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| | Historical Temperament Tunings on the Modern Concert Piano (Site not responding. Last check: 2007-10-10) |
 | | The progressively decreasing size of the intervals between partials insures that when two separate notes are played together, somewhere in their partials there will be a frequency that is common to both. |
 | | Musical intervals corresponding to the ratios of 4:3 (fourth), 5:3 (sixth), and 6:5 (minor 3rd) were, in time, all found to be pleasing, and as progress was made in the control of pitch, useful for composition. |
 | | The "wolf" is spread equally between all combinations, hence, all keys have the same amount of tempering, and there is no "tonal color" in one key that does not exist in the others. |
| www.uk-piano.org /edfoote (4336 words) |
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