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Topic: Vocalion Records

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	Brunswick Records - Wikipedia, the free encyclopedia
		Records under the "Brunswick" label were first produced by the Brunswick-Balke-Collender Company (a company based in Dubuque, Iowa which had been manufacturing products ranging from pianos to sporting equipment since 1845).
		In January of 1920, a new line of Brunswick Records were introduced in the US and Canada that employed the lateral cut system that was then becoming the default cut for 78 disc records.
		In 1932, the British branch of Brunswick was acquired by Decca Records.
	en.wikipedia.org /wiki/Brunswick_Records (868 words)

	PBS - JAZZ A Film By Ken Burns: Jazz Exchange - Race Records
		Record companies were eager to increase their markets, and even developed some non-musical recordings, including recorded sermons, gospel music, spirituals and comedy routines.
		By the time the recording industry got on its feet again in the mid-30s with the advent of crooners such as Bing Crosby and bandleader Benny Goodman, what had been known as "race" music was firmly ensconced in the center of the popular culture.
		Gradually, the majors began recording their own versions of the whatever hits the independents were lucky enough to have, and by the 50s, race recording labels became superfluous.
	www.pbs.org /jazz/exchange/exchange_race_records.htm (1308 words)

	Brunswick and Vocalion Records
		In 1930, the parent firm, discovering that the record business was no longer profitable, sold their record operation to Warner Brothers, the movie firm, who intended to tie it in with their film business.
		Even the appearance of film stars on record failed to sell Brunswicks, however, and in 1932 the label was acquired by the American Record Corporation, with the Canadian operations dropped, as ARC was tied in with the Compo Company in Canada.
		When Decca acquired the rights to Brunswick in 1943, Vocalion was included, and the label was revived in 1949 for a short time, then used from the late 1950s on as a designation for a line of budget LPs.
	www.capsnews.org /barrbru.htm (1071 words)

	Vocalion Records - Wikipedia, the free encyclopedia
		Vocalion Records was a record label historically active in the United States and in the United Kingdom.
		Vocalion was founded in 1916 by the Aeolian Piano Company of New York City, which also introduced a line of phonographs at the same time.
		Vocalion became a subsidiary of Columbia Records in 1938.
	en.wikipedia.org /wiki/Vocalion_Records (301 words)

	New Page 11
		According to Vocalion dealers, the record is well liked, and indications are that the label will be retained so as to be distinct from the Brunswick.
		While Warners was to be paid a fee on sales of records pressed from Brunswick, Vocalion and Melotone masters recorded prior to December 3, 1931 (the date of the agreement), ARC was permitted to release its own master recordings on the Brunswick, Vocalion and Melotone labels free of charge from Warners.
		While I’ve done a fair amount of research on the history of the record industry in the years 1923-43, I’m not as familiar with the post-war years but between catalogs, reference works and Richard Spottswood’s capacious memory was able to locate enough data to draw the broad outlines that follow.
	www.vjm.biz /new_page_11.htm (3687 words)

	Title
		Thanks to Vocalion Records of PO Box 609, Watford, Hertforshire WD18 7YA (www.duttonlabs.demon.co.uk) who have a licensing agreement with Decca Records we can once again enjoy the magic of Mantovani in its original form with two wonderful stereo albums from 1963 and 1965.
		Vocalion Records have already issued in a similar format double albums of Robert Farnon, Stanley Black, Frank Chacksfield and Edmundo Ros.
		At this stage of his recording career the maestro really was the "full Monty" with the cream of peerless British free-lance musicians to choose from, some thrilling orchestrations and an adoring public which recognised the maestro's feeling for his music.
	www.hallowquest.com /mantovaniole.htm (760 words)

	Dismuke's Hit Of The Week
		The band featured in these recordings is one that Pollack formed after he moved to the West Coast in late 1936 and it did not achieve the level of success of his earlier band.
		Many Vocalion records of that era were pseudonymous reissues of recordings originally issued on Brunswick.
		The record remained in Columbia's catalog for a number of years and certain subtleties in the label design of my copy indicate that it was manufactured in either 1913 or 1914.
	www.dismuke.org /how/prev12-04.html (3226 words)

