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| | Voivod: self-titled - PopMatters Music Review |
 | | Voivod were now trying to sound more mainstream, closer to bands like Rush and Pink Floyd, but the album just didn't work very well, and the masses didn't care on way or another. |
 | | In a stunning stylistic shift in 1988, Voivod eased up on the noise and screaming, and concentrated on melody and song structure, and the two albums that followed, 1988's Dimension Hatross and 1989's masterpiece Nothingface, established the band as one of the most formidable metal acts in the world. |
 | | Voivod went on to perform as a trio for the rest of the '90s, while trying to return to their thrash metal roots, but it looked more than obvious that their best days were behind them. |
| www.popmatters.com /music/reviews/v/voivod-st.shtml (841 words) |
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