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Topic: William Wallace Denslow

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	william wallace, , , 3illiam 3allace (Site not responding. Last check: 2007-07-12)
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	W. W. Denslow (Site not responding. Last check: 2007-07-12)
		William Wallace Denslow (May 5, 1856 - March 29, 1915) was an illustrator best known for his work with L.
		Born in Philadelphia, by the 1890s he was based in Chicago, where he met Baum.
		After Denslow quarreled with Baum over royalty shares from the 1902 stage adaptation of The Wizard of Oz, for which Baum wrote the script and Denslow designed the sets and costumes, Baum determined not to work with him again.
	bopedia.com /en/wikipedia/w/w_/w__w__denslow.html (135 words)

	William Wallace Denslow - Wikipedia, the free encyclopedia
		William Wallace Denslow (May 5, 1856–March 29, 1915) was an illustrator and caricaturist remembered for his work in collaboration with author L.
		Denslow was an editorial cartoonist with a strong interest in politics, which has fueled political interpretations of The Wonderful Wizard of Oz.
		The royalties from the print and stage versions of The Wizard of Oz were sufficient to allow Denslow to purchase an island off the coast of Bermuda, and crown himself King Denslow I.
	en.wikipedia.org /wiki/W.W._Denslow (400 words)

	USM de Grummond Collection - W. W. DENSLOW PAPERS (Site not responding. Last check: 2007-07-12)
		After a brief stint in Colorado, Denslow moved to San Francisco where his style was influenced by the Japanese Tokumgawa (or Floating World) print, which was then an international fad.
		In 1899 Denslow and Baum collaborated on their first book, which was an instant success.
		Denslow is credited with being the first American to create picture books in the aesthetic tradition of English illustrators Walter Crane, Kate Greenaway and Randolph Caldecott, and the first to combine color with a sense of design.
	www.lib.usm.edu /~degrum/html/research/findaids/denslow.htm (785 words)

	DENSLOW Mechanical MOTHER GOOSE Window Display Toy, 1901 (Site not responding. Last check: 2007-07-12)
		An interior spring mechanism is wound with a key (present), and produces a bobbing motion of the goose’s neck, as well as an opening and closing of her beak accompanied by a clucking (or at least clicking) sound.
		In nearly 50 years of collecting and selling Baum and Denslow material, we have never seen or heard of another example of this display and believe this mechanical "Mother Goose" to be unique.
		Greene/Hearn 24 records the publication of Denslow's book, but makes no mention of any special window display during the same time period that Frank Baum was re-issuing his own "Mother Goose In Prose".
	www.antiqnet.com /detail,denslow-mechanical-mother,592702.html (503 words)

	art_life_denslow_blacher
		Among an immensely talented staff of designers, two men stand out, William Wallace Denslow and Dard Hunter; each went on to gain world recognition, independent of the Roycroft.
		William Wallace Denslow -- His remarkable talent, coupled with a bizarre lifestyle and sense of humor, makes him my favorite of the Roycroft artists.
		Denslow's watercolor illustrations in a few copies of Art and Life convinced Hubbard to offer him a permanent position with the Roycroft.
	www.roycroftbooks.org /art_life_denslow_blacher.htm (208 words)

	Baum's Early Career
		Denslow enrolls in the Free Night Schools at the Cooper Institute for the Advancement of Science and Art, New York City.
		Denslow draws a laurel-wreathed skull on a book, Omar Khayyam, with the lettering "What's the use?." The illustration becomes a best-selling postcard for 30 years and is pirated by a variety of printers.
		Denslow's illustrations are so successful that they continue, with very few exceptions, for two years.
	www.ozclub.org /reference/oztl1800.htm (6068 words)

	"TO PLEASE A CHILD" L. Frank Baum and the Land of Oz - The Wizard of Oz (Library of Congress Exhibition)
		Because Baum and Denslow each thought that his own contribution was the main reason for the success of the book, their relationship deteriorated.
		Denslow's original artwork consists of fl-and-white line drawings, but the illustrations were printed in color.
		Because their publisher was concerned about the expense of producing the book, Baum and Denslow paid the cost of including the full-color plates.
	www.loc.gov /exhibits/oz/ozsect1.html (1424 words)

	Wizard of Oz - Frequently Asked Questions - The Other Royal Historians and Illustrators of Oz
		William Wallace Denslow was born in Philadelphia on May 5, 1856.
		In 1904, Denslow's Scarecrow and the Tin-Man was the latest addition to the Denslow collection of picture books, and details an incident where the pair escaped from the theater where they were performing to go out on the town.
		William F. Lee, one of the partners in Reilly and Lee, was looking for someone to continue the Oz series after Baum's death.
	www.eskimo.com /~tiktok/faq07.html (3834 words)

