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Topic: W. H. Auden

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W. H. Auden - Wikipedia, the free encyclopedia Auden's work is characterised by exceptional variety, ranging from such rigorous traditional forms as the villanelle to original yet intricate forms, as well as the technical and verbal skills Auden displayed regardless of form. Auden wrote a considerable body of criticism and essays as well as co-authoring some drama with his friend Christopher Isherwood, but he is primarily known as a poet. Auden was often thought of as part of a group of like-minded writers including Edward Upward, Christopher Isherwood, Louis MacNeice (with whom he collaborated on Letters from Iceland in 1936), Cecil Day-Lewis, and Stephen Spender, although he himself stopped thinking of himself as part of a group after about the age of 24. en.wikipedia.org /wiki/Auden,_Wystan_Hugh   (1015 words)

auden As Auden’s own claim that “art and life are different and not to be confused” is one of the main entries of this essay, it is going to be contrasted and possibly complemented by some aspects of his extremely prolific literary career, focusing particularly on the beginning years of his “American period”. Auden is known for always seeking analogies and symbols for the fundamental spiritual condition of man. Whether a fairy tale, a myth, a detective story, a fantasy, a quest or just a landscape - all are intellectually parabolic of an inner condition. The immanence of Auden’s texts makes a woman in his poem stand for an abstract of a woman, for her hypothetical possibility and not for an actual, extratextual correlative. peterpurg.kdpm.org /Audense1.html   (3810 words)

Auden Auden's move to the United States in 1939 was the turning point in his life, and its impact is still hotly contested by critics. The opposite of confessional poetry that enjoyed a vogue near the end of his lifetime, Auden's verse was sleek, wry, and generally aimed at matters of public concern. The last chapters of the book, as Auden's body breaks down under the strain of a lifetime's stress, strong drink, and barbiturates, are excruciating to read, as we see the prankish and sensitive schoolboy turned into a doomed, self-pitying old man. www.bostonphoenix.com /alt1/archive/books/reviews/04-96/AUDEN.html   (657 words)

The permanent Auden, by Roger Kimball Auden’s love of complicated verse forms and unusual words was doubtless partly an expression of a poet’s delight in the resources of language and his ability to manipulate it skillfully. Auden’s brand of amoralism is only possible if you are the kind of person who is always somewhere else when the trigger is pulled.” Auden later wrote to the British embassy offering to do “anything when and if the Government ask me,” but he oughtn’t have been surprised to find his offer rebuffed. Auden was one of the most urbane and insightful essayists of the twentieth century. www.newcriterion.com /archive/17/may99/auden.htm   (3961 words)

Life and Works of WH Auden -- Essay at LiteratureClassics.com Auden enjoyed a warm relationship with his father, and the medical and scientific influence became a motif of his early poetic work, which is filled with recurrent images of disease, healing and the bodily functions. Auden's social commentary is not limited to politics – he explored Freudianism in 'An Elegy to Freud' and the inadequacies of British government in 'The Unknown Citizen'. In general, the poetry Auden wrote early and late in his life is personal; the poetry written during the remainder of his life has greater political and social significance. www.literatureclassics.com /essays/120   (2458 words)

The W. H. Auden Society This web site offers a list of books by Wystan Hugh Auden, links to some of his poems, a selective list of recordings of his readings and of musical settings of his poems, and (to be added in the near future) a biography. The W. Auden Society is registered as a not-for-profit corporation in the State of New York. Recent news of publications and events of interest to Auden's readers, reports of work in progress, and brief scholarly and interpretive notes may also be found here. www.audensociety.org   (534 words)

Books & Reading: Book Reviews Auden was one of the first to acknowledge Marxism as a failed God, and he was a charter subscriber to Jung, to Kierkegaard and the High Protestant Existentialism of the 1950s, though he often did not renew his subscription. Auden was the greatest poet in our language during the period(s) of his ascendancy, from the early 1930s to the mid-1960s. Auden was more than just the consummate literary hostess that is his persona here. www.washingtonpost.com /wp-srv/style/books/reviews/laterauden990704.htm   (509 words)

glbtq >> literature >> Auden, W. H. Auden, W. Described by Edward Mendelson as "the most inclusive poet of the twentieth century, its most technically skilled, and its most truthful," Auden is the first major poet to incorporate modern psychological insights and paradigms as a natural element of his work and thought. Auden's marriage to Kallman was not to prove entirely happy (primarily due to Kallman's promiscuity), but it provided the poet with loving companionship and helped seal the permanence of his self-exile. Auden's acceptance of his gayness thus leads him to new insight into the universal impulse to love and enlarges his understanding of all kinds of relationships. www.glbtq.com /literature/auden_wh.html   (1348 words)

