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| | Willem de Kooning - AMAM |
 | | In depicting one figure frontally and the other from the rear, the Oberlin work is "anatomically" closer to the large, initial drawing of two women of 1950 than most of the other standing woman images of 1952, in which both figures are frontal or are given ambiguous cues of orientation. |
 | | Born in Rotterdam in 1902, Willem de Kooning studied at the city's Academie van Beelende Kunsten from 1916 to 1924, while working for a commercial art firm. |
 | | For the interdependency of de Kooning's drawing and painting during the early 1950s in particular, see, for example, Thomas B. Hess, Willem de Kooning: Drawings (Greenwich, Conn., 1972), pp. |
| www.oberlin.edu /allenart/collection/dekooning_willem.html (1227 words) |
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