	[No title]
		It is the user's responsibility to verify copyright ownership and to obtain all necessary permissions prior to the reproduction, publication, or other use of any portion of these materials.
		W.W. Denslow was born May 5, 1856, In Philadelphia, PA, and died March 29, 1915.
		Denslow was an illustrator of books and magazines and a designer of costumes and scenery.
	special.lib.umn.edu /findaid/xml/CLRC-363.xml (436 words)

	Barnacle Press
		This Sunday strip was created in 1901 by William Wallace Denslow, fondly remembered for his work as the illustrator of L. Frank Baum's classics Father Goose, His Book and The Wonderful Wizard of Oz.
		So far we have but two examples to share for Denslow; we'll be sure to post more as we find them.
		Denslow only stayed on for a year, passing the torch to Charles William Kahles.
	www.barnaclepress.com /archives/2006/08/new_strip_billy_1.html (202 words)

	Back to Oz (Site not responding. Last check: 2007-07-12)
		Baum scores the best-selling picture book of 1900 when he pairs with artist W.W. Denslow on a verse collection titled "Father Goose: His Book." Their next collaboration, "The Wonderful Wizard of Oz," is the hit of the 1900 Christmas season.
		A gruff artist with a walrus mustache, a corncob pipe and a foghorn voice, Denslow illustrates the first and most famous Oz book in a fresh, cartoonish style that pleases everyone except Baum's wife, Maud.
		Denslow uses his Oz royalties to buy an island off Bermuda and crowns himself King Denslow I of Denslow Island.
	seattlepi.nwsource.com /lifestyle/oz.shtml (1829 words)

	Utopian Tension in L. Frank Baum's Oz
		Baum and his illustrator William Wallace Denslow were also aware of and probably influenced by the design values of William Morris as filtered through the indigenous Arts & Crafts movement flourishing in New York in the late 19th century (see Cumming and Kaplin).
		Denslow hand-illuminated books at Elbert Hubbard's Roycroft Press in East Aurora, New York, where Hubbard established "his own version of William Morris' Arts and Crafts Movement of Great Britain" (Hearn 1973, 22).
		Leach, William R., "The Clown from Syracuse: The Life and Times of L. Frank Baum," and "A Trickster's Tale: L. Frank Baum's The Wonderful Wizard of Oz." In The Wonderful Wizard of Oz.
	www.halcyon.com /piglet/books8-Karp.htm (6536 words)

	master (Site not responding. Last check: 2007-07-12)
		Wallace Denslow (1856-1915) began art school as a teenager but had to drop out when family resources dwindled.
		He was resourceful and found work painting ads on barns, illustrating atlases and drawing pictures of local landmarks.
		Between 1910 and his death five years later he fell out of popularity and ended his life in relative obscurity.
	www.childscapes.com /biographies/denslowbio.html (119 words)

	KENSICO Cemetery
		To the southwest of Arno's marker, 200 yards to the left of Pocantico Avenue, is the memorial to another talented illustrator, William Wallace Denslow.
		This flat, granite memorial cannot be seen from a car.
		In pictures as well as in words, Denslow's headstone defines his fame as the original illustrator of The Wonderful Wizard of Oz.
	www.kensico.org /historic-scenic-tour-25.asp (56 words)

	William Wallace Books, Book Price Comparison at 130 bookstores
		Originally published in 1909, this biography by Isabel Wallace recounts the life of her adoptive father, the little-recognized William Hervy Lamme Wal...
		On the Trail of William Wallace (On the Trail of)
		Spanning seven centuries of Scottish history, On the Trail of William Wallace gives a refreshing insight into the life and heritage of the great Scots...
	www.bookfinder4u.com /search/William_Wallace.html (734 words)

	William Wallace Denslow Botanical Manuscripts Collection, 1864-1868 Finding Aid (Site not responding. Last check: 2007-07-12)
		A druggist who became interested in botany as a means of outdoor exercise to combat tuberculosis and collected a herbarium of 11,000-15,000 U.S. and European species.
		Collection consists of a single volume of manuscripts, chiefly letters, collected from significant botanists and other individuals, including William Henry Brewer, Mordecai Cubitt Cooke, Asa Gray, Isaac Hollister Hall, Thomas P. James, Horace Mann, Edward Sylvester Morse, Charles Horton Peck, George Edward Post, Frederick Ward Putnam, George Thurber, and John Torrey.
		They were collected by William Wallace Denslow (1826-1868), a druggist who became interested in botany as a means of outdoor exercise to combat tuberculosis.
	asteria.fivecolleges.edu /findaids/umass/mu126.html (274 words)