	The Duke Ellington Music Society
		But they were having difficulty selling their own competing Brunswick and Vocalion recordings in a field already populated by RCA Victor and Decca.
		Ellington's landmark recording of "Reminiscing in Tempo" covered four sides; Brunswick 7546 paired parts 1 and 2, while Brunswick 7547 paired parts 3 and 4; company files show that both records were released on 11/2/35, yet on page 246 Lawrence tells us that the records were released a month apart.
		Columbia Records made a modest donation to the festival (at the instigation of Avakian, who was also on the festival's board of directors and knew that it was struggling financially), but didn't pay the performance fees of any of the artists who appeared there.
	www.depanorama.net /dems/012b.htm (5697 words)

	vintage CHILDREN'S RECORDS TV SHOW and MOVIE SOUNDTRACK records for sale from Gasoline Alley Antiques
		Record and sleeve are near mint or nicer.
		record is near mint but there is scotch tape and small surface tear on the label on one side.
		Record and sleeve are near mint to mint.
	www.gasolinealleyantiques.com /records.htm (8926 words)

	American BigBands - Page 4 "H" Bands
		It was absorbed by J. Mayo Williams, a Paramount Records recording director.
		Sadly, this cannot be confirmed since no official record exists listing the precise RAF or U.S. unit in which he claimed to have served.
		Breaking attendance records there, his band was the first to be held over (from its scheduled booking).
	www.nfo.net /usa/h4.html (4034 words)

	Tim Gracyk's Phonographs and Old Records -- Talking Machine World
		Recording debuts and comings and goings of artists were reported.
		In May 1918 Vocalion records were announced, and Florence Easton is pictured in ads.
		Sergei Rachmaninoff recording for Edison was announced in January 1920.
	www.gracyk.com /tmw.shtml (1837 words)

	Washboard Sam - Biography - AOL Music
		Soon, he was supporting a number of different musicians on their recording sessions, including pianist Memphis Slim, bassist Ransom Knowlin, and a handful of saxophone players, who all recorded for Bluebird.
		In 1935, Washboard Sam began recording for both Bluebird and Vocalion Records, often supported by Big Bill Broonzy.
		Throughout the rest of the '30s and the '40s, Sam was one of the most popular Chicago bluesmen, selling numerous records and playing to packed audiences.
	music.aol.com /artist/washboard-sam/121654/biography (441 words)

	Ben Selvin
		The tonal balance perfected in the phonograph recording studios is utterly lacking in radio reproduction; some instrument always stands out as a rule over the air, to the complete exclusion of all the rest.
		The ban was arguably a disaster for working musicians--for example, it contributed to the decline of big bands or the "swing" era--but in the end the major record companies did agree to pay the union a royalty for released records.
		In the mid-1970s he was reunited with former Brunswick recording director Walter Haenschen ("Carl Fenton") for a taped interview at Lincoln Center.
	www.redhotjazz.com /selvin.html (1356 words)

	Old Country Stomp
		Henry "Ragtime Texas" Thomas (1874-1950s?) was middle aged when he recorded for Vocalion Records between 1927 and 1929.
		A blues singer and songster, one of the more impressive facets of his playing was his use of the quills (a form of pan-pipe made from cane).
		The 1960s group the Lovin' Spoonful recorded a tribute to him as "Henry Thomas," replacing the quills with a kazoo.
	www.folkways.si.edu /learn_discover/anthology/liner_notes/track_35.html (309 words)

	Jazzed in Cleveland - Part 103 - Early Cleveland Records (Site not responding. Last check: 2007-10-13)
		The band’s recording of "Too Much Mustard" was made in 1913 — almost four years before the Original Dixieland Jazz Band first recorded what many consider to be the first jazz record.
		As the phonograph record business was growing rapidly, Okeh Records began what it called "location recording." Beginning in 1924, Okeh sent mobile recording trucks out to tour various parts of the country to record bands that were not being heard in New York or Chicago.
		All of these dozens of dance band records by Cleveland bands were recorded before the Cleveland Orchestra made its first recording in May of 1926.
	www.cleveland.oh.us /wmv_news/jazz103.htm (917 words)

