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Borges Center - Beatriz Sarlo: Fantastic invention and cultural nationality - The University of Iowa (Site not responding. Last check: ) |
 | | Xul Solar offers a composite profile: avant-gardiste Janus, he produced, as early as 1915 (when painting in Argentina was mostly post-Impressionism, pompier symbolism or late realism à la Courbet), the subtly figurative designs of his water-colors; and, a few years later, the abstract space where floated imaginary creatures among hieroglyphs and inscriptions of esoteric origin. |
 | | Xul worked on both directions: he invented 'neocriollo' that intended to be a panamerican language based on Latin roots and local expressions; and he also invented 'panlengua', one of the hundreds of Esperanto-like creations, very typical of the period, based on a simple syntax and an additive method of word-building. |
 | | The ideological materials that Xul Solar turned into the subject of his painting claim to be considered as the gist of his inspiration; however, as it is the case with Mondrian or Kandinsky, the strong syntactic organization of the painted surface justly demands at least as much attention. |
| www.uiowa.edu /borges/bsol/bsfi.shtml (2452 words) |
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