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| | B.co Junko Wada & Installation artists Review |
 | | And Wada, a Japanese-born modern dancer, possesses the certain flexibility of one who has grown up with a mat culture, where living on tatami has accustomed the legs and torsos to a flexibility achieved in the West usually by conscious exercise. |
 | | Perhaps Wada herself, who is tall and almost anorexic with a frame tall for most Japanese, hands, fingers and feet whose dexterity, sensitivity and flexibility seemed independent of her legs and torso, which were themselves eloquent messengers of the two portraits she so assiduously constructed. |
 | | With her costumes, a spotted floor length silk of browns, in almost even stripes and blobs, accented by an undergarment of turquoise for Soba Fields, and a thick, textured deep royal blue with orange at the neck for Chidori III, the audience was confronted with a singularly eloquent instrument. |
| www.ballet.co.uk /magazines/yr_01/oct01/rr_rev_junko_wada_0901.htm (880 words) |
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