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	Yale Repertory Theatre - Wikipedia, the free encyclopedia
		Yale Repertory Theatre at Yale University in New Haven, Connecticut was founded by Robert Brustein, dean of the Yale School of Drama in 1966, with the goal of facilitating a meaningful collaboration between theatre professionals and talented students.
		The dean of the Yale School of Drama is the artistic director of the Yale Repertory Theatre, with Lloyd Richards serving in this capacity 1979-1991, Stan Wojewodski, Jr., 1991-2002, and James Bundy since 2002.
		In 2002, the Yale School of Drama and Yale Repertory Theatre received the Governor's Arts Award from Governor John Rowland for artistic achievement and contribution to the arts in the state of Connecticut.
	en.wikipedia.org /wiki/Yale_Repertory_Theatre (241 words)

	Yale Repertory Theatre \| About Yale Rep \| History
		Robert Brustein founded Yale Repertory Theatre in 1966 as the “Master Teacher” of the Yale School of Drama.
		Yale Rep was one of the first theatres to regularly transfer serious work to the commercial theatre, developing a model of professional producing that changed the course of new play development in the American theatre.
		Yale Repertory Theatre itself received the Tony® for Outstanding Regional Theatre in 1991, and it has been recognized for its outstanding contribution to the development of creative talent with the Jujamcyn Theaters Award.
	www.yale.edu /yalerep/history.html (454 words)

	New Haven, Connecticut - Wikipedia, the free encyclopedia
		Yale (and many other colleges) went "on strike" from just before May Day until the end of the term; as at many colleges it was not actually "shut down", but classes were made "voluntarily optional" for the time and students were graded pass/fail for work done up to then.
		Yale University, at the heart of downtown, is one of the city's best known features and its largest employer.
		The Yale School of Music, one of the world's most notable music conservatories, also contributes to the city's music scene by offering hundreds of free concerts throughout the year at venues in and around the Yale campus.
	en.wikipedia.org /wiki/New_Haven,_Connecticut (5771 words)

	Yale Alumni Magazine: Milestones
		The content of the magazine is the responsibility of the editors and the board of directors, and does not necessarily reflect the views of Yale or its officers.
		Richards used his position as dean of the Yale School of Drama (which he held from 1979 to 1991) to create further opportunities for his O'Neill discoveries.
		The seasons he programmed at the Yale Repertory Theatre were wildly varied, and he turned winter break into "Winterfest," a frenzied lab which tossed up full productions of several new works each year.
	www.yalealumnimagazine.com /issues/current/milestones.html (642 words)

	TDF Travel Program Connecticut Theatre Tour 2004 (Site not responding. Last check: 2007-11-01)
		After a light lunch, we have a talk at the Yale Repertory Theatre, closely aligned to the Yale School of Drama, which was founded 35 years ago by theater scholar and director Robert Brustein.
		The Yale School of Drama, the first graduate program in drama in the United States, is considered to be the country's premier theater-training program.
		Dedicated to the preservation and advancement of musical theatre and the development of new works to add to the repertoire, the Goodspeed pioneered the practice of rethinking, restoring and revitalizing America 's musical theatre heritage.
	www.tdf.org /travel/ct_itin.html (1053 words)

	Yale Daily News - Former dean, founder of Rep talks theater (Site not responding. Last check: 2007-11-01)
		Brustein said when former Yale President Kingman Brewster (1963-1977) first asked him to become dean of the drama school, he was not sure he wanted to commit himself to the world of academia, but soon realized that given the authority of the position, he would be able to reform the school on his own terms.
		By aggressively recruiting faculty and founding the Yale Repertory Theatre, Brustein said he worked to build a more professional theater training school that was more closely related to the craft of acting.
		Richard Selzer, a retired professor at the Yale School of Medicine and old friend of Brustein's who attended the tea, said he remembered the former dean of the drama school as a daring and popular figure on campus.
	www.yaledailynews.com /article.asp?AID=31079 (867 words)

	YER - Staff (Site not responding. Last check: 2007-11-01)
		Social Entpreneurship is also among her interests at Yale, as she is the director of Social Entrepreneurship for the Yale Entrepreneurial Society.
		Greta is involved in many organizations, including Students for Organ Donation, the Yale Repertory Theatre, the Yale Literature Society, and she is a drummer in the Yale Precision Marching Band.
		She is also a member of Yale Reach Out, and has traveled with the organization to complete a sustainable development project.
	www.yaleeconomicreview.com /writersandeditors.php (984 words)

