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Topic: Volo di Notte

	Luigi Dallapiccola - Wikipedia, the free encyclopedia
		Canti di prigionia and Il prigionero are reflections of this impassioned concern; the former was his first true protest work.
		During World War II he was in the dangerous position of opposing the Nazis; though he tried to go about his career as usual, and did, to a limited extent, on two occasions he was forced to go into hiding for several months.
		He had no more finished compositions after 1972 due to his failing health, until he died in Florence in 1975 of edema of the lungs; however, there are a very few sketches and fragments of work from this time, including a vocal work left unfinished just hours before he passed on.
	en.wikipedia.org /wiki/Luigi_Dallapiccola (1077 words)

	Istria on the Internet - Prominent Istrians - Luigi Dallapiccola
		In 1931, he was granted a diploma for composition and became a lecturer at the Conservatorio di Musica L. Cherubini in Florence, where he stayed for 36 years.
		With the Canti di Liberazione a trilogy is completed, which beginning are the Canti di Prigionia and the center part is the one-act opera Il Prigioniero.
		Dallapiccola died on February 19, 1975 in Firenze from edema of the lungs.
	www.istrianet.org /istria/illustri/dallapiccola/bio-eng.htm (1021 words)

	[No title]
		Quello che vuole dire \'e8 fondamentalmente l\rquote affermazione, o il desiderio, di una reciprocit\'e0: cio\'e8 di qualcuno con cui l\rquote uomo possa stabilire una relazione reciproca di dare e avere, di parlare e di ascoltare; quindi una comunicazione in tutte e due le direzioni.
		L \hich\f0 \rquote \loch\f0 \hich\f0 uomo \'e8\loch\f0 uditore della parola di Dio: l\hich\f0 \rquote \loch\f0 \hich\f0 uomo \'e8\loch\f0 \hich\f0 il tu di Dio, e Dio \'e8\loch\f0 il Tu dell\hich\f0 \rquote \loch\f0 uomo.
		Ogni parol\hich\af0\dbch\af27\loch\f0 a vera dell\hich\f0 \rquote \loch\f0 uomo contiene un atto di amore \par }\pard\plain \s18\qj \li0\ri0\widctlpar\aspalpha\aspnum\faauto\adjustright\rin0\lin0\itap0 \fs24\lang1040\langfe1040\cgrid\langnp1040\langfenp1040 {Tutte le volte che la parola contiene in s\'e9 l\rquote amore \'e8 liberante, e }{\b ogni parola vera dell \rquote uomo dovrebbe contenere in s\'e9 l\rquote amore.
	www.webdiocesi.chiesacattolica.it /cci_new/documenti_diocesi/151/2003-12/11-30/MF301103.rtf (5625 words)

	Sugarmusic S.P.A
		With his transcription of Ritorno di Ulisse in patria Dallapiccola approached the myth of Ulysses for the first time: his aim was to adapt the Ulysses by Monteverdi to contemporary music theatre, there is no musicological intention behind the edition.
		In a climate of general confusion and instability the opera Volo di notte was staged.
		When he came back he composed the Concerto per la Notte di Natale dell'anno 1956 on commission from the Rameau Chamber Music in Tokyo, and set to work, a year after his mother's death, on Requiescant, which, in a private dedication to Laura and Annalibera, he defined as "the composition dearest to me".
	www.esz.it /esz_eng/autori/autori_dallapiccola.html (1385 words)

	!!! Auditorium di Milano - Orchestra Sinfonica di Milano Giuseppe Verdi !!! Chorus (Site not responding. Last check: 2007-09-10)
		The Coro Sinfonico di Milano Giuseppe Verdi was created in Autumn 1998 under the musical direction of Romano Gandolfi, with the assistance of Erina Gambarini and Ruben Jais.
		Recently the chorus was invited to join, together with the chorus of the Opera of Leipzig and with the Gewandhaus Orchestra under the direction of Riccardo Chailly, the performing of the Messa da requiem by Verdi.
		In 2003 the Chorus visited Japan with the Orchestra Sinfonica di Milano Giuseppe Verdi conducted by Riccardo Chailly and, on january 2004, the Canaries, with Riccardo Chailly and Romano Gandolfi.
	www.orchestrasinfonica.milano.it /1x7_en/cor_bio_en.htm (484 words)

	Luigi Dallapiccola
		Luigi Dallapiccola died February 19, 1975 in Florence from edema of the lungs.
		Canti di Prigionia (1938-41; Songs of Prison) for chorus and orchestra, is a protest against Fascist doctrine.
		It is based in part on the chant “Dies Irae” (“Day of Wrath”) from the mass for the dead.
	www.ptloma.edu /music/MUH/composers/dallapiccola/Dallapiccola.htm (562 words)

