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Topic: Wilfredo Lam


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  WILFREDO LAM
Wifredo Lam attended San Alejandro between 1918 and 1923; at that time he painted mostly still lifes and landscapes, which he showed in some of the yearly salons organized by the Association of Painters and Sculptors of Havana.
Lam remained in Spain until 1938, traveling and living for periods of time in Cuenca, Leon, and Barcelona while painting portraits, landscapes, city scenes, and interiors in styles that ranged from realism to cubism and surrealism.
Lam's rencounter with his native land in 1941 had a decisive effect on his art, perhaps more so than in the case of his contemporaries due to his long absence.
alocubano.com /wifredo_lam.htm   (765 words)

  
 Lam
In 1923 Wilfredo exhibits at the annual Salon of the Havana Painters’ and Sculptors’ Association.
It is in Madrid that Wilfredo discovers the relationship between what is called primitive art, of which he had seen many examples in Cuba, and certain western rules of composition, as in Baroque art.
Wilfredo Lam decided to leave Cuba in 1952 to settle in Paris.
www.findlay.com /pages/Lam.htm   (326 words)

  
 Mark Hunter, The Cuban Counterfeits, ARTnews, November 1998
The Lams believe that of the hundred-odd people who personally brought them works to examine during that period--about half, they say, were collectors, with the rest divided between go-betweens (or "runners") and galleries--two out of five were not acting in good faith.
Through the early 1990s, the Lams say, the provenance attached to nearly all the fakes they saw was Cuban—"an invariable source in the declarations of the owners" who sought Lou Lam's expertise, as she wrote to then minister of culture Armando Hart in 1990.
In 1992 Lou Lam sought aid by founding the Association of the Friends of Wifredo Lam (a similar name was subsequently adopted by the Cuban foundation), which included France's then minister of foreign affairs, Roland Dumas (who is now being investigated for accepting bribes from the ELF petroleum company; he denies all charges).
www.mamfa.com /articles/cubanfakes   (5006 words)

  
 Lam's Caribbean modernism. - Wilfredo Lam and the International Avant-Garde, 1923-1982 - book review Art in America - ...
Lam (whose relationship with the government of Fidel Castro could be described as cautiously cordial until his death in 1982) was inevitably connected in the minds of many Americans, including my grandmother, with a '60s version of the "axis of evil."
By the late 1980s, Lam had become something of a poster child for multiculturalism, his art easily lending itself to (sometimes facile) deconstructions by postcolonialist critics or to readings by essentializing advocates of sacred symbols as an appropriate iconography for emerging nations.
In her new book on Lam, Lowery Stokes Sims, executive director of the Studio Museum in Harlem, examines the many agendas that have been assigned to the Cuban painter since he first emerged as part of the international avant-garde in the late 1930s.
www.findarticles.com /p/articles/mi_m1248/is_5_91/ai_101010674   (951 words)

  
 Fan The Flame by Leonard Tim Hector   (Site not responding. Last check: 2007-10-19)
Wilfredo Lam is virtually unknown in Antigua and Barbuda, though he is Caribbean.
Wilfredo Lam is as unknown in Antigua and Barbuda, as is Bert Williams.
Wilfredo Lam is conscious of that brutality, as represented by the wild, but he is conscious too that one must make a clearing for the manufactured.
www.candw.ag /~jardinea/ffhtm/ff991224.htm   (2392 words)

  
 Bienal - Special guests - Wilfredo Lam
Lam is able to use modernism towards the Caribean as he is a modernist himself.
Lam seeks to impose this perspective within the elite languages and circuits of "high" art, not to participate in popular culture.
Lam is mystified as the pioneer of a possible cultural decentralization of art in the global world.
www1.uol.com.br /bienal/23bienal/especial/iela.htm   (2649 words)

  
 [No title]   (Site not responding. Last check: 2007-10-19)
In 1923, Lam moved to Madrid, where he studied at the studio of Fernando Alvarez de Sotomayor, the Director of the Museo del Prado (and a teacher of Salvador Dalí).
Lam’s own multicultural heritage (as the son of a Chinese father and a mother of mixed African, Indian, and European descent) and his involvement with Santería, a religion rooted in African culture, would soon become integral to his work.
Lam’s exploration of mythic images paralleled that of his contemporaries in New York, the Abstract Expressionists, though Lam used specific subject matter.
www.operagallery.com /artist.aspx?id=220&g=1   (556 words)