	Yale Repertory Theatre \| Season Productions & Special Events \| Brundibar and Comedy on the Bridge (Site not responding. Last check: 2007-11-01)
		Yale Repertory Theatre, in collaboration with Berkeley Repertory Theatre, presents Comedy on the Bridge and Brundibar.
		Yale Repertory Theatre is proud to present the opera Brundibar, a once-in-a-lifetime collaboration between two artistic giants: Tony Kushner and Maurice Sendak.
		In Comedy on the Bridge, riddles are solved, secrets are revealed, and love is reborn when a pair of sweethearts, a businessman and his wife, and a baffled schoolmaster are trapped on a bridge between two opposing armies.
	www.yalerep.org /brundibar.html (403 words)

	Theatre and Drama (Site not responding. Last check: 2007-11-01)
		She works in the areas of early modern British drama, comparative modern theatre, and postcolonial studies, and is the author, most recently, of Theatres of Independence: Drama, Theory, and Urban Performance in India Since 1947 (University of Iowa Press and Oxford University Press, 2005).
		University Theatre, and, from 1990-93, served as Chair of the Department of Theatre and Drama.
		Her research on the changes in ideological function in Russian theatre for youth with Glasnost and Perestroika, was awarded with the 1997 American Alliance for Theatre and Education (AATE) Distinguished Research Award.
	www.theatre.wisc.edu /faculty.html (3133 words)

	Yale Repertory Theatre \| Ticket Services (Site not responding. Last check: 2007-11-01)
		This special pass, available exclusively to the faculty and staff of Yale University, is valid for six tickets during the season, which are redeemed on a per-show basis in any combination — they can all be used for one production, or each for a different production.
		The Yale Pass lets you choose which productions to attend as well as what date to attend, making it ideal for patrons who want to see several shows but are unable to choose dates ahead of time.
		Yale Pass holders enjoy all the benefits of subscribers, although seating is not guaranteed.
	www.yalerep.org /tickets_packages.html (507 words)

	Yale Drama Series
		Yale University Press and Yale Repertory Theatre are joining forces in a new venture to support emerging playwrights.
		The Yale Drama Series and David C. Horn Prize are funded by generous support from the David Charles Horn Foundation.
		Yale University Press and Yale Repertory Theatre are seeking submissions for a major new playwriting competition, The Yale Drama Series.
	yalepress.yale.edu /yupbooks/drama.asp (480 words)

	August Wilson
		His first commercial success was Ma Rainey's Black Bottom which was developed at the Playwrights Center in 1983 and eventually moved to premier at the Yale Repertory Theatre in 1984 and went on to Broadway where it enjoyed 275 performances and won the New York Drama Critics Circle Award.
		The premier at the Yale Repertory established a collaborative bond between Wilson and Lloyd Richards who was then dean of the Yale School of Drama.
		Opened at the Yale Repertory Theatre in 1985 and in New York in 1987 where it won the Pulitzer Prize as well as the New York Drama Critics Circle Award.
	www.bridgesweb.com /blacktheatre/wilson.html (2091 words)

	Yale Repertory Theatre \| New Haven \| WCities Destination Guide
		This theater was founded by the Yale School of Drama in 1966 to engender a closer working relationship between faculty and students and the professional theater, and has helped launch the careers of dozens of now-famous actors.
		"Yale Rep" is located in th e stunning former Calvary Baptist Church, which was built in 1868 and renovated to accommodate the theater in 1970.
		Yale Rep is an award-winning theater in the circle of renowned, established theaters in the greater New Haven area.Ï
	www.wcities.com /en/record/,273721/606/record.html (132 words)

	Theatre.de la.Jeune Lune - (Site not responding. Last check: 2007-11-01)
		Theatre de la Jeune Lune is a company of theatre artists founded in France in 1978 by Parisians Dominique Serrand and Vincent Gracieux and Minneapolis native Barbra Berlovitz.
		All are graduates of the renowned theatre school Ecole Jacques Lecoq in Paris, and jointly share the duties of Artistic Director.
		It goes on to tour at the Yale Repertory Theatre and the La Jolla Playhouse, receives the American Theatre Critics' Association New Play Award, and a Pulitzer Prize nomination.
	www.jeunelune.org /about/history.html (750 words)