	Luigi Dallapiccola Biography / Biography of Luigi Dallapiccola Biography
		The Canti di prigionia (1939-1941; Prison Songs; texts by Mary, Queen of Scots, Boethius, and Savonarola) are united by a single twelve-tone row but still contain many free passages.
		Three of his major compositions on this theme are the Canti di prigionia; Il Prigioniero, a one-act opera with prologue (1949; text after Villiers de l'lsle-Adam and Charles de Coster); and Canti de liberazione for choir and orchestra (1955; Songs of Liberation; texts from Castillio, St. Augustine, and the Book of Exodus).
		Dallapiccola died on February 19, 1975 and was buried in Florence.
	www.bookrags.com /biography-luigi-dallapiccola (528 words)

	Istria on the Internet - Prominent Istrians - Luigi Dallapiccola
		His triptych Canti di prigionia (1938-41; Songs of Prison) marked him as a mature composer; this work, for chorus with an orchestra of percussion, harps, and pianos, was a protest against Fascist doctrine and was based in part on the chant "Dies Irae" ("Day of Wrath") from the mass for the dead.
		The rhythmic intricacies of the Quaderno musicale di Annalibera (1952; Musical Notebook of Annalibera), a piano book written for his daughter, serve as the basis for much of his Canti di liberazione (1955; Songs of Liberation), a triptych for chorus and orchestra, celebrating the liberation of Italy from Fascist control.
		An opera, Volo di notte (Night Flight), was first performed in Florence in 1940.
	www.istrianet.org /istria/illustri/dallapiccola/brittanica.htm (355 words)

	!!! Auditorium di Milano - Orchestra Sinfonica di Milano Giuseppe Verdi !!! Chorus (Site not responding. Last check: 2007-09-10)
		Auditorium di Milano - Orchestra Sinfonica di Milano Giuseppe Verdi !!!
		Its one hundred singers are able to perform a wide range of works, including operatic-symphonic, chamber and polyphonic music, from the baroque era to the twentieth century.
		In 2004 the choir presented Beethoven’s Ninth Symphony conducted by Stéphane Dénève at the “Festival di Cortona”.
	www.orchestrasinfonica.milano.it /1x7_en/cor_bio_en.asp (448 words)

	Dallapiccola, Luigi (1904-1975) Classical Compositions and Luigi Dallapiccola (1904-1975) classical music sheets. (Site not responding. Last check: 2007-09-10)
		In Germany and later in Italy he met politically inspired opposition, although his opera Volo di notte (Night Flight), based on Saint-Exupéry’s Vol de nuit, had performances in both countries.
		He was among the first Italian composers to absorb the principles of Schoenberg and to make continuing use of the latter’s serial techniques.
		Dallapiccola’s Variazioni for orchestra of 1954 is an orchestral version of the Quaderno musicale di Annalibera for piano of 1952, a work reflecting a refinement of the composer’s applications of serialism.
	www.naxos.com /composerinfo/6541.htm (253 words)

	Guardian \| Songs of freedom
		Only in music could I express my indignation." Earlier that year Dallapiccola had married a Jewish woman, and the couple were forced to seek refuge in the hills surrounding Florence.
		The Canti di Prigionia (scored for chorus with an instrumental ensemble consisting of two harps, two pianos and percussion) sets texts by three condemned prisoners: Mary Stuart, Boethius and Savonarola.
		Mary Stuart's fervent prayer for freedom struck a particularly strong chord: "I wanted," Dallapiccola said, "the divine word libera to be shouted by everyone." Some five years later, when his only child was born shortly after the libera tion of Florence from the Nazi occupation in August 1944, she was named Annalibera.
	www.guardian.co.uk /print/0,3858,4857165-110760,00.html (1297 words)

	Dallapiccola, Preghiere
		It was only with two composers of the two generations preceding Dallapiccola’s–Giuseppe Martucci (born 1856) and Ottorino Respighi (born 1879)–that Italy began for the first time since the baroque period to take a strong interest in, and make a strong contribution, to purely orchestral music.
		Dallapiccola’s output ranges from such impressive stage works as Volo di notte (Night Flight, after Saint-Exupéry), Il prigioniero, Job, and Ulisse to a highly accomplished series of purely orchestral and instrumental pieces.
		But it is probably in the choral music, including the compelling Canti di prigionia, and in more than a dozen works for solo voice with orchestra or instrumental ensemble that his most characteristic and at the same time most recognizably Italian voice can be heard.
	www.americansymphony.org /dialogues_extensions/98_99season/3rd_concert/dallapiccola.cfm (900 words)