The New Yorker: The Critics: A Critic At Large Auden and Christopher Isherwood had come to New York together in 1939—before the war began, but when it was obvious that it was on its way. And what finally strikes the reader of Auden's essays is how often what is exasperation in his prose becomes eloquent in his poetry: a tension between community—expressed in the idioms of cosmopolitan, urban charm—and ideal love, expressed in the abstract language of theology. Auden understood, with a clarity enforced by distance—he saw the shapes the blood was making, where up close one saw only the spill—that Europe's murderousness took a logical form. www.newyorker.com /critics/atlarge/?020923crat_atlarge   (3027 words)

Style: The Caliban Beneath the Skin: Abstract Drama in Auden's Favorite Poem Auden, in fact, emphasized the difficulty - and unusual nature - of the piece by saying, "The whole point about the verbal style is that, since Caliban is inarticulate, he has to borrow, from Ariel, the most artificial style possible, i.e., that of Henry James" (emphasis mine; Carpenter 328). According to Auden, the only kind of drama to accomplish that was the "pure West-end drama that is talk without action." Auden's insight into this "high art" aligns with his desire to write what in 1931 he called "abstract drama": a drama of ideas in which all the action is implied (Plays xix). Auden was such a master of form, not only of forms such as sonnets and sestinas but of forms such as Englyns and Drott-Kvaetts, that Mendelson's label of Auden as the "most technically skilled" poet of the twentieth century seems an understatement (Early Auden xiii).(1) www.findarticles.com /p/articles/mi_m2342/is_1_33/ai_58055907   (1261 words)

Auden Auden was arguably the pre-eminent poet of his generation and exerted a major influence on subsequent poets. Auden is commemorated with a plaque in 'Poets' Corner', Westminster Abbey, London. In 1956 Auden was appointed Professor of Poetry at Oxford University. www.poetsgraves.co.uk /auden.htm   (269 words)

Randall Jarrell on W. H. Auden; ; Stephen Burt and Hannah Brooks-Motl Jarrell's Auden is a poet (like Jarrell himself) working out a moral vision for his time, and developing a language for that vision. Jarrell's lectures offer readings of many of Auden's works, including all of his long poems, and illuminate his singular use of a variety of stylistic registers and poetic genres. During the 1940s, Jarrell wrestled with Auden's work, writing a series of notorious articles on Auden that remain admired and controversial examples of devoted and contentious criticism. www.columbia.edu /cu/cup/catalog/data/023113/0231130783.HTM   (731 words)

FT August/September 2001: Auden and the Limits of Poetry Auden thus increasingly came to believe that we are emphatically compound beings, subject always to natural laws and yet called upon to “assume responsibility for time” by making decisions—decisions whose inevitable consequences are yet another form of necessity. And yet, Auden continued to believe that poetry was the vocation to which he had been called, not just by his temperament or aptitudes, but by God himself, “the author and giver of all good things” (as he wrote in a 1940 poem). One suspects that at this point in his career Auden was contemplating just that—that is, making his adaptation of The Tempest his farewell to poetry, just as The Tempest itself has always been read as Shakespeare’s (and not just Prospero’s) farewell to the dramatic arts. www.firstthings.com /ftissues/ft0108/articles/jacobs.html   (4068 words)

W. H. Auden and The New York Quarterly The Auden craft interview, along with his poem "Shorts," is featured in NYQ Issue 1, Winter 1970. Wystan Hugh Auden was born September 21, 1907 in York, England. After dedicating himself to the art of poetry at the age of fifteen, Auden was quickly recognized as something of a prodigy. www.nyquarterly.com /profiles/auden.html   (313 words)

