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Topic: Yoshinori Kanada

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	kanada - Ask.com Web Search
		Willkommen bei der Botschaft von Kanada in Berlin...
		Kanada (also transliterated as Kanad and in other ways; Sanskrit कणाद) was a Hindu sage who founded the philosophical school of Vaisheshika.
		The most accurate version of Pi was by Dr. Kanada of the University of Tokyo calculated the value of Pi to 206,158,430,000 places in September...
	search.ask.com /web?q=kanada (323 words)

	Pelleas.net \| AniPages Daily - February 2006, 07 (Site not responding. Last check: 2007-11-01)
		Masahito Yamashita is the most famous animator to have developed under the influence of Yoshinori Kanada (happy birthday), the animator active throughout the 1970s who came up with an original style all his own that combined strange posing, exaggerated perspective and an original and more dynamic approach to timing.
		After Kanada influenced the generation of the 70s, then, Yamashita in turn influenced a whole new generation of folks, but ironically over the years he did a 180 and mostly abandoned the indiosyncratic style that had characterized his early work and attracted fans.
		Though this is merely a rushed and far from a complete overview, and there are surely a lot of other people who have made their own contribution to the development of the style, hopefully this gives a sense of the interconnections.
	www.pelleas.net /aniTOP/index.php?m=20060207 (1439 words)

	GPA's Daitarn 3 - YOSHINORI KANADA
		Kanada inizia la sua carriera in "Maho no Mako-chan" (in Italia "Una sirenetta tra noi", 1970), nel cui staff entra dopo aver superato l'esame di ammissione alla Toei Doga.
		In Daitarn 3, Kanada cura l'episodio "Il comandante Nero", con un' indimenticabile lotta tra i grattacieli ripresa da angolature che esasperano le prospettive, e arricchita da onomatopee da fumetto americano.
		Yoshinori Kanada fu senza dubbio un personaggio importante nella produzione di Zambot 3, perchè gli conferì un ulteriore tocco di drammaticità.
	digilander.libero.it /haranban/daitarn/d3kanada.htm (914 words)

	artnet.com Magazine Features - Superflat (Site not responding. Last check: 2007-11-01)
		In the beginning, Murakami says, he wanted to be an animator in the style of the pioneering Yoshinori Kanada, who is known for his sci-fi animation films from the late 1970s and '80s.
		He decided that Kanada's animated sci-fi explosions were simply consecutive design motifs.
		One notion of flatness led to another -- the compression of genres in the pop-inflected work of younger artists.
	www.artnet.com /Magazine/features/drohojowska-philp/drohojowska-philp1-18-01.asp (1801 words)

	WAC \| Visual Arts \| Exhibition \| Superflat
		Tracing this flatness back to pioneers of Japanese painting in the 17th, 18th, and 19th centuries, Murakami has developed a theory of "super-flat Japanese art" in which this legacy can be seen to be resurrected in the post-World War II rise of the Japanese cartoon cultures of manga (comic books) and anime (animation).
		In his essay "A Theory of Super Flat Japanese Art" (2000), Murakami suggests a direct line of historical descent between the flatness of the prints of the 19th-century master Katsushika Hokusai, for example, and the 1970s television animation of Yoshinori Kanada.
		Both share a uniquely Japanese sense of "superflatness," which because it is decidedly unlike our normal reality, Murakami argues, can create an escape from the pressures and expectations of everyday life.
	www.walkerart.org /archive/6/AC73B1AC4C99E00E616C.htm (735 words)

	ANIME HISTORY - THE GOLDEN AGE
		In addition a major component of anime from a technical perspective developed with Yoshinori Kanada an animation director (who worked on Yamato) who allowed individual key animators working under him to put their own style of movement as a means to save money.
		In many more "auteristic" anime this formed the basis of an individualist animation style that is unique to Japan (in commercial animation).
		In addition, Kanada's animation was inspiration for Takashi Murakami and his Superflat art movement.
	www.japaneselifestyle.com.au /culture/anime_history_golden_age.html (1024 words)

	Superflat Super Cool
		The animation and comic art on display is probably one of the most interesting aspects of the show.
		Downstairs are two classics directed by Yoshinori Kanada, "Galaxy Express 999" and "Armageddon." These epic films flex the anime technique's action muscles, featuring the fantastic explosions, and dragons and speed-freak fighting sequences that make the genre so popular.
		The adjacent wall is wallpapered with frame by frame still shots from these movies, so the intensity of the action can be seen more clearly.
	www.usc.edu /student-affairs/dt/V142/N08/01-superflat.08d.html (968 words)

	Superflat MOCA Los Angeles - Pressrelease
		A central influence on the concept of Superflat is the Japanese cartoon culture of manga where enthusiasts are lured into a magical world that is divorced from reality.
		Koji Morimoto, known for the opening animation for MTV Japan, has made sketches and animations inspired by 17th century Japanese scrolls and statues.
		Yoshinori Kanada's Goodbye to Galaxy Express 999 (1981) is an early example of intense animation where each of the 24 frames per second has unique movement and imagery.
	www.undo.net /cgi-bin/undo/pressrelease/pressrelease.pl?id=981403849 (1048 words)