	African Americans - August Wilson, Playwright, poet
		Fences, written in 1983, was staged at the O'Neill in 1983, produced at the Yale Repertory Theatre in April 1985, and opened on Broadway at the 46th Street Theatre on March 26, 1987.
		Written in 1984 and prior to its Broadway debut, Joe Turner's Come and Gone was staged at the O'Neill, produced at the Yale Repertory Theatre in 1986, and at Washington's Arena Stage in 1988.
		The Piano Lesson, written in 1986, was staged at the O'Neill in 1987, produced at the Yale Repertory Theatre in 1988, and opened April 16, 1990, at Broadway's Walter Kerr Theatre.
	www.africanamericans.com /AugustWilson.htm (1957 words)

	Source/Inc. - Court Theatre
		The professional actors' equity theatre on the Hyde Park campus of the University of Chicago expresses this great university's commitment to the dramatic arts in the spirit of Princeton's McCarter Theatre, the Yale Repertory Theatre, the Berkley Rep at UC/Berkley to name a few.
		Court Theatre began as a summer theatre season in the university's quadrangle.
		When the theatre moved to a permanent Harry Weese-designed performing space it sought assistance from Source/Inc. to express the singular meaning and awareness it had created in a visual identity for its programs that would acknowledge its affiliation and residence at the University of Chicago.
	www.sourcedesign.com /court_theatre.htm (118 words)

	The Yale Herald - Feb 15, 2002 - Sex, violence take over Yale theater this V-Day
		Betty's Summer Vacation Yale repertory Theatre 'As thempting as those pecs are, honey...' 'Huh?' Now that's comedy.
		After two hours of rape, mutilation, decapitation, arson, and various other sorts of bad behavior, the Yale Repertory Theatre's production of Betty's Summer Vacation, written by Christopher Durang, DRA '74, leaves its audience staring at a set empty except for a mound of tabloid magazines, discarded snack food containers, and other forms of all-American trash.
		The audience at the Yale Rep on Tues., Feb. 12 may have laughed and applauded as they felt they should, but, as the voices in the ceiling put it, "We're uncomfortable.
	www.yaleherald.com /article-p.php?Article=265 (539 words)

	The Studio Theatre: Washington, D.C.'s Home for Contemporary Theatre
		Rolin Jones is a 2004 graduate of the playwriting program at the Yale School of Drama, where he currently serves as the NEA-TCG playwright-in-residence at the Yale Repertory Theatre.
		A visiting instructor at Yale, David received a BA from Yale College and an MFA from the Yale School of Drama.
		The Studio Theatre Secondstage, under the leadership of Artistic Director Keith Alan Baker, was created in 1988 and offers a signature blend of spirited and irreverent performances, provocative productions of created works, cutting-edge writers, musicals and early works by revered authors.
	www.studiotheatre.org /about/press_releases.php?pid=87 (739 words)

	Berkeley Repertory Theatre
		Berkeley Repertory Theatre is proud to present a once-in-a-lifetime theatrical event: Brundibar, a remarkable collaboration between renowned playwright Tony Kushner and beloved artist Maurice Sendak.
		Recognized as one of the leading regional theaters in the United States, Yale Rep itself received the Tony Award for Outstanding Regional Theatre in 1991, and it was awarded the 1992 Jujamcyn Theatres Award for its outstanding contribution to the development of creative talent for the theatre.
		In 2002, Yale School of Drama/Yale Repertory Theatre received the Governor’s Arts Award in recognition of its remarkable artistic achievement and contribution to the arts in the state of Connecticut.
	www.berkeleyrep.org /HTML/AboutTheRep/release_09.15.05.html (2449 words)

	Untitled Document
		The focus is on nonprofit theatres, although some students develop interests in the commercial theatre, film, and electronic media.
		Students are expected to function professionally on the administrative staff of Yale Repertory Theatre.
		Rotation mentors are full-time faculty members and staff of Yale School of Drama and Yale Repertory Theatre.
	www.artsadministration.org /programs/yale_sep00.htm (731 words)

	Yale Repertory Theatre/Yale School of Drama Presents The Dwight/Edgewood Project
		NEW HAVEN, CT: The Dwight/Edgewood Project, a long-standing collaboration between Yale Repertory Theatre, Yale School of Drama and New Haven schools is celebrating its 10th Anniversary and the accomplishment of serving nearly 100 children.
		The program includes one-on-one mentoring, theatre games, numerous playwriting exercises and an overnight retreat to Camp Wightman in Griswold, CT. Most importantly, the Project aims to foster positive self-esteem, self-awareness and self-respect.
		The Dwight/Edgewood Project is supported in part by the Jane Marcher Foundation, Yale University Office of New Haven and State Affairs and Yale Repertory Theatre/Yale School of Drama.
	www.jacneed.com /Archives/060605Yale.htm (464 words)

