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| | Doppelganger magazine ::: it's hard to tell where one ends and the other begins |
 | | Weegee’s photos may be documents, they may document New York, or the urban, or the abject, or the underclass, or the night life, or the social contradictions, but they do this as something he has taken away. |
 | | But this shift is ambiguous in Weegee’s work, for it happens in two ways: one, his furtive rearrangement of bodies or casting of actors for his pictures (which leads to film noir), and the other, his sometimes interesting, sometimes disastrous experiments with the distorted image. |
 | | The relationship between Weegee’s photos and film noir seems to be self-evident: both focus on the city, on the night, on the criminal and underclass, on sexual relations, and are in fl-and-white. |
| www.doppelgangermagazine.com /clint_burnham.html (1295 words) |
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