	Reginald Smith Brindle - British composer MusicWeb-International (Site not responding. Last check: 2007-09-10)
		The theme of his orchestral Dallapiccola Variations of 1955 is taken from the Tre Laudi the same theme was used in his opera Volo di Notte both composed in 1937.
		His homage to another great composer of the twentieth century is seen in his Epitaph for Alban Berg for strings, which also dates from 1955.
		However he died on 9th September 2003 aged 86.
	www.musicweb.uk.net /brindle (2799 words)

	Luigi Dallapiccola - Classical music composer (Site not responding. Last check: 2007-09-10)
		Luigi Dallapiccola: 6 Cori Di Buonarroti Composed by Luigi Dallapiccola (1904-1975).
		Volo Di Notte German Libretto By Luigi Dallapiccola.
		Volo Di Notte, Study Score By Luigi Dallapiccola.
	www.classical-composers.org /comp/dallapic (886 words)

	Ferruccio Busoni (1866-1924) : Library of Congress Citations (Site not responding. Last check: 2007-09-10)
		Title: Arlecchino di Ferruccio Busoni; Volo di notte di Luigi Dallapiccola; Coro di morti di Goffredo Petrassi.
		Dallapiccola, Luigi, -- 1904- -- Volo di notte.
		Author: Convegno internazionale di studi sul t Busoni, la trascrizione" (1985 : Empoli, Italy and Florence, Italy) Title: La trascrizione Bach e Busoni : atti del Convegno internazionale (Empoli-Firenze, 23-26 ottobre 1985) / a cura di Talia Pecker Berio.
	www.mala.bc.ca /~mcneil/cit/citlcbusoni1.htm (2181 words)

	Books \| Up, up and away
		It must have been a strange evening: aviation, anti-fascism, champagne and idealistic alpinism, folk song and serialism - the last of the 1930s.
		The opera, Volo di Notte, received its premiere in Florence in 1940 - a reminder that Italian cultural politics were not the same as those of Germany.
		He points a moral, and forces a crisis, in Volo di Notte, in a way which Saint-Exupéry did not find necessary.
	books.guardian.co.uk /print/0,,5082331-110738,00.html (669 words)

	OperaWorld.com's Opera Insights: The Prisoner (Site not responding. Last check: 2007-09-10)
		Although early stage works show more of an emphasis on the techniques of Schoenberg and especially Berg—who often used tone rows with major and minor triads imbedded in them—his later stage works dispense with tonality altogether and are directly influenced by Webern's more austere compositions.
		Dallapiccola wrote four operas: Volo di notte (1937-38), Il prigioniero (1944-48), Job (1950), and Ulisse (1960-68).
		Il prigioniero was first performed as part of an RAI radio broadcast on December 1, 1949.
	www.operaworld.com /special/prisoner.shtml (985 words)

	The Dallapiccola Dallywacker
		Canti di prigionia (1938) and Canti di liberazione (c.
		Quaderno Musicale di Annalibera (1952) - Charming piano piece written for the composer's daughter, for her 8th birthday.
		I have a recording of his excellent "Canti di prigonia." Had the privilege of seeing an outstanding porduction of "Il Prigoniero" and "Volo di Notte" at the Frankfurt Opera two seasons ago.
	www.good-music-guide.com /forum/index.php?topic=6103.0 (1201 words)

	Music Associates of America ~ MadAminA! Two Encounters with Antoine de Saint-Exupéry
		I had scarcely begun the first musical draft of Volo di notte [Night Flight] when it struck me that sooner or later I should have to approach Antoine de Saint-Exupéry, if only to get his permission to extract a libretto from Vol de nuit, the short novel which had made him internationally famous overnight.
		His few disconsolate words were accompanied by a newspaper clipping, which said that the aviator-writer had failed to return from a wartime flight.
		Originally given as a radio talk on the RAI third program, 19 April 1951, preceding the broadcast of Volo di notte, directed by Fernando Previtali.
	www.musicassociatesofamerica.com /madamina/1984/saintex.html (1721 words)

	Segnali Di Fumo Lyrics - by TINA ARENA from album Singles : Lyrics And Songs
		You are viewing lyrics of Segnali Di Fumo by TINA ARENA from the album Singles at LyricsAndSongs.COM
		The Lyrics above are to Segnali Di Fumo and are (Mostly correct, Yet...
		The Lyrics seem to be the lyrics to Segnali Di Fumo But they are (Wrong)
	www.lyricsandsongs.com /song/23753.html (289 words)

	Lyrics, music, song, lyrics music text Alice : Volo Di Notte en (Site not responding. Last check: 2007-09-10)
		Ogni viaggio che fai cambi un poco di più,
		ogni cosa che scopri ti avvicini di più.
		ogni volta che torni sai qualcosa di più.
	lyrics.dct.sk /index.php/8438 (136 words)