Amazon.com: Collected Poems: Auden (Vintage International): Books: W. H. Auden Auden nonetheless (rightly) defended the original version of the line, arguing that it was an honest attempt to speak of the possibility of a "just war", against the absolutist pacificist position that all wars are wrong, while nonetheless not downplaying the brutality of war. Auden, probably in response to the earlier of the two essays, altered the stanza in the 1940 version (entitled "Spain, 1937"), & eventually deleted the poem from his oeuvre. Between 1927 and his death in 1973, W. Auden endowed poetry in the English language with a new face.  Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken. www.amazon.com /exec/obidos/tg/detail/-/0679731970?v=glance   (1653 words)

W. H. Auden Auden's allusion to "In Memory of Eva Gore-Booth and Con Markievicz" in "In Memory of W.B. Yeats." (W.H. Auden) (ANQ) Auden - W. Auden (Wynstan Hugh Auden) poet, dramatist Born: 2/21/1907 Birthplace: York, England... Auden and the Limits of Poetry.(W. Auden)(Critical Essay) (First Things: A Monthly Journal of Religion and Public Life) www.infoplease.com /ce6/people/A0805295.html   (372 words)

LA Weekly: Books Review: Ask the Auden Expert Auden was very intent on the sense of first-person responsibility, which is denied or refused in so much 20th-century thought, with its emphasis on historical forces, unconscious motives, or the controlling powers of the mass media. Auden was very emphatic that his religion was not a supernatural religion of miracles. Perhaps it's just a coincidence, but when Auden finally left New York in 1972 (he would die a year later, aged 66, in Austria), the first thing his apartment's new occupant did was put up a giant poster of Bob Dylan. www.laweekly.com /ink/99/26/books-bernhard.shtml   (1879 words)

The New York Review of Books: Auden at Home Auden was powerfully aware of the difficulty involved in being on the receiving end of an intensely felt love, and you may remember that in his definition of the Vision of Eros he more or less excluded the possibility that the vision could be mutual. What Auden wrote in code—to the extent that his circle might possess a key to the code while the general public did not—would have been read within his circle with the sense of pleasure and privilege enjoyed by the initiate; perhaps too as a joke on the general public. Auden's "There is no point" might be taken to mean, "Whatever I say in my defense will be useless." And that has certainly proved the case, since the accusation of cowardice pursued him all his life, and afterward too. www.nybooks.com /articles/127   (4216 words)

News About W. H. Auden Donald Mitchell's Britten and Auden in the Thirties: The Year 1936, a major study of the collaboration and friendship between W. Auden and Benjamin Britten, first published in 1981, was reissued in paperback by the Boydell Press in 2000. Oxford Poetry includes Auden's unpublished 81-line draft of "The Sphinx" with an introduction by John Fuller and a chapter from Stephen Spender's 1928 novel Instead of Death in which Auden is one of the main characters. Auden taught at the Downs School, a preparatory school in Colwall, from 1932 to 1935. www.audensociety.org /news.html   (1703 words)

Auden, W.H. and Isherwood, C.; Mendelson, E., ed.: The Complete Works of W.H. Auden: Plays and Other Dramatic Writings, 1928-1938. Also included are Auden's prose and verse written for documentary films, a cabaret sketch, and an unpublished radio script. In 1928 Stephen Spender hand-printed thirty copies of a small volume of poems by his friend W. Auden--the first published book by a man who was to become the dominant literary figure of his generation and one of the century's greatest poets. During the years when these works were created, Auden moved from a "poetry of isolation" to more expansive and public writing. www.pupress.princeton.edu /titles/4242.html   (475 words)

Auden on Bin Laden By Eric McHenry Auden, apparently, decided that its ambiguities couldn't be reconciled with its declamatory tone. I have a dozen arguments with Auden's line breaks, his awkwardness and his punctuation in "Sept. 1, 1939"--and it still resonates as a powerful reaction to horror. I think Auden's disappointment in the piece was more likely to do with his own feelings of literary inadequacy within the poem. www.slate.com /?id=115900   (1169 words)