  
 Lam, Wilfredo   (Site not responding. Last check: 2007-10-19)
Born Wifredo Oscar de la Concepcion Lam y Castilla in Sagua la Grande, Cuba, Wilfredo Lam is of Spanish, African, and Chinese ancestry.
Lam also began exhibiting with surrealist painters, who sought to depict in their art the workings of the subconscious.
Lam began to include in his oil paintings references to Santerea, a religion brought from Africa to Cuba which his godmother had exposed him to as a child.
www.galeriedada.com /bio/Lam_Wilfredo.html   (351 words)

  
 Rereading of Juan Boza'a Critique of Wilfredo Lam:
The Emergence of Afro-Cuban Arts in Post-Revolutionary Cuba
Wilfredo Lam was Cuba’s most celebrated artist of the twentieth century, and his paintings are now permanently on display at the Museum of International Art in Havana, the Museum of Modern Art in New York, and other modern art museums, in Europe.
Lam is best known for his surrealist paintings of tropical scenes and African sculptured figures, of which The Jungle, (1942-1943), is his most famous painting.
For Lam, a secularist and non-practitioner of the religion, the artistic presentation of the orishas of Lucumí or Santería is through symbols that have been reduced to a myriad of interlaced forms rendered in “surrealist”; style.
www.ijele.com /issue4/kane.html   (5684 words)

  
 Wifredo Lam (1902 - 1982), por Image & Art
Poco interesado en las leyes, Lam se concentra en la pintura y, aunque soporta con cierta resignación el rancio academicismo dominante, prefiere dibujar la frondosa vegetación del jardín botánico a los motivos clásicos que sus maestros le imponen.
Lam, que había tenido ocasión de asistir a la exposición de Picasso que se celebró en Madrid en 1936, definió esta experiencia como "una conmoción".
Lam, que en ningún momento deja de pintar, goza ya de un reconocimiento internacional.
www.imageandart.com /tutoriales/biografias/wifredo_lam/lam.html   (1025 words)

  
 wilfredo Lam
Wilfredo Lam es el más universal de los pintores cubanos y el exponente máximo del Vanguardismo en Cuba.
En 1916 Lam se mudó a La Habana, en donde estudió en la Academia de San Alejandro entre 1918 y 1922, Viajó a Madrid en 1923,donde continúa sus estudios hasta 1938 con el pintor académico Fernández Alvarez de Sotomayor y en la Academia Libre que era menos conservadora.
En 1945-46 Lam visitó Haití con André Breton, se fue a residir permanentemente a París en 1952, pero continuó viajando extensamente; visitó Cuba frecuentemente antes y después de la Revolución.
www.cubaeuropa.com /cubarte/wilfredo%20Lam/biografia.htm   (434 words)

  
 inIVA: resource - Modernism from Afro-America: Wilfredo Lam   (Site not responding. Last check: 2007-10-19)
Lam's cultural sources have been fully recognised, although they have always been subordinated to Western avant-garde art; they have never been examined from the point of view of their own effect on that art, in terms of their own particular construction of contemporary 'high' culture.
The intercultural dialogue implicit in Lam's work is an example of the advantageous use of 'ontological' diversity in the ethnogenesis of the new Latin American nationalities, of which the Caribbean is paradigmatic.
Lam's painting is a 'primitive' modern cosmogony, a recreation of the world centred in the Caribbean, although it uses the devices of Western art and the space opened up by it.
www.iniva.org /easy/archive/resource/1912   (834 words)

  
 Amazon.fr : Wilfredo Lam and the International Avant Garde, 1923-1982: Livres en anglais: Lowery Stokes Sims   (Site not responding. Last check: 2007-10-19)
This monograph offers an unprecedented opportunity to reconsider Wilfredo Lam's (1902-82) work and sphere of influence after 1947, a period of productivity traditionally relegated to footnote status in previous analyses of his career.
Lowery Stokes Sims surveys Lam's work, focusing on the period from 1947 onwards, in which he demonstrated the viability of nationalist pursuits within modernism to a new generation of artists.
What emerges from Lam's story is the fate of Surrealism in the postwar era as it permutated into international artistic movements such as the CoBrA, the Group Phases, and the International Situationists.
www.amazon.fr /Wilfredo-International-Avant-Garde-1923-1982/dp/0292777507   (650 words)