	Tim Gracyk's Phonographs and Old Records -- Irving Kaufman
		Kaufman reported years later that the major companies gave permission for him to record for smaller firms as long as pseudonyms were used, and Kaufman rarely knew at the time he attended a session what pseudonym would appear on a label afterwards.
		He had made Vocalion discs as early as 1921, when he stopped being exclusive to Emerson, and he continued to make Vocalion records after Brunswick bought out the record division of the Aeolian Company in late 1924 (Vocalion discs were issued as Brunswick products beginning in early 1925).
		In August 1974 he recorded in his California home eight songs for a two-album set that reissued some of his old recordings, which means Kaufman's recording career spanned six decades, from 1914 to 1974.
	www.gracyk.com /kaufman.shtml (2186 words)

	Jazz . Jazz Greats . Billie Holiday \| PBS KIDS GO!
		She made records with him and other musicians over the next six years and recorded many popular songs.
		Although her early recordings are full of life and joy, by her 30's Billie suffered from depression and mood swings.
		She always made beautiful music and made many great recordings in spite of her physical and emotional problems.
	pbskids.org /jazz/nowthen/billie.html (551 words)

	MMD Archives Subject Index for: Records
		Turntable for 78 RPM Records, from Joyce Brite
		Aeolian Vocalion 78 RPM Records, from Damon Atchison
		Turntable for 78 RPM Records, from Bryan Cather
	mmd.foxtail.com /Archives/KWIC/R/records.html (497 words)

	Pine Top Smith (1899-1929) (Site not responding. Last check: 2007-10-13)
		This was the first time the phrase "boogie woogie" appeared on record.
		On January 14 and 15, 1929 Smith recorded six more sides of his vaudeville repertoire for Vocalion records, including I'm Sober Now and Jump Steady Blues.
		This style of music was played in "speakeasies" and in the "rent parties" of the Chicago fl communities in the 1920’s and the early 30’s depression years.
	www.unconservatory.org /celam/clarencesmithbio.html (565 words)

	labelindexK-M
		The masters were recorded by Emerson (they are not dubs of the 10" equivalents) and made available for only a few months from the end of 1928.
		Meloto are much better known for their piano-roll production than their records which were pressed for them by Vocalion at some point during the 1920s, The catalogue ran from S-1001 up to about S-1800 and included recordings from 1920 to about 1927.
		The records themselves were recorded and pressed by Victor from masters in it's own or it's Bluebird subsidiary catalogue.
	www.mgthomas.co.uk /Dancebands/IndexPages/labelindex-K-M.htm (2973 words)

	Jimmy Rushing - Impulse! Records (Site not responding. Last check: 2007-10-13)
		He played on Walter's Vocalion records session in Kansas City in 1929.
		They played and recorded together and, in 1936, they recorded with Benny Goodman and Johnny Otis.
		His own recording output escalated, recording for Columbia, Okeh, King, Vanguard, and Jazztone during the 1950's.
	www.vervemusicgroup.com /impulse/artist.asp?aid=2819 (906 words)

	Frankie Masters - Free Music Downloads, Videos, Lyrics, CDs, MP3s, Bio, Merchandise and Links
		Born April 12, 1904, Frankie Masters was a big band leader with a dozen or so hit records in the 1930s and 1940s.
		Masters signed with Victor Records in 1927 and began his recording..
		Masters signed with Victor Records in 1927 and began his recording career, but didn't achieve much success until he switched to Vocalion Records in 1939, and recorded what would become his theme song, "Scatter-Brain," a popular Hit Parade entry that year.
	www.artistdirect.com /nad/music/artist/bio/0,,557978,00.html (303 words)

