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Topic: Yeombul

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	[No title]
		In case of the column of it, square and circular pillars were mixed with, but the latter was used usually in the main elements such as Keunbang(one large room used for yeombul) and Ikru(ìÏÒæ) according to the hierarchy of its elements.
		As the transitional architecture, there were the buildings in which the Buddhist altar was not made and the main temple was used as the altar.
		From this, it was possible to see that the space for yeombul and reception was given much more weight than the others.
	myhome.naver.com /animaarchi/ksd/paper/drpapabs.htm (2659 words)

	¢Ã A Study On The Characteristics Of Space Of The Daebang Building
		The Daebang, evolved from the Ru(Òæ) which was located at the front of the main temple such as Geuklakbogeon under the necessity of space for yeombul(i.e.
		pray to Buddha) and reception by the yeombul-prevalent and reception-valued social background in those days, was the building for yeombul.
		This paper aims at finding out the characteristics of the inner and outer space of the Daebang, the creative temple since the 19th century, in temples of Seoul and Kyonggi province.
	myhome.naver.com /animaarchi/ksd/paper/dbspaceabs.htm (354 words)

	Beopjusa \| KoreanArts.org
		While court dances aimed at artistic quality and featured special sequences in choreography, folk dances were improvised, revealing their rather unpolished styles.
		Rhythmic patterns accompanying them range over those of yeombul (6/1), taryeong (12/1), gutgeori (12/8), and southern sanjo (solo instrument with drum accompaniment).
		The seungmu integrates the eight rhythmic cycles: yeombul, dodeuri (6/4), taryeong, jajin taryeong, gutgeori (12/8), dwit gutgeori, gujeong nori, and saesanjo.
	www.koreanarts.org (3987 words)

	Korean Buddhism: A Short Overview
		While the exact content of the teachings of the first two of the former three figures is not quite clear, it is known that Weonhyo specialized in the transmission of the Pure Land practice of yeombul.
		Pure Land would end up becoming extremely popular in Korea, not only as a pervasive mode of practice for the common people, but as a major topic of inquiry for many of Korea's most influential scholar-monks.
		The Mind-only, and "permeation" aspects of Consciousness-only doctrine offered many affinities with Weonyung/Hwaeom (Huayan) thought, and thus it was quite common for Korean scholars who specialized in one of these disciplines to be quite involved in research on both schools of thought.[back]
	www.hm.tyg.jp /~acmuller/kor-bud/korbud-overview.html (8426 words)

	nianfo Japanese nembutsu #24565 #20315 Korean yeombul literally...
		nianfo Japanese nembutsu #24565 #20315 Korean yeombul literally...
		"nianfo" (Japanese: "nembutsu" 念佛; Korean: "yeombul"), literally "mindfulness of the Buddha." is a term commonly seen in the Pure Land school of Buddhism, which usually refers to the chanting of the name of a buddha such as Amitabha to obtain rebirth in the Pure Land of the West.
		A copy of the license is included in the section entitled
	www.geodatabase.de /Nianfo (98 words)

	Asia-Pacific Database on Intangible Cultural Heritage(ICH)
		The first one is Yeombul (a prayer to Buddha)characterized by solemn religions mood and slow, elegant movement patterns.
		The second one is Yeombul Dodri (fast Yeombul)in which the rhythms of music and dance get dynamic and fast.
		In the following Taryeong and Jazeun Taryeong (fast Taryeong), highly active, liberal movement patterns are displayed with rhythms accelerating.
	www.accu.or.jp /ich/en/arts/A_KOR14.html (481 words)

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