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| | Elliot Smith: XO |
 | | On this, his most recent opus, he has not strayed all that far from those earlier themes; what has changed are his stylistic sensibilities as he has used the studio with skill and ingenuity to produce a sonic delight that borders on being a master work. |
 | | Tomorrow Tomorrow with its smooth tempo changes, internal rhymes, and a chorus that, again, is a multi-tracked Elliott Smith approaching a crescendo that, despite its euphonic delivery, depicts the mental unraveling of the narrator. |
 | | But, it is on the third song, Waltz #2 (XO), that the tunesmith¹s craft and studio technology are beautifully interwoven to reach a pinnacle of superlative merit. |
| www.audiophilia.com /software/dm7.htm (658 words) |
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