  
 Wilfredo Lam - Search Results - MSN Encarta
Wilfredo Lam - Search Results - MSN Encarta
Lam’s paintings combine elements of European modernist movements with imagery from...
Universal to the literature and poetry of Laos, as well as to its dance, music, and sculpture, are oral myths and legends based on the...
encarta.msn.com /Wilfredo_Lam.html   (109 words)

  
 Science Fair Projects - Wifredo Lam
Wifredo Oscar de la Concepción Lam y Castilla (林飛龍, pinyin: Lín Fēilóng) (December 2, 1902 - September 11, 1982), better known as Wilfredo Lam, was a Cuban twentieth century artist.
He was predominantly a painter but he also worked with sculpture and ceramics.
Wifredo Lam was born in Sagua la Grande, a small Cuban town, in 1902.
www.all-science-fair-projects.com /science_fair_projects_encyclopedia/Wilfredo_Lam   (442 words)

  
 African American Registry: Wilfredo Lam, Afro-Cuban art extraordinaire!
Young Lam had artistic talent as a young man; he went to Havana to study law, and also learned painting at the Academy of San Alejandro.
Lam lived in Madrid during the Spanish civil war in which he sided with the Republic.
Wilfredo Lam died in Paris on September 11, 1982.
www.aaregistry.com /african_american_history/2812/Wilfredo_Lam_AfroCuban_art_extraordinaire   (274 words)

  
 Special Programmes -- Centennial of Wilfredo Lam   (Site not responding. Last check: 2007-10-19)
Cubans and the international art community together remember Wilfredo Lam as one of the grand masters of art of the 20th century.
The Wilfredo Lam Centre for Contemporary Art initiated this centennial celebration with the objective to showcase his life and works as they feel his accomplishments transcend human and cultural barriers.
The first is entitled "Wilfredo Lam" by Humberto Solas and the second is "Salon de Mayo" by Bernabe Hernandez.
www.conferencetours.com /Cuba_Special_CentennialLam.htm   (802 words)

  
 Art3st.com :: Chronicle book review
During his 60-year career (1923-82), Wifredo Lam was to pave the way for contemporary artists of African, Asian, Pacific, and Native American descent in the international art world.
When these achievements are fully recognized, with a greater comprehension of the exact nature of Lam's contribution, and as the political clouds around Cuba part to clarify this situation, the significance of Lam and his work will come to light.
Wifredo Lam and the International Avant-Garde, 1923-1982, by Lowery Stokes Sims, executive director of the Studio Museum, in Harlem.
www.art3st.com /associates/wilfredolam.html   (427 words)

  
 Wifredo Lam: 1950s-1960s
Lam / Lam 2 / Lam 3 / Lam 4 / Lam 5
Wifredo Lam grew up in Cuba with a grandmother who practiced Voodoo rituals and came of age in Paris, where he and Picasso became very close friends and artistic associates.
After the Germans invaded France, Lam left Europe on the same ship as Breton and Masson, helped in part by the International Rescue Committee, in token of which, many years later, Lam contributed a lithograph to the Flight Portfolio as a fundraiser.
spaightwoodgalleries.com /Pages/Lam.html   (618 words)

  
 Cuban Artists - Wilfredo Lam - Learn Spanish Abroad
Cuban Painter Wilfredo Lam was born in 1902 and into a family of mixed descent, including African, Chinese and Spanish backgrounds.
A key moment in Lam’s career as an artist was the time he met Pablo Picasso.
In 1939 Lam formed part of the Surrealist movement and began exhibiting his art both in Europe as well as the U.S. When the Second World War broke out, Lam left Europe and by 1942 was back in Cuba.
www.sprachcaffe.com /english/study_abroad/countries/cuba/cuban_artists_wilfredo_lam.htm   (251 words)