[minstrels] Villanelle -- W. H. Auden [On Auden] As both Martin and I have commented in the past, one of the pleasures of Minstrelsy is the discovery of new poems, many of which we'd never have chanced upon had it not been for this mailing list. Perhaps Auden's art takes time to appreciate, perhaps I just hadn't read the 'right' poems prior to the Minstrels [1], perhaps my own tastes in poetry have changed in the last year or two... I confess I can't make sense of every single reference Auden uses (for example, how can _brooks_ run away?), but the overall effect is brilliant - it captures the ideas of evanescence and loss and yes, love, remarkably well. www.cs.rice.edu /~ssiyer/minstrels/poems/677.html   (713 words)

W. H. Auden Bibliography, links to some of his poems, a selective list of recordings of his readings and of musical settings of his poems, news of publications and events of interest to readers of Auden, scholarly and interpretive notes about his work, archives of back issues of the Society's Newsletter. Greenberg, Herbert, Quest for the Necessary: W. Auden and the Dilemma of Divided Consciousness (1968) Hecht, Anthony, The Hidden Law: The Poetry of W. Auden (Cambridge: Harvard UP, 1993) www.lit.kobe-u.ac.jp /~hishika/auden.htm   (267 words)

Auden William Auden was a British poet who was born in York, England on February 21, 1907. it mentions Auden as being one of the twelve 'signatories' on a brief questionaire which was sent "To the Writers and Poets of England, Scotland, Ireland and Wales." The question was: "Are you for, or against, the legal Government and the People of Republican Spain? In the biography W. Auden, The Life of a Poet www.redflame93.com /Auden.html   (260 words)

W. H. Auden "Auden was by this time a practised lecturer, and his unprofessorial manner on the platform appealed strongly to his audiences, which were large - as many, it is said, as five hundred. http://www.litencyc.com/php/speople.php?rec=trueandUID=5107 A substantial intro to Auden by scholar Michael O'Neill, from the Literary Encyclopedia. http://www.poets.org/exh/Exhibit.cfm?prmID=8 Accessible article discusses Auden among from the British and Irish poets who had an important influence on 20th century American Poetry, including W.H. Auden. www.literaryhistory.com /20thC/Auden.htm   (319 words)

Poet: Wystan Hugh Auden - All poems of Wystan Hugh Auden The 'gun-shy myopic grandchild of Anglican clergymen,' Wystan Hugh Auden was to become one of the greatest poets of the 20th century. PLACES: WH Auden POEMS: Funeral Blues The English-born American writer Wystan Hugh Auden was one of the most important poets... WH (Wystan Hugh) Auden (The Lied and Art Song Texts Page: Texts... www.poemhunter.com /wystan-hugh-auden/poet-39229   (351 words)

Borzoi Reader Authors W. H. Auden Copyright (c) 1940 & renewed 1968 by W.H. Auden. Academy of American Poets Auden page (with recordings) the painting, "Landscape with the Fall of Icarus" by Brueghel the Elder, referred to in Auden's famous, "Musee des Beaux Arts" www.randomhouse.com /knopf/authors/auden/poem.html   (94 words)

Auden, W.H.; Kirsch, A.C., ed.: Lectures on Shakespeare. Notably a conversation between Auden's capacious thought and the work of Shakespeare, these lectures are also a prelude to many ideas developed in Auden's later prose--a prose in which, one critic has remarked, "all the artists of the past are alive and talking among themselves." In these lectures, we hear Auden alluding to authors from Homer, Dante, and St. Augustine to Kierkegaard, Ibsen, and T. Eliot, drawing upon the full range of European literature and opera, and referring to the day's newspapers and magazines, movies and cartoons. "Auden's quick and reflective mind is everywhere apparent in these essays. pup.princeton.edu /titles/6910.html   (709 words)

Poet: WH Auden - All poems of WH Auden In 1945 he published The Collected Poetry of WH Auden, a widely read volume in which poems were so arranged as to defy chronology. Poet: WH Auden - All poems of WH Auden For further reading: The Poetry of WH Auden by Monroe K. Spears (1963);... www.poemhunter.com /wh-auden/poet-6570   (200 words)

W H Auden Bibliography During his years of apprenticeship Auden wrote over 200 poems. W H Auden: A selection by the author The English Auden: Poems, Essays, And Dramatic Writings, 1927-1939 www.fantasticfiction.co.uk /authors/W_H_Auden.htm   (357 words)

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