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| | CONTEXT: Linda Wagner-Martin, Reading William Carlos Williams |
 | | William Carlos Williams might have been surprised to find CONTEXT reprinting sections of his 1923 prose-poem and poem collage, "Spring and All." Then again, writing for all of us truly common readers, the pure products of public and state schools as has never before been true in Western history, perhaps he would have simply nodded. |
 | | Most of the poems by William Carlos Williams that are anthologized today, most of the poems that people know, come from the first decade of Williams's writing--the years when he was not only unknown but, if known at all, considered some kind of wild man of American poetry. |
 | | Williams, in contrast, wants anarchy: he creates the chaotic by misnumbering sections of his poem, inverting chapter markers, and juxtaposing the formal poems with the usually raucous prose, prose intentionally reasonless--exuberant, meandering, yet cohesive with the force of the writer's unfettered imagination. |
| www.centerforbookculture.org /context/no11/Wagner-Martin.html (2064 words) |
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