| |
| | Title |
 | | Watt’s long term relevance and popularity is founded at least partly on his clarification of two key assumptions within literary criticism; firstly, that the novel correlated to the development of the modern age, and secondly, that the primary agent in instigating that change was the middle class. |
 | | Watt himself was quick to point out that contemporary usage of the word ‘novel’, and the concepts surrounding it, are relatively new inventions, “not fully established until the end of the eighteenth century” (p.10). |
 | | Many of the literary critical successors to Ian Watt, including names such as Michael McKeaon, Nancy Armstrong, Paul Hunter, John Richetti and Madeleine Khan, continue to utilise an aesthetic concept of the novel which excludes Behn (Todd, 2000, 419). |
| www.strath.ac.uk /ecloga/Ware.htm (933 words) |
|