	Wizard of Oz History @ Oz Central
		Together with artist William Wallace Denslow he produced Father Goose: His Book [6] in 1899 and in so doing created a publishing sensation which sold nearly 60,000 copies.
		Father Goose was soon to be forgotten, however, with the release of Baum and Denslow's next work.
		Written in 1899 and published in 1900, The Wonderful Wizard of Oz [7] was a huge success with the public and critics alike.
	www.oz-central.com /history.html (1213 words)

	hulapages.com - Images of Hawaii on Sheet Music
		The theory is that several artists were employed by the studio over the years, as the design styles changed dramatically.
		According to Denslow biographer Michael Patrick Hearn, he designed postcards for the 45th Street art agency.
		Maurice Kursh, a co-worker at the studio who was the same age as Denslow, befriended the reclusive artist.
	www.hulapages.com /rose.htm (305 words)

	The Session: Shop - Product info
		The book is oversized containing the original illustrations by the gifted artist/illustrator William Wallace Denslow.
		Finally, if you are interested in the cultural and literary significance of "The Wizard of Oz," once agin, "The Annotated Wizard of Oz" by Michael Patrick Hearn is definitely the book for you.
		Beautifully illustrated, including W.W. Denslow's original color plates and the exact text of the 1900 Baum "Wonderful Wizard of Oz" book, this is a tremendous hundredth anniversary tribute to Baum and to all the characters from the world of Oz.
	www.thesession.org /shop/display/0393049922 (585 words)

	Archives / Special Collections - Primary Sources - Sciences, Engineering, and Mathematics Research Guide - UMass ...
		William Smith Clark Papers, 1814-2003 (bulk 1844-1886, 1956-1976)
		College, William Smith Clark (1826-1886) and Henry Hill Goodell (1839-1905).
		Also contains handwritten drafts of addresses and articles, his dissertation, printed versions of published writings, handwritten lecture notes, class records, proposed college curricula, notes taken by students, handwritten research notes, newspapers clippings, offprints, and biographical materials.
	www.library.umass.edu /subject/sem/archives.html (652 words)

	Books of Oz (Site not responding. Last check: 2007-07-12)
		This is a compilation of the six titles comprising "Denslow's Picture Books for Children".
		Since both Baum & Denslow shared the copyright of the Wonderful Wizard of Oz, Denslow believed that he had the right to produce books based on the illustrations without Baum's permission.
		His story about the Scarecrow and Tin-Man does not take place in Oz, but is the history of the musical comedy characters on leave from the Majestic Theatre.
	ozproject.egtech.net /book.php?book_ID=788 (141 words)

	Amazon.ca: Annotated Wizard Of Oz: Books: Frank Baum,W Denslow,Martin Gardner (Site not responding. Last check: 2007-07-12)
		This volume reproduces Denslow's color drawings from the first edition (1900) and includes previously unpublished illustrations.
		Of comparable weight to the annotations are the extensive biographical sketches of Baum and Denslow, which elucidate the era in which the book was conceived.
		The annotations can wander at times, perhaps unavoidably, into tenuous speculation or somewhat irrelevant asides, yet the book is invaluable in pointing out discrepancies that generations of children have wondered about (why the Munchkins live in the east of in some of the Oz books, at other times in the west).
	www.amazon.ca /Annotated-Wizard-Oz-Frank-Baum/dp/0393049922 (1755 words)

	ReadingGroupGuides.com - The Wonderful Wizard of Oz by L. Frank Baum
		Are there aspects of the story, characters, style, or setting that decrease the accessibility or appeal of the book for a modern audience?
		William Wallace Denslow's illustrations have been an essential part of this book since its first publication.
		In some cases, these illustrations anticipate the action in the text.
	www.readinggroupguides.com /guides3/wonderful_wizard_of_oz1.asp (715 words)

	Newberry Library: Smith Center Publications: Other Titles
		In this original drawing; Baum reversed east and west, going an extra step in creating this fictional land.
		In subsequent editions of the story, a different map was used, drawn by William Wallace Denslow.
		The map discussed for these purposes is called “The Marvelous World of OZ,” interpreted from Baum’s map, taken from An Atlas of Fantasy by Jeremiah B. Post.
	www.newberry.org /smith/k-12plans/oz/oz_notes.html (548 words)

	[No title]
		In 1980 the varied manuscript materials pertaining to L. Frank Baum, Russell MacFall and William Denslow in the Rare Book Division were transferred to the Manuscript Division, there to be combined with other Baum materials.
		Graduate students Dorothy Terino and Martha Maier found their semester Oz project turning into a year of work, culminating in an exhibit and the following inventory.
		Drawings of and by Denslow, sketches of Montgomery and Stone
	library.syr.edu /digital/guides/xml/baum_lf.xml (690 words)

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