	Document Records Release Sheets
		The complete recorded works of hundreds of blues, gospel, spiritual, boogie-woogie, songster artist; from the late 1800s onwards.
		Many, many recordings not available elsewhere these are the roots of soul, modern gospel, RandB, rap, fl urban vocal music and rock.
		Includes classic recordings such as Blind Willie McTell Library of Congress session of 1940, classic post war recordings by memphis Minnie, by Jessie Thomas (brother of Ramblin' Thomas), Carolina Slim, Cripple Clarence Lofton and many more...
	www.document-records.com /vocalion_flyers.asp (445 words)

	pianola.co.nz - Roll Artists - Charley Straight
		Their act became a tremendous success, leading to a series of recordings with various record companies.
		In 1923, Straight and his new nine-piece band were recording for Paramount, the tracks being simultaneously issued on subsidiary labels as the Frisco Syncopators, Harmograph Dance Orchestra, Manhattan Imperial Orchestra, Broadway Melody Makers and Rendezvous Dance Orchestra.
		He never worked as a leader after his last Brunswick sessions of August 1928, though he is known to have recorded with the Benson Orchestra of Chicago, run by the agency which handled his own band.
	www.pianola.co.nz /artists/straight.html (411 words)

	Cow Cow Davenport
		Cow Cow Davenport is remembered most for his famous song "Cow Cow Blues" which is one of the earliest recorded examples of the Boogie-Woogie or Barrelhouse, as it's sometimes called.
		Davenport learned to play piano and organ in his father's church from his mother who was the organist and it looked like he was going to follow in the family footsteps until he was expelled from the Alabama Theological Seminary in 1911 for playing Ragtime at a church function.
		In 1938 he suffered a stroke that left his right hand somewhat paralyzed and affected his piano playing for the rest of his life, but he remained active as a vocalist until he regained enough strength in his hand to play again.
	www.redhotjazz.com /cowcow.html (333 words)

	Music of Social Change :: Meeropol and Strange Fruit
		It seemed to spell out all the things that had killed Pop (Holiday's father had died of pneumonia after several segregated southern hospitals refused to treat him)." With her accompanist Sonny White she quickly turned the poem into a song and performed it frequently at the club Café Society in New York City.
		When she attempted to record the song with Vocalion Records, they refused, fearing that the song would hurt their business in the South.
		Throughout the years, "Strange Fruit" has been recorded by such other prominent African American singers as the late Josh White and Carmen McRae as well as the enigmatic, exiled Nina Simone.
	www.metascholar.org /MOSC/essays/meeropol.htm (213 words)

	In the Battle Field
		After hearing the recordings of fellow preachers Rev. J.M. Gates and Rev. F.W. McGee, Rice contacted Jack Kapp, a talent scout for Vocalion Records, who initially rejected the idea of recording the group.
		The Depression all but obliterated the record industry and Rice decided to return to Alabama, ending up in Jackson as the pastor of a small church.
		FOR ADDITIONAL RECORDINGS of Rice see: Rev. D.C. Rice: The Complete Recorded Works, 1928-1930 (DOC 5071c); Rev. D.C. Rice- 1928-1930: Sanctified Singing with Traditional Jazz Accompaniment (HER 212a); and the collection Gospel Singers and Choirs (Topaz Jazz 1011c).
	www.folkways.si.edu /learn_discover/anthology/liner_notes/track_56.html (376 words)

	THE VOCAL GROUP HARMONY WEB SITE (Site not responding. Last check: 2007-10-13)
		Above: Label image for Vocalion 3923 recorded 11/3/37 and released in January 1938.
		This was the first of their five records on Vocalion (plus another one backing Mildred Bailey).
		Their only prior records had been two on Decca in 1935.
	www.group-harmony.com /WayDown.htm (213 words)

	THE BLUES ALBUM: A traditional-blues archive from Mainspring Press
		Thomas Edison's personal notes and memos reveal a man at odds with his staff and determined to stay out of the race record market at all costs.
		Depsite Harry Pace's claim that Black Swan would use only fl talent, many issues are actually by white performers using aliases.
		Harry Pace set his sights high for his pioneering fl-owned and -operated record label.
	www.mainspringpress.com /blues_home.html (260 words)

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