| |
| | [No title] |
 | | The Ghost in the Machine: Haitian Voudoun and the Matrix William Gibson's Count Zero It would seem that there are no two things more distinct than the primal, mystic, organic world of Haitian Voudoun, and the detached, cool, mechanical world of the high-tech future. |
 | | What it's about is getting things done." Eventually, we come to realize that after the fracturing of the AI Wintermute, who tried to unite the Matrix, the unified being split into several entities which took on the character of the various Haitian loa, for reasons that are never made clear. |
 | | After all, this might be the best way for people to relate to them, to erect a 'technology of the sacred.' Count Zero shows a different path for the vector of technology - toward the 'Heart of Darkness' of Africa, the lunar continent, instead of into the 'Rising Sun' of Japan. |
| www.eff.org /Net_culture/Cyberpunk/ghost_in_machine.paper (2797 words) |
|