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| | Willem De Kooning: Tracing the Figure - a Review by Donald Goddard - New York Art World |
 | | They exist in a place that doesn't exist except for the picture, a "no-environment," as de Kooning might call it later, but in fact there are always references to elements of a real and specific space that is different from the figure, though it is impossible to detach them one from another. |
 | | De Kooning was, in a sense, rescuing the force and freedom of modern painting, partly from the presumed certainties of Mondrian and Constructivism and partly from the depredations of authoritarian government and world war. |
 | | De Kooning, on the other hand, confronts an absolutely incongruous world in which wholeness resides, and this itself is uncertain, only in the vision of the artist. |
| www.newyorkartworld.com /reviews/dekooning.html (1258 words) |
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