynor Composition Competition is made possible in part by the generosity of the Viola da Gamba Society of Japan.
www.vdgsa.org   (259 words)

  
 VdGSA: About the Viol
Similar to the cello, the viol, or viola da gamba, is played between the legs (hence the name 'viola da gamba', literally 'leg-viol').
It was the equivalent of the European viola bastarda, and was smaller than a consort bass viol but larger than a lyra viol.
It is the size of a viola but with many of a viol's characteristics, includin a flat back, sloping shoulders and a carved head.
www.vdgsa.org /pgs/stuff.html   (1113 words)

  
 What's a viola da gamba?
The viola da gamba (also called the "viol" or "gamba") is not a fretted cello!
Cellos (and violins and violas) are tuned in fifths.
Like the cello, the bass viola da gamba is part of a family.
www.angelfire.com /music/vdgsgny/page2.html   (402 words)

  
 Viola da Gamba -- List of Recordings
with Erin Headley (Viola da Gamba, Lirone) & Sarah Cunningham (Viola da Gamba
Tragicomedia, EMI Classics CDC 7 54312 2 with Erin Headley (Viola da Gamba)
* Madrigali Concertati, Claudio Monteverdi, Tragicomedia, Teldec 4509-91971-2 Erin Headley (Viola da Gamba, Lirone)
members.ping.at /huetmann/discography.html   (189 words)

  
 Viola da Gamba   (Site not responding. Last check: 2007-10-26)
Since 1992 he started, with the Maestro Paolo Pandolfo, to study the viola da gamba and baroque music.
With the viola da gamba he collaborated with different formations like the vocal and instrumental group "Rinascenza" of Rome with which in 1993 he won Absolute First Prize of the T.I.M. (International Tournament of Music).
Always with the viola, in 1995 he was a soloist in the J.S.Bach "Johannes Passion" with the Regional Orchestra of Lazio and the "Markuschor"of Munich directed by H. Boenstedt.
users.libero.it /gianni.lamarca/violadagambaengl.htm   (170 words)

  
 STIMU viola da gamba bibliography
Dolmetsch, N. 'The Viola da Gamba as a Solo Instrument', The Strad 68 (1958), pp.
Vielfalt und Wandel der Konstruktion der Viola da Gamba', Concerto 2/1987, pp.
Die Viola da Gamba der Violinfamilie', Instrumentbau-Zeitschrift 41 (1987), pp.
www.violadagamba.nl /stimu.html   (6360 words)

  
 Viola da gamba? - www.ezboard.com
I have an old bookmark for the Viola da Gamba Society of America, but it doesn't seem to be connecting for me at this moment.
When she showed the audience the gamba, explaining the frets and the characteristics of the viols she said: The frets make all the strings open strings as the string is stopped with a fret and not a finger.
A gamba's bridge is bigger than the cello's (to accomodate 6 strings) but I think that plays only a small part in tonal differences.
www.cello.org /heaven/mbarchs/feb20/gamba.htm   (2785 words)

  
 Viola da Gamba Articles
But the list could easily be augmented by referencing the journals of the Viola da Gamba Societies of America and Great Britain, and by including biographical studies of the many composers who wrote these instruments.
The Italian Viola da Gamba: Proceedings of the Int.
Giovanni Valentini's "In te Domine speravi" and the Demise of the Viola Bastarda.
www.greatbassviol.com /ngamba.html   (623 words)

  
 Phantasm: renaissance viola da gamba consort
As a bass viol player, he has recorded CDs of Bach's viola da gamba sonatas, Marais's Pieces de violes and Rameau's Pieces de clavecin en concert (all on Simax), and collaborated with Silvia McNair in a Grammy-winning album of Purcell songs (on Philips).
Jonathan Manson, tenor viol, was born in Edinburgh and received his formative training at the International Cello Centre in Scotland under the direction of Jane Cowan, later going on to study with Steven Doane at the Eastman School of Music in New York.
Asako Morikawa, born in Takamatsu, Japan, started playing viola da gamba when she was 13 years old, but initially studied violin in the Toho Gakuen Music High School in Tokyo, before continuing her studies in viola da gamba at the Conservatorium with Tetsuya Nakano.
magnatune.com /artists/phantasm   (2165 words)

  
 Trio-sonatas (Violin, viola da gamba, continuo) Scores and parts. - Music and Books on Music - What's Been Published   (Site not responding. Last check: 2007-10-26)
Twelve sonatas, for violin, viola da gamba and basso continuo, op.II, 1-3 / Johann Philipp Krieger ; edited by Réjean Poirier.
Two sonatas for violin, viola da gamba and basso continuo / William Young ; edited by Donald Beecher and Bryan Gillingham.
Twelve sonatas for violin, viola da gamba and basso continuo, op.
www.pitbossannie.com /rps-m-trio-sonatas-violin-viola-da-gamba-continuo-scores-and-parts.html   (132 words)

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