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| | Glory Days |
 | | If WMMR had a legendary run as a broadcast outlet in the '70s, it became an even bigger legend as an economic and commercial success in the '80s. |
 | | WMMR was downsizing, cutting corners, and, as Tearson puts it, his contract happened to come up at the wrong time. |
 | | WMMR kept DJs, like Pierre Robert and Earl Bailey, but added younger jocks like "rude, lewd and tattooed" Donielle Flynn, whose trailer park patter is often bleeped of expletives. |
| www.citypaper.net /articles/112698/coverstory.shtml (6923 words) |
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