	Arizona Theatre Company :: Press Room :: Photo Gallery
		Her New York theatre credits include Immigrants’ Theatre Project (at The Public Theater, Tenement, Mazer, Shetler 54), Young Playwrights Inc. (at Cherry Lane, Lucille Lortel), Juggernaut Theater Company (at The Connelly), Working Theater (at the Abingdon), and Repertorio Español.
		From 1973-1990 he was associate artistic director, director and resident actor at The Whole Theatre in New Jersey, of which he was a co-founder.
		Her other theatre credits include California Scenarios, also at South Coast Repertory, Beauty of the Father (Seattle Repertory Theatre), Death and Life of Jesse James, The Maids, Red Cross (Mark Taper Forum), Once Removed (Long Wharf Theatre), Roosters (New Mexico Repertory) and The Boiler Room (The Old Globe).
	www.aztheatreco.org /pressroom_gallery_play2_cast.html (743 words)

	OffBroadwayOnline.com
		The mission of American Alliance for Theatre and Education is to promote standards of excellence in theatre and theatre education.
		StageSource, The Alliance of New England Theatre Artists and Producers, is committed to providing leadership and resources for the advancement of theatre in the Greater Boston/New England area.
		Theatre League Alliance is a non-profit association of theatres and theatrical producers that supports theatre in greater Los Angeles by uniting, representing, and promoting the theatre community.
	www.offbroadwayonline.com /links.php (2230 words)

	People
		Associate Professor in theatre history and head of the Ph.D. program, took his MFA from the University of Utah and his Ph.D. from the University of Texas at Austin.
		Theatre, Yale Repertory, The Old Globe, Minneapolis Children's Theatre, Seattle Children's Theatre and Cornerstone Theater, where he has been a member of the Ensemble since 1996.
		He was resident director of the Indiana Repertory Theatre from 1992-1995, where he directed numerous productions, served as the theatre's literary manager, and taught Shakespeare in the conservatory training program.
	www.depts.washington.edu /uwdrama/people/faculty.html (2045 words)

	Yale Daily News - Afrocentrism in 'Lear' overlooks native people (Site not responding. Last check: 2007-11-01)
		The production of Shakespeare's "King Lear" currently playing at the Yale Repertory Theatre is set among the Olmecs of ancient Mexico, and the cast is entirely African-American.
		Only outsiders, it was held, could explain the existence of "high culture" among the savages.
		The racism underlying this assumption is one of the hardiest of Eurocentrism's many weeds, and what we see on display at the Yale Rep is merely a newer, Afrocentric variety.
	www.yaledailynews.com /article.asp?AID=25326 (914 words)

	WSU Theatre: Meet Jon Carlson
		Jon began his professional theatre training at Binghamton University in New York, where he earned an MA while specializing in lighting design and technical direction.
		In 1995 he was lured by the WSU School of Music & Theatre Arts to coordinate technical operations for the Theatre Arts and Drama Program at the Pullman campus.
		Outside of academic theatre, Jon was a crew member for the original production of The Who's Tommy at the LaJolla Playhouse, Assistant Tech Director for LDI '94 Workshops and Conferences in Reno, Nevada, and a freelance production manager for Chez-zam, a industrial production company in Deer Park, NY.
	libarts.wsu.edu /musicandtheatre/theatre/Bios/jcarlson.html (427 words)

	PlayMakers Repertory Company MFA
		David Hammond (Artistic Director Emeritus, PlayMakers Repertory Company; Teacher of Acting) has taught on the faculties of the Juilliard School, the American Conservatory Theatre, and the Yale School of Drama and was a resident director for A.C.T. and the Yale Repertory Theatre.
		She has a PhD in theatre with minor concentrations in voice pathology, psychology and dramatic literature and has been trained by Arthur Lessac, Kristin Linklater, and members of the Roy Hart Theatre.
		The Paul Green Theatre, featuring a festival stage space designed by Desmond Heeley and seating about 500 people, is home for the PlayMakers Repertory Company, an Equity/LORT theatre, and the principal training ground for students in the Professional Actor Training Program.
	www.unc.edu /depts/drama/mfa/patp/professional.html (761 words)

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