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| | Thirteen |
 | | For while the film implies that teen-age girldom, at least as lived in the fallow, prefab suburbs of Los Angeles, is a ghastly and ever-gathering storm of unbridled impulse and squandered gifts, the publicity campaign is almost rapturously reverent of the "true" perspective conferred by Nikki Reed's hard-won wisdom. |
 | | It offers one stunning performance, from an actress who clearly believes in the film (Hunter is credited as an executive producer) but who nonetheless labors at every minute to either focus the movie at its moments of near-dispersal or deepen the movie in its stretches of pure cliché. |
 | | Often, when Tracy (Evan Rachel Wood) and Evie (Reed), our petulant protagonists, slam a door in the face of Tracy's mother, Melanie (Holly Hunter), the film sweeps us through the keyhole, as it were, and shows us what goes on when young, burgeoning hellions are left by themselves. |
| www.nicksflickpicks.com /thirteen.html (1314 words) |
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