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 | | Visits to the Apollo Theatre are normally a treat but The Nativity, with its quirky treatment of the Christmas story, moved me to the point of having to resist joining in with the actors’ chorus of “No, no, no”, which was provoked by Abraham’s move to slay son Isaac. |
 | | Laced with moments including Wilson, Keppel and Betty-lookalike Kings with their gold, frankincense and myrrh gifts and a Monty Pythonesque second-half scene involving the three shepherds and a madman, it just did not hit the spot and I was never quite sure whether Farr intended this to be controversial and thought-provoking. |
 | | If that is the case, it comes as a relief to know that the rushing sound in my ears could have been the sound of a masterpiece whizzing over my head. |
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