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| | The New Yorker : critics : television |
 | | “Weeds,” a new Showtime comedy series in which a suburban widow takes up the not very noble profession of pot-dealing after her husband drops dead, can’t be called courageous, since the premium-cable networks have little to lose when they venture into controversial territory, but it is nonetheless daring. |
 | | Luckily, “Weeds,” which was created by Jenji Kohan, who also wrote almost half the episodes (her first name sounds almost like a slang term for marijuana), is better than its theme song. |
 | | “Weeds” has something of the comic tone of “Arrested Development” when it comes to its attitude toward what makes this country hum (though that show, which is more freewheeling, actually takes a harder line on its subject, presenting the American dream as bankrupt), but it also works as a drama. |
| www.newyorker.com /critics/television/?050905crte_television (974 words) |
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