	Apartment 107
		This collection of contemporary Japanese art, animation, graphic design and fashion dares to challenge the traditional boundaries of their respective mediums to present a broader vision of Art and Pop Culture.
		The installation includes pieces from animators Yoshinori Kanada (Galaxy Express 999) and Koji Morimoto (Memories), graphic design firm groovisions (Chappie), fashion design firm 20471120, photographer Chikashi Suzuki and many others.
		The centerpiece of the exhibit has got to be Katsushige Nakahashi’s amazing 39 ft. Japanese fighter plane composed of photographs, cellophane tape, cloth tape and small air filled bags hanging by it’s nose on the 2nd floor of the gallery.
	www.apartment107.com /article.php?id=209 (191 words)

	In the Realm of the Superflat - exhibition of Takashi Murakami's sculptures Art in America - Find Articles
		As well as elucidating the contemporary background of his own work, Murakami's show and catalogue argue for a certain continuity in Japanese visual culture.
		The catalogue opens, for instance, by drawing parallels between Hokusai's 36 Views of Mount Fuji and a cartoon called "Galaxy Express 999' by TV animator Yoshinori Kanada.
		On the most obvious level, the term "superflat" refers to the two-dimensional style of Japanese television animation, which has been a major influence on Murakami and the other artists in the exhibition.
	findarticles.com /p/articles/mi_m1248/is_6_89/ai_75496778 (825 words)

	Brothers of Yamato, Part 2
		Animation errors were both numerous and obvious, one of the hallmarks of a high-pressure, low-budget program.
		The animation overall was unremarkable except for a short air battle scene in the Tele-feature that was designed by Yoshinori Kanada, whose dynamic storytelling sensibilities offered the first hint of where anime would go in the 1980s.
		On the music side, a large portion of Hiroshi Miyagawa's score is very recognizable (much of it could have been unused Yamato music), but the maestro is only credited for some of the work.
	www.starblazers.com /html.php?page_id=100 (1879 words)

	Flat–Sexy–Serious \| Pullout \| Japanamania! \| The Stranger, Seattle's Only Newspaper
		As evidence of the distinguished pedigree of contemporary Japanese eye candy, Superflat's catalogue includes artists from Japan's rich past.
		The comparisons are instructive, such as panels from animator Yoshinori Kanada's seminal 1979 film Galaxy Express 999, with explosions that crest and travel across the frame like Hokusai's wave.
		Chiho Aoshima's image of a waifish schoolgirl wedged luxuriously between two buildings, besides being a stunning image, is a kind of literal expression of a figure caught in the flat plane; Bome's cartoon sculptures have an odd ballooniness, a plastic discomfort in the three-dimensional world.
	www.thestranger.com /seattle/Content?oid=9228 (918 words)

	City Pages - Flat Pop (Site not responding. Last check: 2007-11-01)
		The defining example of this continuity, to his mind, might be Yoshinori Kanada's seminal 1979 anime film Galaxy Express 999.
		Kanada's creation, which is represented here as a series of stills, pioneered a style called "limited animation," which, for budgetary reasons, featured far fewer frames per second than Disney-style American animation.
		The result was jerky, stylized imagery characterized by techno-futuristic design and ejaculatory explosions.
	www.citypages.com /databank/22/1077/article9719.asp (2043 words)

	Rotten Tomatoes: The Vine: japanime craze!!!!!!!! (Site not responding. Last check: 2007-11-01)
		Animation productions tend to keep to a set style by the director or animation director.
		In Japan starting with the animation director Yoshinori Kanada (as a means to save time and money) allowed each animator to bring their own individual style to the work.
		An example of this is the The Hakkenden that showed constantly shifting styles of animation from episode to episode, based upon the key animator that worked on that particular episode.
	www.rottentomatoes.com /vine/journal_view.php?journalid=338194 (1000 words)

	Arts > Animation > Anime
		Within virtually completely animation produced around the world animators come all forced to conform to the placed style per director even or animation director.
		Inside Japan starting sustaining a animation director Yoshinori Kanada (as a means to save time & money) apiece animator will bring his/her have style to the operate.
		A virtually all extreme examples of this may be witnessed around Mindgame or The Hakkenden.
	anime.generalanswers.org (3059 words)

	Yoshinori Kanada (Site not responding. Last check: 2007-11-01)
		Discuss this person with other users on IMDb message board for Yoshinori Kanada
		Find where Yoshinori Kanada is credited alongside another name
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	www.imdb.com /name/nm0437484 (415 words)

	IGN: Interviewing the Animatrix, Part 2
		I'm inspired by the work of other artists, mostly because they show me how good it's possible to be at practicing one's craft.
		They would include, in no special order: David Lynch, Stanley Kubrick, Orson Welles, Alfred Hitchcock, Federico Fellini, Alexandro Jodorowsky, Michelangelo Antonioni, Alain Resnais, Jean Cocteau, Allain Robbe-Grillet, Seijun Suzuki, Osamu Dezaki, Yoshiaki Kawajiri, Yoshinori Kanada, Moebius, Kazuo Umezu, Egon Schiele, Horst Janssen, Frank Lloyd Wright, among others.
		IGN: Have you seen Reloaded yet, and if so what did you think?
	dvd.ign.com /articles/409/409846p1.html (1174 words)

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