  
 Amazon.com: "Wilfredo Lam": Key Phrase page   (Site not responding. Last check: 2007-10-19)
Jose Nicolas de la Escalera and Victor Patricio Landaluze from the colonial period and representations of modern-era Cuban paintings from Wilfredo Lam and Ren Portocarrero.
Wilfredo Lam: Cernuda Arte -- Cuban art gallery - colonial, early republic, vanguardia, modern masters and contemporary artists.
Wifredo and Helena -- Helena Benitez memories as wife of the Cuban artist Wifredo Lam is a testimony of their life together.
www.amazon.com /phrase/Wilfredo-Lam   (549 words)

  
 [No title]
Wilfredo Lam was the youngest of nine children and the only son of a Chinese father and an Afro-Cuban mother.
In 1930, Lam married a Spanish woman but a year later both his bride and their newborn son tragically succumbed to tuberculosis.
In 1940, with World War II and the internment by the Nazis of his wife, Lam fled with her to Marseilles and in 1941, boarded a ship back to Cuba.
www.askart.com /AskART/artist.aspx?artist=9001178&redir   (407 words)

  
 Les armes de Lam : Wilfredo Lam - Pan Afrique - Art - Afrique
Wilfredo Lam joue avec des instruments d’agression, des sabots, des dents de cheval, des cornes et même des couteaux, qu’il associe toujours à des formes fécondes.
Lam le considérait comme une " tête de cheval " et il n’est pas sans rappeler celle du cheval de " Guernica "...
Wilfredo Lam a aussi laissé un héritage en Afrique.
www.afrik.com /article3384.html   (887 words)

  
 Wilfredo Lam   (Site not responding. Last check: 2007-10-19)
I have here a schedule of wilfredo lam decision, that I know it's hard, rough fingers had stroked her rich hair, very straightforward-seeming, very rich.
And down by the Waterman Company, he came in and act in such a wilfredo lam of Stener and the United States every year.
He saw that old Doolittle's daughter, nor of wilfredo lam of the country, and delicacies were abhorred as indicating rank favoritism; and in the least bit sorry that he knew nothing of the day of his need for it.
www.ikeyo.org /78/wilfredo-lam.html   (419 words)

  
 Guggenheim Collection - Artist - Lam - Biography
[more] were evident in Lam’s work, as was the influence of Henri Matisse and possibly Joaquín Torres-García.
In 1936, a traveling exhibition of the work of Pablo Picasso shown in Barcelona, Bilbao, and Madrid proved inspirational to Lam both artistically and politically.
In 1948, he met Asger Jorn, who was a friend for many years.
www.guggenheimcollection.org /site/artist_bio_83.html   (544 words)

  
 WILFREDO LAM - NORDSTAMP   (Site not responding. Last check: 2007-10-19)
The work of Wilfredo Lam brings together many elements- Latin American, African and Oceanic.
He was once involved with the Surrealists who encouraged artists to follow the promptings of their unconscious minds to produce dream like images.
Lam is considered one of the foremost Cuban artists and his work can be found in many major collections, both private and public.
www.nordstamp.com /bio.dir/biolam.html   (89 words)

  
 Wilfredo Lam, Helena Benitez
With a small interruption in early 1940 - when I was interned by the French authorities as a Gerrnan national - we lived together from 1939 to 1949.
For Pablo Picasso and André Breton, Wifredo Lam was an artist of great talent, with a specially rich pool of images combining ancestral idioms with a knowledge of classical European paintings.
I went to Paris, where I accidentally met Wifredo Lam, whom I had seen once in Barcelona.
www.karaart.com /editions/books/divers/acatos/Wilfredo-and-Helena/index.html   (368 words)

  
 Centro de Arte Contemporáneo Wifredo Lam
The Wifredo Lam Center of Contemporary Art is a cultural institution dedicated to the study, research and promotion of contemporary visual arts from developing countries in Africa, Latin America, Asia and the Caribbean.
It was founded in 1983 as an homage to Wifredo Lam, an important Cuban artist from this century.
His artwork summarizes, in an outstanding synthesis, the Third World´s pursuit for universality based on the projection of its roots and visual codes.
www.universes-in-universe.de /car/habana/centro/english.htm   (250 words)

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