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| | William Michael Harnett - AMAM |
 | | The humble wood panel that forms the background is as carefully, and as illusionistically, painted as the actual "subject" of the composition; splits and holes in the wood are realistically feathered with splinters, and the green paint is mottled with wear. |
 | | Harnett frequently reused compositional elements in his paintings; similar, if not identical, meerschaum pipes appear in several other works from the period, most often in combination with newspapers, books, tankards, tobacco, and other attributes of the masculine world. |
 | | Harnett occasionally produced other, nearly identical variants of his own compositions; compare, for example, the Toledo Blade (Toledo Museum of Art) and the Philadelphia Times (The New Britain Museum of American Art), both signed and dated 1886. |
| www.oberlin.edu /allenart/collection/harnett_william.html (867 words) |
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