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| | Der Himmel Über Berlin |
 | | On one level, Wings of Desire's plot outline could be seen as the purest Hollywood-style claptrap: an angel falls in love with a mortal woman—a trapeze artist, no less!—and trades in his wings to be with her. |
 | | Indeed, the film now serves as a document of those last years before the Wall came down, when Potsdamer Platz was still a no-man's-land of the most forlorn bleakness, yet graffiti on the Western side of the Wall was making political/aesthetic statements of protest and renewal. |
 | | A number of critics have argued that the film falls into a very traditional male—or male filmmaker's—perspective, regardless of whether Marion is a woman, Woman in the abstract, or "earthly delights"; put most simply, the angels and Wenders' camera are voyeurs, most obviously when Damiel watches Marion undress in her room. |
| www.filmreference.com /Films-Hi-Ik/Der-Himmel-ber-Berlin.html (1317 words) |
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