| | William Wallace: Scottish composer 1860-1940 (Site not responding. Last check: ) |
 | | Wallace's score is intensely romantic in idiom, combining both the purity and sensual imagery of Dante's vision, in which the angels are likened to bees bearing the honey (symbolic of Christ) from a white rose made up of the souls of the blessed. |
 | | Wallace's skilful development of his thematic material, and the tautness of the weave of its evolution (not to mention the vividness of the orchestral colours, singly and in combination), would merit pages of analysis. |
 | | Wallace wrote that the end of the movement represents the advent of light and it is likely that its appearance at bar 271 is deliberate, for 271 is the reversal of 172, the number for 'chaos' and the inherent darkness which light reverses. |
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