	Fiori Rosa, Fiori Di Pesco Lyrics - by LUCIO BATTISTI : Lyrics And Songs
		You are viewing lyrics of Fiori Rosa, Fiori Di Pesco by LUCIO BATTISTI from the album UNKNOWN at LyricsAndSongs.COM
		The Lyrics above are to Fiori Rosa, Fiori Di Pesco and are (Mostly correct, Yet...
		The Lyrics seem to be the lyrics to Fiori Rosa, Fiori Di Pesco But they are (Wrong)
	www.lyricsandsongs.com /song/350091.html (356 words)

	Guardian Unlimited Books \| Review \| Something of the night...
		The voice on the radio (which began this train of thought) was pointing out that the older man who inspires the young to deeds of heroism was a stock figure in fascist typology.
		Rivière, when Luigi Dallapiccola wrote Volo di Notte, his operatic version of Night Flight, would have seemed a sympathetic character in Italy at the end of the 1930s.
		Only after the second world war and the defeat of Italian fascism would he have come to seem like an irresponsible fanatic.
	books.guardian.co.uk /review/story/0,12084,1364895,00.html (806 words)

	Guardian Unlimited Arts \| \| Dallapiccola: Ulisse, Desderi/ Cornell/ Workman/ Boitard/ Radio France Chorus and ...
		But he remains a hugely impressive and significant figure - someone who in the years immediately after the second world war gave an identity and purpose to his country's music.
		The first two are one-acters: the 1939 Volo di Notte (Night Flight, based on the Saint-Exupéry novella) and Il Prigioniero (The Prisoner, based on a story by De l'Isle-Adam).
		Job, from 1950, is a "sacred representation" that has been rarely revived.
	arts.guardian.co.uk /reviews/story/0,11712,1044854,00.html (494 words)

	Historic Opera - Listings Singers M
		Created Radio Officer in Dallapiccola's Volo di Notte, Altidor in Casella's Serpente.
		Metzger-Lattermann, Ottilie: Contralto (15 Jul 1878-1943) Died in a concentration camp.
		Died at the age of 42 in New York.
	www.historicopera.com /listing_singers_m.htm (1049 words)

	The opera corpus - Wikipedia, the free encyclopedia
		Domenico Cimarosa (1749-1801): Le astuzie femminili, Il maestro di capella, Il matrimonio segreto, Gli Orazi e i Curiazi
		Carlo Coccia (1782-1873): Arrighetto, Caterina di Guisa, Clotilde
		Giacomo Meyerbeer (1791-1864): L'Africaine, Il crociato in Egitto, L'esule di Granata, L'étoile du nord, Ein Feldlager in Schlesien, Les Huguenots, Margherita d’Anjou, Le prophète, Robert le diable
	en.wikipedia.org /wiki/The_opera_corpus (2607 words)

	CLASSICALmanac: January 01
		Born 29 Oct 1888 Clinton NJ Died 7 Jan 1984
		Borge died at home in his sleep, would have been 92 on 3 JAN 2001.
		Tigrane in Tigrane (Scarlatti A) Sang in premiere of Caduta di Mineo (Scarlatti A) Prigioniero Fortunato (Scarlatti A) Scipione nelle Spagni (Scarlatti A) Cambise (Scarlatti A) Idaspe Fedele (Mancini)
	classicalmanac.blogspot.com /2006_01_01_classicalmanac_archive.html (5573 words)

	Classical Net Review - Dallapiccola on Opera
		Highpoints include a brilliant dramatic analysis of Don Giovanni and a tour-de-force essay on how the terzetto influences the entire dramatic structure of Verdi's mature operas.
		His comments on the genesis of the libretti of Volo di Notte, Job, and his late masterpiece Ulisse show him solving structural and dramatic problems with - not ease, exactly; Dallapiccola lets you know that he works long and hard - but with a successful concern for finding the right solution.
		Unless explicitly specified otherwise, this page and all other pages at this site are Copyright © 1995-2006 by Classical Net.
	www.classical.net /music/books/reviews/0907689094a.html (625 words)

	The Music Library at The University of South Carolina
		.]: when he died he left the whole estate to the Swedish Government, to make out of it an 'art center' [.
		And, that particular summer, there was a group of Swedish girls (about a dozen) studying Italian and Italian art, under the tutoring of a very handsome young Italian Professor, Giacomo Oreglia, from Turin, who was teaching Italian at the University of Stockholm.
		C-T has attended a tryptic performance of Schoenberg's Erwartung, Bartok's Der Wunderbare Mandarin and Dallapiccola's Volo di Notte.
	www.sc.edu /library/music/mct_letters.html (3619 words)

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